Tag Archive: Amber Rose Revah


This year we found one series that could easily sweep most of the categories–a single television series that had everything: compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, all kinds of genre elements that were satisfying and left viewers feeling inspired.  Richly detailed sets and costumes.  An impossible feat to replicate.  No drama came close.  No other visual effects spectacle could touch it.  And its audience is everyone.  A truly epic addition to television viewing, that series is The Dark Crystal: Age of Resistance, the greatest television series to come along in years.  If you love genre like we do, this was as good as it gets.  And like icing on the cake, along came The Mandalorian at year end.

But we’re not going to ignore the other good things that happened on the small screen this year.

Our borg Best of 2019 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2019 here and the best Kick-Ass Heroines of 2019 here.

Without further ado, this year’s Best in Television:

Best Borg SeriesDoom Patrol (DC Universe).  With this year’s series Doom Patrol we got a look at two borgs, DC Comics’ Cyborg, an update to Martin Caidin’s original Bionic Man from the 1970s, and an older borg created before the word was even coined in the 1960s, Robotman.  Both characters revealed a glimpse at what life might be like with significant cybernetic enhancements (when brought together by a modern Dr. Frankenstein).  For 2019, it was the way to get your borg fix on the small screen.

Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, Best TV SoundtrackThe Dark Crystal: Age of Resistance (Netflix).  It was worth the wait.  Jim Henson’s seemingly impossible to replicate artistic vision was successfully achieved thanks to his daughters and the company he founded.  The kindest heroes, the darkest evil, a truly epic, legendary story for the ages.  Everybody is cranking out CGI extravaganzas, but how many are creating artistry so fundamentally real, with so many individual artists and artisans contributing and achieving so much?  Even that wouldn’t be enough if not for the layered mythology and epic adventure story.  Add great humor, high stakes, emotional impact, an all-star voice cast, Daniel Pemberton and Samuel Sim’s  imaginative musical score, and those puppets and all that go into them–it adds up to a rare thing–a Henson masterpiece.

Best TV Sci-fi Series, Best TV DramaThe Man in the High Castle (Amazon).  Amazon Studios could not have adapted a series more faithfully, making changes for the medium and the times, than its take on Philip K. Dick’s most celebrated novel.  The use of science fiction to tell a deep and twisty level of subplots and unique setting all came to a perfect conclusion in the series finale.  Exciting, intelligent, frightening, and the most thought-provoking series this year, it was also different from its sci-fi competition.  Honorable mention: The Mandalorian (Disney+)–but only if we allow space fantasy since the series is not true science fiction, The Orville (Fox)–for its two-part epic movie-worthy space story, “Identity.”

Best New Ongoing TV Series, Runner-up: Best TV Soundtrack, Runner-up: Best TV Costumes/Makeup The Mandalorian (Disney+).  Not a lot needs explaining with this series, which in only its first two hours we rated it closer to the original Star Wars and The Empire Strikes Back than anything with the Star Wars label on it since.  The Western motif is still alive, not all that hidden here in space fantasy garb.  And we won’t get started on the impact of The Child (aka Baby Yoda) on the genre-loving world and beyond.  Credit Jon Favreau’s visible enthusiasm and love for the original movies for the success of this surprisingly awesome arrival–the series is proof Star Wars is far from over.

Continue reading

It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  This year we selected 25 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

Several characters who made previous years’ kick-ass heroine lists returned to TV and film and could very well make the list again, but we’re looking for new recruits.  So we’re not forgetting Lagertha in Vikings, Liv Moore from iZombie, Trish Walker in Jessica Jones, and Juliana Crain from The Man in the High Castle, all in their final seasons of their series, plus Eleven in Stranger Things, Juliet Higgins in Magnum PI, Liz Dudley in Lodge 49, the 13th Doctor in Doctor Who, Betty Cooper from Riverdale, and Sabrina Spellman and Ms. Wardwell from The Chilling Adventures of Sabrina.  At the movies Valkyrie, The Wasp, and Okoye were back, this time in Avengers: Endgame, Martha/Ruby Roundhouse returned in Jumanji: Welcome to the Jungle, and Rey was back one more time in Star Wars: The Rise of Skywalker This year we add a mystic, a former Russian operative, a DHS agent, an adventurer, an undercover cop, a bounty hunter, a general, a gang leader, superheroes, martial arts masters, special agents, survivors, former soldiers, resistance fighters, gelflings, warriors, witches, a bride, and even a cyborg–with a roster evenly split between television and movie characters.

