Streaming service Paramount+’s 2021 release Infinitehas elements of Fast & Furious, Doctor Strange, Bloodshot, Captain America: Winter Soldier, New Mutants, The Adjustment Bureau, and Mortal Kombat. Lots of tropes are blended into this expensive, giant, sci-fi action fantasy mash-up. Infinite isn’t as good as any of these movies, but if you subscribe to Paramount+ you’ll find worse ways to spend a few hours.
The biggest surprise is Infinite is not derived from an existing property like a video game or comic book. At the center is Mark Wahlberg as a man named Evan McCauley, raised to believe he was schizophrenic (a la Moon Knight) only to find he is part of a supernatural truth where 500 people have the power to recall their reincarnated pasts, and he’s one of them–only he doesn’t remember.
If you secretly wished the winner of the top spy contest in Kingsman: The Secret Service was Eggsy’s friend Roxy, you’ll get to see what that might have looked like in the new Mark Wahlberg supernatural thriller Infinite. The Kingsman’sSophie Cookson, Chiwetel Ejiofor (Doctor Strange, The Old Guard),Rupert Friend(Obi-Wan Kenobi), and the prolific Toby Jones(Captain America: The First Avenger, The Dark Crystal: Age of Resistance, Doctor Who, Snow White and The Huntsman, The Hunger Games) join the typically wise-cracking Bostonian Wahlberg in a different kind of search to uncover secrets. Tapping into the supernatural time travel trope, with hints of Assassin’s Creed and the secret spy league of The Adjustment Bureau, Infinite finds Wahlberg as a man with hallucinations that are actually a window into his past lives (a la reincarnation–remember Albert Brooks’ “past lives pavilion”?). Antoine Fuqua steps in to direct, hopefully conjuring some of that high-octane action he brought to the screen in his The Magnificent Seven remake, The Equalizer and The Equalizer 2, and Shooter.
First previewed here at borg in 2019, here’s the trailer for Infinite:Continue reading →
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021! But wait! Next year’s list sure looks a lot like the the films we previewed last December. The covid pandemic has delayed hundreds of film projects, but some made it through. When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks. Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.
Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar. The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem. Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob! Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year. After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out. Other films, like Vast of Night, Extraction, The Old Guard, Rebecca,Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.
So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and Morbius. Wonder Woman 1984 is expected to have a theatrical release by year end. Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.
So what’s left and what’s new?
Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021. Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list. Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration. Note: Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max. Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year. Amazon Studios has fewer, most partnerships with Blumhouse Productions.
As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.
January
Mortal Kombat. Based on the video game. New! Tentative release date: January 15, 2021. HBO Max.
Wrath of Man. Next Jason Statham action flick. New! Tentative release date: January 15, 2021.
The French Dispatch. Wes Anderson and his familiar actors in new quirky film about journalists. New! January 28, 2021.
The Dig. A film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan. January 29, 2021. Netflix.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? Ghostbusters: Afterlife! Scarlett Johannson solo in Black Widow! A new James Bond movie, No Time to Die. Vin Diesel in Bloodshot and a new Fast & Furious. The original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse. Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black Widow? Compare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.
Do you like sequels? There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way. In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned. Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):
7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
The Dig,a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)
Some of these films will have revised release dates, or get pushed to 2021.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):
January
The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.
Underwater– Thriller, stars Kristin Stewart in underwater horror story – January 10.
Dolittle– Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.
A character who gives of himself to save lives, repeatedly, using his unusual mental and physical abilities–that’s pretty much our definition of superhero. If The Punisher is a superhero, if Batman would be a superhero without the costume, then you have the The Equalizer. Denzel Washington is back again, in the sequel to the surprise 2014 reboot of the 1980s television series, and if you missed Washington as this character in 2014, it’s time to catch up, as The Equalizer 2makes its way to several steaming platforms, including Vudu and Amazon Prime, and it’s now showing on Starz.
