Tag Archive: Anne Hathaway


Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  Ghostbusters: Afterlife Scarlett Johannson solo in Black WidowA new James Bond movie, No Time to DieVin Diesel in Bloodshot and a new Fast & FuriousThe original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black WidowCompare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.

Do you like sequels?  There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way.  In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned.  Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):

  • 7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
  • The Dig, a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
  • Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
  • Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
  • Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
  • The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
  • Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
  • Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
  • Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
  • The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
  • Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)

Some of these films will have revised release dates, or get pushed to 2021.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):

January

The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.

Underwater – Thriller, stars Kristin Stewart in underwater horror story – January 10.

Dolittle – Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.

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Review by C.J. Bunce

Nothing taken away from the work of actor Joseph Fiennes in the romance-comedy Shakespeare in Love, but in the 2019 biopic All is True, it’s hard to imagine any actor as perfectly cast as William Shakespeare himself than Sir Kenneth Branagh.  In one conversation between Branagh’s Shakespeare and Sir Ian McKellen′s Earl of Southampton, the quiet beauty of language and craft they convey will make you think no two people were better suited to their art.  Taking a cue from the subtitle of Shakespeare’s final play, Henry VIII–the play being performed when Shakespeare’s Globe Theater caught fire (pro tip: don’t put stage cannons in your scripts)–All is True takes Shakespeare from there to his death, as he quits writing and returns to his home, his wife, and their two daughters to retire.

Ghosts of his past catch up with Shakespeare, as the rural village of his birth does not forget the scandals of his family’s past and present, silly things today that meant everything to English society in 1613.  One of those ghosts is that of his son, Hamnet, the twin of his younger daughter, who died in real life of unknown causes at eleven, and which is expanded upon for dramatic sake in this story by writer/comedian Ben Elton (Much Ado About Nothing).  Elton’s script smartly stitches together what history knows about Shakespeare and his family after his plays and what is probable or at least possible, providing a faithful, glorious look at what someone who knew his own legacy in his own time might have done next.  Branagh reflects the kind of ego that must have been behind the man.  Shakespeare neglected his family for years, and his youngest daughter, played by Kathryn Wilder (Ready Player One), lets him know it.

Shakespeare’s wife, Anne Hathaway, 18 years his senior in real life, is played as impeccably as audiences would expect from Dame Judi Dench, and although 26 years his senior in real life it all works seamlessly.  Branagh is hardly recognizable at first, until his undeniable voice takes over, thanks to a prosthetic nose that never leaves any doubt that Branagh conjured the ghost of Shakespeare for this performance.  Equal to the performance is the year’s best cinematography by Zac Nicholson (The Guernsey Literary and Potato Peel Society), who frames every scene as if it were an adaptation of an original oil painting by Johannes Vermeer or Rembrandt van Rijn.  His use of light–especially his scenes shot by candlelight to mimic chiaroscuro–is magical.

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A few big names are coming to theaters with throwbacks of a sort this summer, including Academy Award winner Anne Hathaway and Screen Actors Guild Award winner Lily James.  This summer the second adaptation of the 1964 comedy Bedtime Story comes to theaters, followed by a comedic take on the alternate history genre featuring the music of The Beatles.

The Hustle finds Hathaway taking on a role previously played by both David Niven and Michael Caine, with Rebel Wilson filling the shoes of a role played by both Marlon Brando and Steve MartinDoctor Who and Veep’s Chris Addison directs The Hustle, remaking both 1988’s Dirty Rotten Scoundrels and 1964’s Bedtime Story The comedy also stars Doctor Who‘s Osgood, Ingrid Oliver, and The Ballad of Buster Scruggs’ Tim Blake Nelson, revisiting the story of a chance encounter between two con artists with strikingly different styles.  It’s coming to theaters this May.

A month later Academy Award winning director Danny Boyle (Slumdog Millionaire, 28 Days Later, Trainspotting) releases his next film, Yesterday, starring Himesh Patel (EastEnders) as a struggling singer who awakens one day to learn he is the only person that has ever heard of The Beatles and their music.  This parallel universe divergence allows him to introduce and become famous today for all of The Beatles songs as his own, to not surprisingly huge success.  Yesterday co-stars Lily James (Baby Driver, Pride and Prejudice and Zombies, Downton Abbey), Ana de Armas (Blade Runner 2049), James Corden (Doctor Who, Ocean’s 8), Ed Sheeran (The Hobbit: The Desolation of Smaug), and Kate McKinnon (Ghostbusters, Ferdinand). 

