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Tag Archive: Amblin Entertainment


When we created last year’s preview of 2018 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best.  All year we tried to keep up with what Hollywood had to offer and honed in on the genre content we thought was worth examining.  We went back and looked at it all and pulled together our picks for our annual Best Movies of 2018.

GenredomAs always, we’re after the best genre content of the year–with our top categories from the Best in Movies.  There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch.  What do all of this year’s selections have in common?  In addition to those elements that define each part of genredom, each has a good story.  Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back later this month for our TV and print media picks, and our annual borg Hall of Fame inductees.  Wait no further, here are our movie picks for 2018:

Best Film, Best Drama – Bohemian Rhapsody (20th Century Fox).  For the epic historical costume drama category, this biopic was something fresh and new, even among dozens of movies about bands that came before it.  Gary Busey played a great Buddy Holly and Val Kilmer a perfect Jim Morrison, and we can add Rami Malek and Gwilym Lee’s work as Freddie Mercury and Brian May to the same rare league.  But it wasn’t only the actors that made it work.  Incredible cinematography, costume and set recreations, and an inspiring story spoke to legions of moviegoers.  This wasn’t just another biopic, but an engaging drama about misfits that came out on top.  Honorable mention: Black Panther (Disney/Marvel).

Best Sci-fi Movie, Best Retro Fix, Best Easter EggsSolo: A Star Wars Story (Disney/Lucasfilm).  Put aside the noise surrounding the mid-year release of Solo before fans had recovered yet from The Last Jedi, and the resulting film was the best sequel (or prequel) in the franchise since the original trilogy (we rate it right after The Empire Strikes Back and Star Wars as #3 overall).  All the scenes with Han and Chewbacca were faithful to George Lucas’s original vision, and the new characters were as cool and exciting, and played by exceptional talent, as found in the originals, including sets that looked like they were created in the 1970s of the original trilogy.  The Easter Eggs scattered all over provided dozens of callbacks to earlier films.  This was an easy choice: no other science fiction film came close to the rip-roaring rollercoaster of this film, and special effects and space battles to match.   Honorable mention for Best Sci-Fi Movie: Orbiter 9 (Netflix).

Best Superhero Movie, Best Crossover, Best Re-Imagining on Film Avengers: Infinity War (Disney/Marvel).  For all its faults, and there were many, the culmination of ten years of careful planning and tens of thousands of creative inputs delivered something no fan of comics has ever seen before:  multiple, fleshed out superheroes played by A-list actors with intertwined stories with a plot that wasn’t all that convoluted.  Is it the best superhero move ever?  To many fans, yes.  But even if it isn’t the best, its scope was as great as any envisioned before it, and the movie was filled with more great sequences than can be found in several other superhero movies of the past few years combined.  But teaming up Thor with Rocket?  And Spider-Man with Doctor Strange and Iron Man?  That beat all the prior Avengers team-ups that came before (and anything offered up from the other studios).  It’s easy to brush off any given film with so many superhero movies arriving these days, but this one was the biggest, grandest, and greatest made yet and deserves all the recognition.  Honorable mention: Spider-Man: Into the Spider-Verse (Sony Pictures Animation), Black Panther (Disney/Marvel).

Best Fantasy Movie, Best Comedy MovieJumanji: Welcome to the Jungle (Columbia Pictures).  No movie provided more laugh-out-loud moments this year than last winter’s surprise hit, a sequel that didn’t need to be a sequel, and a video game tie-in for a fake video game.  A funny script and four super leads made this an easy pick in the humor category, but the Raiders of the Lost Ark-inspired adventure ride made for a great fantasy film, too.  Honorable mention for Best Fantasy Movie: Black Panther (Disney/Marvel), Ready Player One (Warner Bros./Amblin).

Best Movie Borg, Best Borg Film – Josh Brolin’s Cable, Deadpool 2 (20th Century Fox).  Brolin’s take on Cable ended up as one of those great borgs on par with the Terminator from the standpoint of “coolness” factor.  But the trick that he wasn’t really the villain of the movie made him that much more compelling in the film’s final moments.  Ryan Reynolds was back and equal to his last Deadpool film, and his Magnificent Seven/Samurai Seven round-up of a team was great fun.  If not for all that unwinding of what happened in the movie in the coda, this might have made the top superhero movie spot.  But Deadpool 2 was a good reminder there is something other than Disney’s MCU to make good superhero flicks.

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It’s time for borg‘s annual look at 2018’s Best Kick-Ass Genre Heroines in film and television.  This year we selected 24 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on.  Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

In 2018 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked as well had the characters been swapped for males.  We had a former MI-5 agent, bounty hunters, assassins, doctors, defenders, advanced superhumans, superheroines, warriors, witches, and even a few cyborgs–with a roster evenly split between television and movie characters.

Better yet, here’s something we haven’t said before.  Several of our selections this year were played by women over 50.

