Advertisements

Tag Archive: Anna B. Sheppard


Review by C.J. Bunce

In the new Spider-Man film, Spider-Man: Far From Home, Tom Holland′s Peter Parker is trying to recover from the death of mentor Tony Stark in the final scenes of Avengers: Endgame.  He’s trying to take a break from literally saving the planet by going on a summer trip with his classmates to Paris.  And he’s trying to let Zendaya′s MJ know that he cares about her.  So it’s too bad Samuel L. Jackson′s Nick Fury is trying to get his help as the only Avenger available to take out a new inter-dimensional threat–a threat from world-destroying giants called The Elementals.  Spider-Man: Far From Home, which opened in theaters nationwide this weekend, is Holland’s fifth outing as Peter Parker, after Captain America: Civil War, Spider-Man: Homecoming, Avengers: Infinity War, and Avengers: Endgame, and Spidey fans will be happy.  Holland continues to give the best performances of any actor to don a Spidey suit (he wears a few new great versions in this film thanks to designer Anna B.  Sheppard).  He’s also as established in the MCU as Hugh Jackman’s Wolverine–Holland is Spider-Man.

But the supporting characters and actors are equally superb.  At the top, Zendaya has carved out her own fantastic MJ/Mary Jane for the MCU, much more integral to who Spidey is than the character from the past two trilogies.  Holland continues to convey that teen uncertainty and lack of confidence, while slipping in the word “awesome” every few minutes to acknowledge he’s seeing all the cool things going on around him that the audience sees.  New to the MCU, Jake Gyllenhaal creates another memorable character after excellent work in films like Donnie Darko and Source Code with the new power-wielding Mysterio.  Gyllenhall brings equal gravitas and charm to Michael Keaton’s Vulture as seen in the last Spider-Man solo outing.  And Angourie Rice really has a stand-out performance compared to when we last saw her, playing high schooler Betty, a new close friend to Ned (Jacob Batalon)–together they make a fun duo and solid coming of age movie sidebar to the film.

How does this compare to Spider-Man: Homecoming?  It’s hard to believe that incredible reboot film was in theaters only two years ago.  Screenwriter Chris McKenna and Erik Sommers have inked both Spider-Man films plus the script for Ant-Man and the Wasp, and Homecoming still nudges out the others as the tightest story of the group.  But Spider-Man: Far From Home is a great follow-up, easily combining with the 2017 film to create the best two side-by-side solo films in the entire decade-plus run of the MCU.  No two back-to-back Iron Man, Thor, Captain America, Guardians, Ant-Man or Avengers movies surpass what director Jon Watts has done with these two films.  Spider-Man has always been Marvel Comics’ #1 superhero, so it’s about time the movies at last reflect that popularity.

Continue reading

Advertisements

Review by C.J. Bunce

Following up on its successful look behind the entire Star Wars saga in The Moviemaking Magic of Star Wars: Creatures and Aliens (reviewed earlier here at borg), Abrams Books is bringing home the characters of Avengers: Endgame and the Marvel Studios long journey to get there in its new release The Moviemaking Magic of Marvel Studios: Heroes and Villains Incorporating its trademark interactive Cinemagic features, including booklets, interactive flaps, and accordion fold-out images of the concept art behind every major Marvel Studios superhero, Abrams has nicely timed this book for fans of the franchise who can’t get enough of the latest MCU film.  Full of color photographs and interviews with the producers, directors, art designers, costume and prop makers, and special effects magic makers behind the 21 films leading up to Avengers: Endgame, writer Eleni Roussos (The Art of Black Panther, The Art of Thor: Ragnarok) has pulled together behind the scenes insights that offer something new for even the most diehard fan.

Which characters wore practical, real-life costumes and armor, and which required motion capture and/or CGI effects?  What was the key element included in Marvel’s Avengers that Joss Whedon required to be added before he agreed to direct the film?  What do the contributors agree was the smartest strategic decision made for the Marvel films?  How did each artist convert the character from the comic book page to the finally constructed costume that appeared on the big screen?  What effects were the most challenging for each film?

Altogether The Moviemaking Magic of Marvel Studios: Heroes and Villains spotlights more than 100 individual superheroes, on-screen support crew, and the most colorful and memorable villains from the series, with significant creative and visionary contributions from Marvel Studios president Kevin Feige, directors Anthony Russo, Joss Whedon, and Peyton Reed, visual development executive Ryan Meinerding and artist Andy Park, and costume designers Rebecca Gregg, Laura Jean Shannon, Mayes Rubeo, Alexandra Byrne, Anna B. Sheppard, Judianna Makovsky, Sheldon Differ, Louise Frogley, and Ruth Carter.