Here are trailers for both The Hustle and Yesterday:

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  The last of the nine films in the Star Wars saga.  Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.  Shazam! is DC’s contribution.  Quentin Tarentino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix).  M. Night Shyamalan finishes his dark superhero trilogy with GlassArnold Schwarzenegger and Linda Hamilton return in TerminatorJordan Peele is back with another horror film with Us.

Do you like sequels?  This is your year.  Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet SemataryDisney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year.  Yep, lots and lots of sequels are coming.

Some films don’t have locked-in release dates yet.  Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:

  • Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
  • The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
  • The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
  • 6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
  • The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
  • The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
  • Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)

Some of these films will have revised release dates, or get pushed to 2020.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):

January

Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.

Serenity – Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.

King of Thieves – Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.

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Review by C.J. Bunce

Hayao Miyazaki’s Whisper of the Heart may be the anime master’s most heart-warming story.  Based on the 1989 manga by artist Aoi Hiiragi, Whisper of the Heart is a 1995 romance and drama about a teenage girl who wants to be a writer, and with the determination and self-discipline necessary, she is successful at completing her first novel.  The story within a story that she writes is about an ornamental cat in a store window that she names The Baron.  In a fun twist, Hiiragi wrote the girl’s story into another manga, titled The Cat’s Repayment, and that story was adapted into Studio Ghibli’s 2002 anime film The Cat Returns.  “The Cat” returned to theaters this week as part of the Fathom Events series and Studio Ghibli Fest 2018, and has its final screening at theaters nationwide Wednesday evening, April 25, 2018, at 7 p.m. local time.  Find theater information and order tickets here.

This month’s release of Wes Anderson’s Isle of Dogs was inspired by the anime films of Studio Ghibli, and you can see the influences from The Cat Returns in particular.  The Cat Returns is a much lighter film with none of the violence of Isle of Dogs.  It has rightly been referred to as “delightful,” “sweet,” and “cute.”  Its appeal for cat fans is the sincerity and authenticity of director Hiroyuki Morita (Akira, Perfect Blue, My Neighbors the Yamadas), and his use of real cats for some of the cat dialogue.  The story centers on a high school student named Haru.  When Haru rescues a cat in the road from an oncoming truck, the cat stands upright and speaks to thank her, and she soon learns he is a cat prince whose father the Cat King grants her the blessing of total happiness.  She finds she could always hear and communicate with cats, but lost that sense years ago.  Cats from the kingdom pile on the gifts, not realizing people don’t like mice and catnip as much as cats, and when the gifts and rewards get too great and the Cat King goes overboard, she is helped by a well-dressed cat at the Cat Business Office–The Baron.

Haru meets a rather skeptical, rotund, white cat along the way named Muta, who is possibly the finest, most realistic cat ever translated to film.  Soon the Cat King determines Haru should marry his son, and Haru, The Baron, and Muta embark on an escape from the palace through a labyrinthine maze.  Studio Ghibli, with creators Miyazaki and Morita, have visually presented the most believable cats in their numerous productions over the decades.  In The Cat Returns the characters are not so much photo-real as in Miyazaki’s directorial efforts (here he serves as executive producer), yet the charming story is truly everything any cat lover will love.  It is also filled with good humor, an engaging fantasy story, and lots of silliness that both kids and adults will appreciate.