Credit goes to both the writers and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2019:

Aughra (The Dark Crystal: Age of Resistance).  If there was a greater woman character in the history of fantasy film, we don’t know who that would be.  We first met her 37 years ago thanks to Jim Henson in the original movie, and she hardly changed at all for the prequel series that arrived at last this year.  Voice actor Donna Kimball and Muppeteer extraordinaire Kevin Clash perfectly replicated the witchy sorceress whose wisdom, savvy, and mystic powers were stealthily used this season.  She went to death and back again, and was key to defeat the Skekses once again. (Henson/Netflix)

Black Widow (Avengers: Endgame).  After a decade of being the only superheroine in the Avengers, Scarlet Johannson’s Natasha Romanoff finally took center stage this year as the bravest of the entire bunch, giving her life to save not only everyone on Earth, but everyone across the universe destroyed by Thanos.  And yet she still didn’t get the fanfare that Tony Stark did.  We’re hoping she gets the solo film she deserves when she’s back one more time next year in her own movie. (Disney/Marvel)

Hattie Shaw (Fast & Furious Presents: Hobbs & Shaw).  As part of a big bad assassin family, whose mother was played by Helen Mirren and brother by Jason Statham, Vanessa Kirby’s Hattie might be the toughest of them all.  If you need to track down a missing deadly virus in the hands of a cybernetically enhanced superhuman, who else are you going to call to team up with Statham and The Rock?  (Universal)
Continue reading

Review by C.J. Bunce

Jon Bernthal returned to Netflix this weekend for Season 2 of Marvel’s The Punisher, continuing in the role of Frank Castle, the comic book vigilante that makes all of the Clint Eastwood, Sylvester Stallone, Chuck Norris, and Keanu Reeves movie action heroes look wimpy by comparison.  Bernthal’s performance as a 21st century hero offers more than the beatings he dishes out (which will make viewers wince, flinch, and duck throughout 13 episodes), it has that subtlety and nuance that shows again Bernthal has the acting chops to be the next Robert De Niro.  And he’s probably the most believable actor as a Marvel comic book tough guy on the big or small screen.

The Punisher fits the superhero bill in his strength, cunning, and skill, and writers Steve Lightfoot, Ken Kristensen, Angela LaManna, Dario Scardapane, Christine Boylan, Felicia D. Henderson, Bruce Marshall Romans, and Laura Jean Leal outperformed the stellar first season with more elaborate set-ups for Castle & Co.  In 2017 the series’ first season made our borg.com best comic book adaptation and best villain with Ben Barnes‘ Billy Russo, and Barnes does it again, creating a worthy foil very different from last time, a character similar in many ways to the complex and somewhat sympathetic Killmonger in Black Panther.  In many ways it’s more of the same, with Amber Rose Revah (Emerald City) as Dinah Madani and Jason R. Moore (The Sorcerer’s Apprentice) as Curtis back supporting Castle, this time balancing two big threats.  The cast plays exceptionally well off each other, and it’s a shame this is the final season for the series.

Castle steps in as good Samaritan to protect a teenager played by Giorgia Whigham (The Orville) who becomes the season’s co-lead, a key part of a strange, Manchurian Candidate-inspired political scheme.  Meanwhile Madani pursues Billy Russo, now under the care of a psychiatrist played by series newcomer Floriana Lima.  The beating by Castle in Season One left Russo with memory loss, forgetting Castle nearly killed him only because he killed Castle’s family in the first season of the show.  The key theme again is PTSD and the results of coming home from war as a trained killer with little community support.  In many ways The Punisher is a modern-day read of the post-war classic The Best Years of Our Lives.  Loyalty is a key theme again, too, as is doing what is necessary to protect your own.