And what a sequel! It is another one of those rare films that surpasses its predecessor. More intrigue, more action, and even without the origin story from the first movie, The Equalizer 2 proves audiences don’t need it to jump into a finally crafted story of spies and revenge. Washington is back as Robert McCall, and he’s The Saint, Ethan Hunt, James Bond, and The Shadow all rolled up into one. This time he’s started a new life in Boston, and learns about the city through his job as a Lyft driver. Diehard film fans really only need to see the one other name on the marquee with Washington to know what they’re in for: Antoine Fuqua. Fuqua (Training Day, Shooter, The Magnificent Seven) directs the film like he does all his others, like he has something to prove. The Equalizer 2is worthy of its popular and critically acclaimed star, and Fuqua adds to the character with a spectacular setting for the film’s finale: a hurricane pummeling the coast of Massachusetts.
If you’re looking forward to the new Star Wars television series The Mandalorian, you have another reason to catch The Equalizer 2, as the series star Pedro Pascal(Kingsman: The Golden Circle, The Great Wall) plays a former team member of McCall in his CIA days. The subplots may even be better than the main story, and in one McCall mentors a young neighbor played by Ashton Sanders (Moonlight). Other supporting roles are filled by some familiar faces, including returning actors Melissa Leo (Homicide, Oblivion, Wayward Pines, Veronica Mars) and Bill Pullman(Deceived, Independence Day, Spaceballs), plus the always versatile Sakina Jaffrey(Heroes, Sleepy Hollow, Mr. Robot).
Director Antoine Fuqua, who is pretty much an ace in the hole with great movies like Shooter, The Equalizer, and last year’s The Magnificent Seven, brings another one of his hit movies to television this month. This time Fuqua is in the executive producer role along with Jerry Bruckheimer for Training Day, a sequel series to the film, airing Thursday nights at 9 p.m. Central on CBS, starring Bill Paxton (Aliens, Apollo 13, Edge of Tomorrow, Twister, Weird Science) and newcomer Justin Cornwell, with Julie Benz (Angel) and Marianne Jean-Baptiste (Without a Trace). The series is directed by Danny Cannon (Gotham, CSI, Eleventh Hour).
Training Day was the 2001 surprise hit that garnered Denzel Washington an Oscar and Ethan Hawke one of his four Oscar nominations. It’s known for its gritty realism and its view of urban street life with a rookie (Hawke) in his first day in a new role with a veteran cop of questionable motives and actions (Washington). The series is far less gritty, fitting the modern police procedural framework with more humor and bordering a bit on the melodramatic.
For the series, which aired its first episode last night, we’re brought 15 years after the events in the movie with young do-gooder detective Kyle Craig, played by Cornwell, tasked by the squad’s deputy chief (Jean-Baptiste) to track the actions of an alleged crooked cop, Detective Frank Rourke, played by Paxton. Training Day’s first episode reveals this is just the latest in decades of L.A.P.D. shows going back to Dragnet. It’s plenty fun simply to watch an hour of Bill Paxton spouting those quirky words of wisdom his characters are known for. Episode one even throws in a Western stand-off complete with some background music straight out of an old Western TV show.
The plot of the series is swappable for any police procedural. The hook with the series is the title, which fit the movie better since the entire movie took place in one day, but Training Day could easily be a follow-up to Martin Scorcese’s Departed, another film about a rookie trying to get the goods on a bad cop. The change-up is in the title–who is training whom? The TV series updated the movie’s 1979 Monte Carlo with an even earlier muscle car for the series taking place so many years later–you can envision a series 40 years from now still using 1970s cars as their street rides. Ultimately it will be enough for Paxton fans to see him driving around in that car in a seedy L.A. doing his shtick every week.
Here is a behind the scenes look and a preview for CBS’s Training Day:
It’s almost more useful to critique the critics than the new movie The Magnificent Seven, released in theaters this weekend. You’ll find the whole lot so predictable. The Magnificent Seven is a reboot or a remake (call it what you want) and so the best that critics are willing to do is provide the phoned-in, knee-jerk dismissal of it being something less than the original and therefore not worth the time it takes them to write a thoughtful review. Or they will compare it to the best Westerns of all time, and tell you why it falls short. The better reviews will point out that it’s a remake of the 1960 classic Western starring Yul Brynner and Steve McQueen. The smarter ones will remind you that even that version was based on the original Japanese version, Akira Kurosawa’s Seven Samurai. Paycheck earned. Existence justified. But that’s all too easy.