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Following the success of last year’s Studio Ghibli Fest, animated film distributor GKIDS and Fathom Events are bringing back to U.S. theaters nine critically acclaimed films throughout the year for Studio Ghibli Fest 2018.  Starting this weekend the series will feature both dubbed and subtitled versions of Studio Ghibli classics, beginning with a 10th anniversary screening of the fan-favorite family adventure Ponyo (2008) on March 25 (dubbed), 26 (subtitled), and 28 (dubbed), with original actors Tomoko Yamaguchi, Kazushige Nagashima, and Yuria Nara in the subtitled version and Cate Blanchett, Cloris Leachman, Liam Neeson, and Matt Damon in the dubbed version. In a spin-off of the Hayao Miyazaki story Whisper of the Heart, the character Baron re-emerges in The Cat Returns (2002), back in theaters April 22 (dubbed), 23 (subtitled), and 25 (dubbed), with stars Chizuru Ikewaki, Yoshihiko Hakamada, and Aki Maeda in the subtitled version, and Anne Hathaway, Cary Elwes, and Tim Curry in the dubbed version.  Miyazaki directs his tale of a pigman pilot bounty hunter in Porco Rosso (1992), back in theaters May 20 (dubbed), 21 (subtitled), and 23 (dubbed), with original stars Shûichirô Moriyama, Tokiko Katô, and Bunshi Katsura Vi in the subtitled version, and Michael Keaton and David Ogden Stiers in the dubbed version.

Studio Ghibli’s village of magical raccoon dogs fight back in Pom Poko (1994), in theaters June 17 (dubbed), 18 (subtitled), and 20 (dubbed), starring Shinchô Kokontei, Makoto Nonomura, and Yuriko Ishida in the subtitled version, and Clancy Brown and J.K. Simmons in the dubbed version.  One of Miyazaki’s most thrilling films, the legendary Princess Mononoke (1997) is back July 22 (dubbed), 23 (subtitled), and 25 (dubbed), starring Yôji Matsuda, Yuriko Ishida, and Yûko Tanaka in the subtitled version, and Minnie Driver, Clare Danes, and Gillian Anderson in the dubbed version.  Director Isao Takahata offers one of the finest World War II stories in all of cinema in his gut-wrenching Grave of the Fireflies (1988), back in theaters August 12 (dubbed), 13 (subtitled), and 15 (dubbed), starring Tsutomu Tatsumi, Ayano Shiraishi, and Akemi Yamaguchi in the subtitled version, and Adam Gibbs and Emily Neves in the dubbed version.

Everyone’s favorite gentle giant cat is back September 30 (dubbed), October 1 (subtitled), and October 3 (dubbed), when My Neighbor Totoro (1988) returns, starring Hitoshi Takagi, Noriko Hidaka, and Chika Sakamoto in the subtitled version, and Dakota Fanning, Elle Fanning, and Tim Daly in the dubbed version.  Perhaps Miyazaki’s most acclaimed film, the fantastical, spiritual, riveting epic Spirited Away (2001) is in theaters October 28 (dubbed), 29 (subtitled), and 30 (dubbed), starring Rumi Hiiragi, Miyu Irino, and Mari Natsuki in the subtitled version, and Suzanne Pleshette, David Ogden Stiers, and James Marsden in the dubbed version.  And finally, a boy and girl search for a floating castle in Miyazaki’s Castle in the Sky (1986), in theaters November 18 (dubbed), 29 (subtitled), and 20 (dubbed), starring Keiko Yokozawa, Mayumi Tanaka, and Kotoe Hatsui in the subtitled version, and Anna Paquin, Mark Hamill, James Van Der Beek, Cloris Leachman, and Mandy Patinkin in the dubbed version.

Here is a quick preview of Studio Ghibli Fest 2018:

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When the Rat Pack (you know, Dean Martin, Frank Sinatra, Sammy Davis, Jr., Peter Lawford, and Joey Bishop) first made the heist comedy Ocean’s 11 about a group of WWII pals in Las Vegas, do you think they had any idea they were establishing a brand that would be continuing with a new film 58 years later?  In the latest entry, Ocean’s 8, Warner Bros. has Frank’s daughter Nancy serenade us in the first trailer, which features a nicely cast crowd of actors.  In case you haven’t been keeping count, this will be the fifth film featuring an Ocean family member leading a group on a major con.  Sinatra was the original Danny Ocean, and in the reboot Ocean’s Eleven, Ocean’s Twelve, and Ocean’s Thirteen, George Clooney took over the role and led a cast including Brad Pitt, Matt Damon, and Julia Roberts.

