Review by C.J. Bunce
In After the End of the World, author Jonathan L. Howard pens the second book in a series featuring his two heroes, bookstore owner Emily Lovecraft, fictional descendant of horror writer H.P. Lovecraft, and ex-cop Daniel Carter, descendant of Randolph Carter, a recurring character in H.P. Lovecraft’s novels that was said to be written into Lovecraft’s works as his alter ego. The novel continues in a different vein from where Howard’s Carter & Lovecraft left off, taking readers into the realm of alternate histories and speculative fiction.
After the End of the World will be familiar to readers of Harry Turtledove’s dark parallel histories. Probably no other storyteller has covered a world where Nazi Germany came out on top as frequently as Turtledove in his novels. Carter and Lovecraft leave the more Lovecraftian monster horror realm when a cataclysmic event splits reality between the Folded World–the real world–and the Unfolded World, a scary surreal parallel world where a change in historical events threw off the course of history, leaving the duo to begin a journey to try to make things right.
The novel takes much by way of concept from Philip K. Dick’s novel The Man in the High Castle and the recent popularity of its television adaptation, and the political aura of the recent trend of life reflecting fiction echoing in entertainment like The Handmaid’s Tale. After the End of the World reads like a variant of Dick’s novel, but in Howard’s story Germany destroyed Moscow early in the war, conquered Russia, and sued for peace with the rest of the world, resulting in its lasting success over the past 70 years as a superpower and technological leader. So this material has been covered in parallel histories, and the value for the reader will be honing in on Emily Lovecraft and Daniel Carter as a pair.
and Ron Howard’s modern classic blockbuster 
starring Tom Hanks, Bill Paxton, and Kevin Bacon. But what if Apollo 11 had encountered a similar fate?