Yes, the original 1960 John Sturges version is both a great Western and quite fun (it’s on my top ten list). The darker original Japanese film is more dramatic, brilliant in its simplicity, and not so much a rousing popcorn movie. Is the 2016 remake among the best Westerns of all time? Maybe not. But is it a good Western? Absolutely. Do we always want to see the best picture nominee when we go to the theater? I don’t. I want to have fun. And The Magnificent Seven is a blast. In fact, critics are looking at it wrong. It’s actually the year’s best superhero movie.
I understand the modern film critic’s dilemma, especially when Hollywood seems to have lost its imagination, churning out remake after remake. It’s the same old song: If you were a fan of–or better yet–love the original, you’re more likely than not to brush off the remake altogether, or at least not give it the attention it deserves. Those who never saw the original or those who can view a remake as its own incarnation–those who can tell themselves their feelings for the remake will not “ruin” their feelings about the original–probably enjoyed the Star Trek reboot from 2009, or Always, or Assault on Precinct 13, or The Flight of the Phoenix, The Fog, The Jackal, The Man from U.N.C.L.E., The Money Pit, Ocean’s Eleven, RoboCop, The Taking of Pelham 1 2 3, or Walking Tall. Each of these, viewed on their own merits is a great film. They may even be good remakes. Those who avoid The Magnificent Seven are missing out on a fun outing. And a good remake.
Today’s ensemble movie is mostly found in the superhero genre. Stack up The Magnificent Seven against The Avengers, The Avengers 2, or Captain America: Civil War, or any DC Comics superhero film of the past 20 years, and it leaves them all in its dust in its success in introducing a team, getting them to work together, and MacGyver the situation into some giant climactic battles. Each of the titular seven stars of the movie have their own extraordinary abilities, they just don’t wear capes. It’s an ensemble piece. A superhero team-up. So why don’t we have a casting Oscar? The three casting directors knew what they were doing–they created the teams for Suicide Squad, Batman v. Superman, No Country for Old Men, True Grit, Sin City, and Star Wars Episode VIII.
Sony has finally released the first trailer for the remake of The Magnificent Seven, which we first previewed here at borg.com last May. Based on a reworked script by Nic Pizzolatto (True Detective) and John Lee Hancock (Snow White And The Huntsman) from the classic John Sturges film starring Yul Brynner and Steve McQueen, the new version will be directed by Antoine Fuqua (The Equalizer, Shooter, King Arthur, Training Day).
The list of leading actors is promising: Denzel Washington (2 Guns, Unstoppable, The Manchurian Candidate, Training Day, Philadelphia, Much Ado About Nothing),Chris Pratt(Guardians of the Galaxy, Jurassic World, Moneyball, Everwood),Vincent D’Onofrio(Men in Black, Jurassic World, Daredevil),Byung-hun Lee(Terminator Genisys, G.I. Joe: Retaliation, G.I. Joe: The Rise of Cobra, RED 2),Matt Bomer(White Collar, Tru Calling, Chuck), and Ethan Hawke (Gattaca, Dead Poet’s Society, White Fang, Alive, Training Day, Assault on Precinct 13) should come together to form an interesting ensemble cast.
The 1960 cast was as gritty as they come: Brynner and McQueen were joined by Charles Bronson, James Coburn, and Robert Vaughn with Brad Dexter and Horst Buchholz.
If you think a remake of one of the greatest Westerns of all time is a bad idea, recall that The Magnificent Seven itself was a remake of Akira Kurasawa’s equally superb The Seven Samurai from 1954, starring Takashi Shimura and Toshirô Mifune. We’d also count Washington, Bomer, Hawke, Lee, and Pratt among our favorite actors in Hollywood, so this is promising. Other actors slated for the remake include Peter Sarsgaard, Luke Grimes, and Haley Bennett (who is a ringer for Bryce Dallas Howard in the previews).