Next year we’ll see Sandra Bullock lead the way as Debbie Ocean, fresh out of jail and enlisting a group of varying skill sets to steel valuable jewels at New York’s Metropolitan Museum of Art.  Her co-stars include Cate Blanchett, Anne Hathaway, Helena Bonham Carter, Richard Armitage, Olivia Munn, Rihanna, Katie Holmes, Mindy Kaling, and Dakota Fanning.

Check out Warner Bros.’ first trailer for Ocean’s 8:

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colossal-creature

Many think kaiju movies–Asian giant monster flicks featuring Godzilla, Mothra, and the like–are comedic in their own right.  Right or wrong, at some point a worldwide disaster apparently brings along its own laughs.  Melodramas, rampaging monsters, usually devoid of a solid plot, kaiju still claims millions of loyal members in its fan base.

A new U.S. film with the look of a J.J. Abrams Cloverfield production or even Attack the Block is coming your way in 2017.  Colossal, screening at the Sundance Film Festival this weekend, is a monster movie, but probably more of a parody of the giant beasty films.  It’s close enough that the company owning the right to the actual Godzilla movies sued the filmmakers of Colossal during production (a confidential settlement was reached in 2015).  Academy Award-winning actress Anne Hathaway stars as a rather ordinary woman who happens to have a psychic connection with a giant monster ripping apart the streets of Seoul, South Korea.

colossal-2

Is there an audience for a Godzilla meets Being John Malkovich mash-up?

Take a look at this trailer for Colossal:

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alice-through-the-looking-glass-screencap-a

Review by C.J. Bunce

Tim Burton’s Alice in Wonderland is one of the all-time best fantasy movies, in the same league as Peter Jackson’s Tolkien films.  Rarely has any classic book been adapted so well to the big screen.  This year’s sequel, Alice Through the Looking Glass, is even better.  Nothing is better than being surprised by an extraordinary new fantasy film.  Looking Glass features the original top-notch class plus new characters, an exciting time travel tale, more of Academy Award winning costume designer Colleen Atwood’s lavish costumes, and brilliant visual effects.  This time The Muppets and The Muppets Most Wanted’s James Bobin has taken over directing reins for Burton.  Changing from Burton’s signature look and feel of creepy darkness for an almost bright and shiny Doctor Who-inspired universe makes for a movie that truly stands apart from the original and on its own footing.

Mia Wasikowska’s Alice was a girl when we last left her, making the adult decision to leave behind an arranged marriage.  Now she is a mature young woman, a sea captain leading her father’s ship.  The girl who doesn’t like the word “impossible” is confronted with an unfortunate decision to live the life she has chosen or give it all up for her mother.  Thankfully, Absolem, voiced by Alan Rickman in his final performance, leads her into a mirror where she returns to Underland.  Unanswered mysteries from the first film are revealed as Alice begins a new quest to help her old friend the Mad-Hatter, even no more mad than ever before.  Her journey is a classic fantasy quest, where she confronts a fantastic new character: Time itself, expertly played by Sasha Baren Cohen.

sasha-baron-cohen

If you’re looking for an escape from reality this week, this is for you.  Alice is an oppressed woman of the past who pulls herself up by her own bootstraps to eliminate those around her who would keep her down.  Wasikowska, superb as the girl in the original and as the lead in Guillermo del Toro’s haunting Crimson Peak, is still the perfect Alice.  And Johnny Depp, the greatest actor of his generation, continues to dazzle as the enormously likeable and sympathetic Hatter.

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Looking Glass

Disney’s Alice Through the Looking Glass is almost here.  Based on Lewis Carroll’s 1871 book Through the Looking-Glass, with Tim Burton producing and James Bobin (The Muppets, Muppets Most Wanted) in the director’s chair, this film looks like a fantasy lover’s dream.  (We previewed the first trailer for this fantasy film here at borg.com back in November).

Alice

The return of the original cast–and an all-star cast at that–points to another winner ahead following up on the brilliant Alice in Wonderland.  Mia Wasikowska, Johnny Depp, Anne Hathaway, Alan Rickman, Stephen Fry, Michael Sheen, Timothy Spall, and Helena Bonham Carter are back, with Rhys Ifans and Sacha Baron Cohen joining the cast.  Danny Elfman will again be producing the musical score.

Tim Burton just released an extended preview that will convince you this is a must-see:

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