These are the Best Kick-Ass Genre Heroines of 2018:

Enfys Nest (Solo: A Star Wars Story).  For the first half of Solo: A Star Wars Story, Enfys Nest was the leader of a band of pirates, a character as cool and ruthless as anyone Han Solo ever faced.  But once she took off her mask,  it became clear how important she was, how significant her mission was–even more so than Han Solo’s own pursuit of mere wealth.  She foreshadowed what Han would later find with Leia, an early glimpse at a rogue and scoundrel who actually had some good in him.  When they joined forces, it made their characters even better.  And she became one of the best warriors in the Star Wars universe since the original trilogy.  (Disney/Lucasfilm)

Okoye (Black Panther, Avengers: Infinity War).  Is there any woman warrior as powerful and impressive in a fantasy movie this year as Danai Gurira’s Okoye?  We can’t think of any.  A smart commander, a brave soldier, a loyal ally.  Stalwart, devoted, steadfast, strong physically, intimidating and wise, with a keen unwavering ferocity, she represented the best of Wakanda, and fought bravely to defend the world at the last stand against Thanos.  (Disney/Marvel)

Higgins (Magnum PI).  Few television characters are as beloved as Jonathan Higgins in the original Magnum, p.i.  So it was going to be risky having any actor step into the role John Hillerman made famous.  So when the show honored the original character and late actor with such a finely tuned, updated character and actor, we took notice.  Perdita Weeks’s Juliet Higgins is everything Robin Masters was–the character we all thought Higgins was in secret.  We don’t know whether we’ll learn the truth this time around and what that truth will be, but as an ex-British secret service agent, she’s a James Bond for Thomas Magnum to partner with–literally running alongside the show’s star and fighting and shooting her way as an equal.  And the result?  Every episode of the first season was full of great action and fun.  (CBS)
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Sometimes so many trailers are in the queue it’s time to stack ’em, pack ’em and rack ’em.  For us, that means it’s time for another installment of Trailer Park.  We have a new Deadpool 2 trailer, reportedly the final trailer, and this time we meet the supporting characters.  We have two new Solo: A Star Wars Story television spots you might have missed (do you say Han rhyming with Stan, like Lando does, or Han rhyming with Ron, like everyone else does?).  We have the first look at Denzel Washington returning as Robert McCall in Equalizer 2.  Plus another TV spot for next week’s Avengers: Infinity Wars.  What else… one more trailer for Jurassic World: Fallen Kingdom.  That’s a lot of sequel trailers.  You’d think we were already living in The Stacks.

And posters!  The studios have released several new movie posters to gawk at, including a late-breaking UK poster for Solo, a Deadpool 2 poster by Deadpool co-creator Rob Liefeld (an homage to New Mutants, Issue # 98), a poster for Equalizer 2, and, directly from Jamie Lee Curtis, the first look at the return of Michael Myers in the late 2018 release of the Halloween reboot.

    

So what are you waiting for?  Check out these six trailers:

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Review by C.J. Bunce

After reading Michael Crichton’s groundbreaking science fiction novel Jurassic Park, I was hooked, and set out to read everything else he had written before and awaited each subsequent work with excitement.  I quickly learned that you can identify his work through his character choices and his storytelling, and not only were his ideas fresh and new (Crichton passed away in 2008), he knew how to spin a good yarn.  Yet, except for the Jurassic Park sequel The Lost World, each of his books is completely different from one another.  In common the books follow intelligent people who set about accomplishing something unprecedented.  Crichton’s latest (and perhaps final?) posthumous novel is Dragon Teeth, and in true form it is both a brilliant Crichton work, and also unlike anything he’d written before.  It arrives at bookstores later this week.

Shelf Dragon Teeth alongside Jurassic Park as the very best of Crichton.

Here at borg.com I’ve so far reviewed three of Crichton’s eight “lost” novels penned under pseudonyms.  In the early days of borg.com I reviewed Crichton’s Micro, a posthumously published novel Crichton hadn’t quite finished when he died, which included the technology that could shrink humans to half-an-inch tall beings.  With Dragon Teeth, there is no suspension of disbelief required as with many of his works.  This story is historical fiction, and a Western–easily one of the best Westerns I’ve read.  We meet a college student in 1876 named William Johnson.  He is an arrogant, self-absorbed son of a shipping magnate who takes on a dare and ends up accompanying a professor on a journey across the Old West in an early search for dinosaur bones–then newly-discovered proof that the planet is much older than previously thought.  The professor, one of the early paleontologists, is in a lifelong battle with another, competing paleontologist and their squabble becomes deadly as Johnson finds himself a pawn in repeated attempts at oneupsmanship.  Based on the feud of real-life 19th century professors, Dragon Teeth sucks the reader into every black and white Western movie where the heroes weren’t all that heroic, the dust was thick, the path was treacherous, and each new day could very well be your last.

Crichton stitched together all the Western spots you didn’t want to find yourself in as an outsider in 1876–Cheyenne, across the Badlands, into Montana and Wyoming territory, and the end of the line in murky Deadwood.  Dragon Teeth has all the atmosphere of Silverado, and reads with both the folklore of a Louis L’Amour novel and the peril and adventure of a Jon Krakauer true-life account.  You’ll find deceit and friendship as they existed beyond the frontier, Native American friends and enemies, and a look inside political and religious clashes that exist to this day.

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Jurassic huh

At least if Jurassic World bombs we can’t accuse Amblin, Legendary, and Universal of false advertising.

This weekend the studios released the first film clip for the fourth film based on Michael Crichton’s bestselling novel Jurassic Park.  Normally that would be something to gravitate toward, but not so this time.  The clip features the show’s stars Chris Pratt and Bryce Dallas Howard with some over-long, stilted, outright boring dialogue.  For nearly two minutes.  And no dinosaurs.

We’d love to see the meetings where it was decided that this was the first clip to show audiences to showcase the movie.  Already plenty of viewers have slammed it on social media.  Even Avengers: Age of Ultron director Joss Whedon chimed in about the staid, sexist set-up on Twitter: “…and I’m too busy wishing this clip wasn’t 70’s era sexist. She’s a stiff, he’s a life-force – really? Still?”  And although it’s a bit odd for a director with a competing 2015 film so openly chiding another’s movie, he’s certainly right.

Here’s the clip:

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