Check out this first trailer for The Magnificent Seven:
The Pelican Brief, Philadelphia, Crimson Tide, Fallen, The Manchurian Candidate, The Taking of Pelham 1 2 3, Unstoppable, 2 Guns—movies big and small, and all feature the Academy Award-winning actor Denzel Washington. In each, like with Cruise, Schwarzenegger, Stallone, Willis, and most recently, Wahlberg, the lead character is really Denzel as Denzel, but each new time round the actor is lurking around in a different environment. In each, he has a new name and a new job, but it’s Denzel—striving to fight his way to the end, to wrestle with anger or grief, or pain, or to just get by.
In the 2014 theatrical release The Equalizer, as retired ex-CIA operative Robert McCall, Denzel gets to be the guy usually played by Cruise, Schwarzenegger, Stallone, or Willis, or even Chuck Norris or Charles Bronson. He gets to be the Dark Knight, or name any other superhero. He’s not only the good guy, but the good guy with the means.
Have you ever considered taking responsibility for everyone around you–everyone you regularly encounter each day? Maybe for you that’s the shop owner, the barista at your coffee shop, the guy who cleans your office, your family, friends, co-workers? Have you ever considered what it would take for you to stop what you’re doing and assume responsibility for everyone around you? Everyone’s problems, every failing, every pain—it’s all on you. If you see it, you own it. Like the character and TV series the movie is based on, Robert McCall takes charge with that message repeated on each episode of the TV series, and parroted in the film: If someone has a problem, if the odds are stacked against them, if they have nowhere else to turn, McCall will help. He is the Equalizer.
Denzel’s acting work in The Equalizer is great, as you’d expect. It’s among his best. And the character itself is great. Those two elements are enough to get anyone to watch The Equalizer and enjoy the ride. Even the several payoffs in the film are worth cheering for. But the film still has its problems. Unfortunately, as exciting and intense as it is, the movie itself doesn’t live up to its potential.
With Quentin Tarentino’s The Hateful Eight due in theaters in November, we can only hope Westerns have another shot at making a comeback. Will a remake of one of the all-time, best-reviewed classic Westerns indicate other studios jumping on the bandwagon?
Actor Peter Sarsgaard(Green Lantern, Orphan, The Skeleton Key) is the latest addition to the cast of a remake of The Magnificent Seven being finalized for a 2017 release by MGM and Sony. Based on a reworked script by Nic Pizzolatto (True Detective) and John Lee Hancock (Snow White And The Huntsman) from the classic John Sturges film starring Yul Brynner and Steve McQueen, the new version will be directed by Antoine Fuqua (The Equalizer, Shooter, King Arthur, Training Day). The villain in the original 1960 story of an oppressed Mexican farming village seeking a small band of mercenaries for protection was played by Eli Wallach.
The only actor we think is missing from this remake is Dwayne “The Rock” Johnson, who we would cast as Brynner’s badass hero. Still, the list of leading actors revealed so far is promising: Denzel Washington (2 Guns, Unstoppable, The Manchurian Candidate, Training Day, Philadelphia, Much Ado About Nothing),Chris Pratt(Guardians of the Galaxy, Jurassic World, Moneyball, Everwood),Vincent D’Onofrio(Men in Black, Jurassic World, Daredevil),Byung-hun Lee(Terminator Genisys, G.I. Joe: Retaliation, G.I. Joe: The Rise of Cobra, RED 2),Matt Bomer(White Collar, Tru Calling, Chuck), and Ethan Hawke (Gattaca, Dead Poet’s Society, White Fang, Alive, Training Day, Assault on Precinct 13) should come together to form an interesting ensemble cast.
Byung-Hun Lee on horseback in I Saw the Devil.
The 1960 cast was as gritty as they come: Brynner and McQueen were joined by Charles Bronson, James Coburn, and Robert Vaughn with Brad Dexter and Horst Buchholz.
If you think a remake of one of the greatest Westerns of all time is a bad idea, recall that The Magnificent Seven itself was a remake of Akira Kurasawa’s equally superb The Seven Samurai from 1954, starring Takashi Shimura and Toshirô Mifune. We’d also count Washington, Bomer, Hawke, Lee, and Pratt among our favorite actors in Hollywood, so this will be worth a shot.