Continue reading

Marvel’s The Punisher‘s first season easily rated our favorite superhero series of 2017, with Ben Barnes‘ Billy Russo as our favorite villain, and Jon Bernthal in the title role as our pick for the second best actor on TV that year.  Netflix‘s superhero universe was a refreshing surprise after the networks tried to create a TV tie-in plan with the Marvel Cinematic Universe.  We still rate The Punisher as second only to Marvel’s Luke Cage of the Netflix comic book adaptations.  With Netflix and Marvel winding down this TV universe and an unknown future ahead for these actors and creators in their current roles, we’ve only two series left to see this year, The Punisher and Jessica Jones.

Netflix released the final trailer for the final season of The Punisher, and the big surprise is the return of Ben Barnes back as the season’s villain, the 1970s Amazing Spider-Man villain and later The Punisher comics hitman, Jigsaw.  The big risk of bringing back the same villain in a sophomore season is staleness.  But we’re thinking the dense action stuffed into the trailer is really what you’re tuning in for if you’re streaming this series.  The second season finds Bernthal’s Frank Castle in a three-episode story arc protecting a 21-year-old woman played by Giorgia Whigham (The Orville), and a surprise–The Man in the High Castle’s Alexa Davalos appears as a new love interest for Castle.

Amber Rose Revah (Emerald City) returns as Dinah with Jason R. Moore as Curtis and new characters played by Corbin Bernsen (Psych, Magnum PI), Floriana Lima (Supergirl, Psych, In Plain Sight, House), and Joe Holt (Supernatural, Monk, Law & Order).

Take a look at the one and only trailer, the final for the final season of The Punisher:

Continue reading

Review by C.J. Bunce

Superhero adaptations seemed to experience a coming of age this year.  After one appearance after another as a Wolverine fans all expected to see, Hugh Jackman finally gave us something entirely new.  Gritty and real, Jackman’s swan song as the ageless superhero in Logan took comic book movies into an incredible new place–a modern classic, a drama with depth and an unparalleled fierceness.  The DC Universe continues its consistently entertaining productions on the CW Network.  And although this year’s new FX series Legion succeeded in telling a different kind of superhero story, its convoluted and frenetic storytelling and visuals often felt like an indecipherable muddle, and the eagerly awaited Marvel team-up Defenders just didn’t gel.  Then comes Netflix’s unlikely comic book adaptation series The Punisher.

It may be less of a trick to take a lesser known character and make him or her approachable, and easier to foul up a well-known commodity, but The Punisher provides engaging drama and compelling storytelling for TV watchers whether or not you’re familiar with its source material.  And its one of the finest examples of the new wave of superhero TV–not that The Punisher aka Frank Castle portrayed by the craggy Jon Bernthal (The Walking Dead) has any superpowers.  He is somewhere near the Batman or Green Arrow superhero type, an on-again, off-again anti-hero with special forces–and MacGyver-esque–mad skills, he is a vigilante bent on avenging his wife and kids’ murders (refer to his origin in the Daredevil series) and eliminating those that ruined his life.  Or sometimes those that just get in his way.  Bernthal possessed the mystique of Roddy Piper’s put-upon everyman construction worker in They Live.  Bernthal’s Castle is brutal, angry, tormented, tortured, unrelenting.

He was counterbalanced in the series’ first season by soldier/opportunist-turned-CEO Billy Russo, played convincingly by Ben Barnes (Westworld, The Chronicles of Narnia: Prince Caspian), who rises to the top of his list, a painful result for Castle since they were practically brothers in the squad where Castle’s life was turned upside down.  Castle is practically a walking dead man, he has nothing to live for, nothing good to look forward to, no purpose left that he can discern.  He’s believed to be dead, living a miserable life of PTSD flashbacks and recurring dreams of his lost family.  His methods of revenge break all societal mores, yet actor Jon Berthal’s phenomenal portrayal of grit and resolve make his character easy to root for.  Even despite the real-world violence he dishes up along the way.

Continue reading