Take a look at this giant preview of The Moviemaking Magic of Marvel Studios: Heroes and Villains below, courtesy of Abrams Books:

Continue reading

Last weekend San Diego Comic-Con spotlighted women costume designers and the creations of more than a dozen women designers created for actresses for some of the decade’s biggest genre films.  The Costume Designers Guild presented a panel Saturday featuring members Sanja Hays (costume designer, Captain Marvel, Star Trek: Beyond, Star Trek: Insurrection), Amanda Riley (costume designer, Supergirl, Agents of S.H.I.E.L.D.), and Laura Jean Shannon (costume designer, Iron Man, Titans, Black Lightning, Jumanji: Welcome to the Jungle) who provided highlights and anecdotes about their careers designing costumes for some of the most popular current and recent productions on television and in film.  A big high point for attendees was Hayes, whose new Captain Marvel costume will be the next benchmark in the Marvel Cinematic Universe, to be worn next year by Brie Larson in Captain Marvel–the first Marvel film with a woman in the title role.  Hayes commented that she found working on Marvel movies  different from past projects in that many details of design and even minor changes require extra levels of approval from Marvel’s continuity side.  Each of the designers stated they have arrived at a stage in their careers where they now have the power to cherry pick costumes to personally dive into from their projects and assign other production team members for the rest.  They also stressed the value of having close-knit and exceptional artists on their teams that can work together to meet the requirements of production.

   

At the giant Marvel Studios area on the convention floor, attendees could get up close to several key screen-used superheroine costumes from the past ten years, from Anna B. Sheppard‘s World War II Agent Carter uniform worn by Hayley Atwell from the beginning of the franchise to Evangeline Lilly‘s armor from The Wasp from this summer’s Ant-Man and The Wasp, created by Louise Frogley.  Eight other costumes bookended one side of the Marvel stage, including another four costumes opposite them in glass display cases–twelve heroines in all: Lupita Nyong’o‘s Nakia, Danai Gurira‘s Okoye, and Letitia Wright‘s Shuri costumes from Black Panther, created by Ruth E. Carter, Tessa Thompson‘s Valkyrie armor created by Mayes C. Rubeo for Thor: Ragnarok, Scarlett Johansson‘s Black Widow costume from Captain America: The Winter Soldier, Zoe Saldana‘s Gamora costume, Karen Gillan‘s Nebula costume, and Pom Klementieff‘s Mantis costume from Guardians of the Galaxy, Vol. 2, all created by Judianna Makovsky, Elizabeth Olsen‘s Scarlet Witch costume from Avengers: Age of Ultron, created by Alexandra Byrne, and Jaimie Alexander‘s Sif armor from Thor: The Dark World, created by Wendy Partridge.

A separate giant display elsewhere was created for Karl Urban‘s Skurge armor created by Mayes C. Rubio for Thor: Ragnarok.  DC Entertainment displayed Leah Butler‘s Shazam! costumes for Asher Angel‘s Billy Batson and his superhero alter ego, played by Zachary Levi.  And Lucasfilm presented David Crossman and Glyn Dillon‘s costumes from Solo: A Star Wars Story (a little more out of reach than the rest, posed high at the top of their exhibit), including screen-used costumes from Alden Ehrenreich‘s Han Solo, Joonas Soutomo‘s Chewbacca, Emilia Clarke‘s Qi’ra, Donald Glover‘s Lando, Erin Kellyman‘s Enfys Nest, and Paul Bettany‘s Dryden Vos.  And it wasn’t just about costumes, as many displays included the corresponding screen-used prop weaponry for the character.

Costume designers Laura Jean Shannon, Sanja Hays, and Amanda Riley at the costume designers panel at San Diego Comic-Con Saturday, July 21, 2018.

The following are photographs of all 22 costumes.  The lighting and glass displays limited the clarity of some of the images, and the Star Wars display was too high for our equipment to get any detail.  Yet some of the detail is better than you find in many behind the scenes books on the market today showing the costumes of DC, Marvel, or the Star Wars films–nothing beats seeing these close-up.  Take a look:

Continue reading