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Tag Archive: Archie Meets Batman ’66


We’ve had a great response here at borg to our complete checklist of the variant covers for the 80th anniversary of Batman and benchmark 1000th issue of his long-standing comic book series, Detective Comics Check it out here if you missed it.  The cover art, especially when merged with the variety of historical and modern title art and legends, makes for one attractive looking book, whichever copy you go for.  At least one of the ten main covers will provide a dose of nostalgia and excitement for any Batman fan.  But for $9.99 is it worth the price?  Can you tell the book by its 84 covers?

Incorporating eleven short stories and three pin-ups with a variety of stories, themes, and eras, this anthology is tilted in favor of the modern dark knight detective over the versions of the character from his first decades in print (Batman TV fans have several Batman ’66 comic book series to turn to for the lighter fare).  Is the issue epic?  That’s in the eye of the beholder.  Groundbreaking?  Probably not.  But it’s a fun read, and using mixed pairs of writers and artists–a few classic pairs and a few nice change-ups from then and now–it’s a great exercise in searching out what works and what works really well for DC Comics’ editorial department.  Love a particular story or visual style?  Surprise–you the reader now have new creators to keep an eye on in future series.

Becky Cloonan’s Batman from Detective Comics #1000.

You might find your next favorite creators in “Batman’s Longest Case,” with writer Scott Snyder and artists Greg Capullo and Jonathan Glapion, the kind of story you think of when you see Batman as master detective.  Writer Kevin Smith pulled out the stops for his team-up with Jim Lee and Scott Williams in “Manufacture for Use,” including one of those great splash pages Lee/Williams fans can’t get enough of.  Artist Becky Cloonan delivered the biggest visual win with a flawless Batman: Year One-inspired Frank Miller style in one panel and a cool Bernie Wrightson caped crusader in another, matched nicely with Jordie Bellaire‘s colors in the story “The Batman’s Design.”  Tight writing and story make for an exceptional contribution from writer Brian Michael Bendis and artist Alex Maleev called “I Know,” probably the best writing of the book.  I’ll admit I was hoping for a Jim Aparo, Gene Colan, or Marv Wolfman homage (they defined the look of the Batman of my youth), but it wasn’t to be this time.  But based on this issue, who would I like to see in an ongoing monthly?  Brian Michael Bendis and Becky Cloonan.  And my favorite part of the book?  That goes to Mikel Janin‘s take on Batman with Joker and the Riddler in his one-page pin-up, which stopped me in my tracks, and should have been a variant cover option.  More, please!

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Review by C.J. Bunce

If you’ve been looking for your next retro fix, this may be it.  Archie Comics and DC Comics is bringing nostalgia into a new crossover arriving in comic book stores today with Archie Meets Batman ’66.  Two characters first seen in 1939–and never before have they appeared together!  A battle in Gotham City extends its reach into Riverdale—with Mr. Lodge becoming Public Enemy #1 of the dynamic duo.  And it’s up to Veronica to recruit some help and place a call… to the Batcave.  Written by Jeff Parker and Michael Moreci with art by Dan Parent, J. Bone, Kelly Fitzpatrick, and Jack Morelli.

This new story is in the style of the opening title credits of the pop culture favorite 1960s live-action Batman series and the animated series Superfriends.  And it’s an even bigger series than you might think, with its first issue full of not only the Archie gang and Batman and Robin.  You’re going to find several of your favorite characters from the 1966 TV series make appearances.  The artists have all emulated that over-the-top BAM! POW! variety of comic book goodness.  Yes, we’re talking the return of the Batusi.  Check out a preview to Issue #1 below courtesy of Archie Comics.  Keep an eye out for a host of covers for this issue from Michael and Laura Allred, Derek Charm, Francesco Francavilla, Sandy Jarrell and Kelly Fitzpatrick, Dan Parent, J. Bone, and Rosario “Tito” Peña, and Ty Templeton.

    

Archie Comics plans to have a big presence at San Diego Comic-Con this week, focused on the hit CW television series Riverdale.  Fourteen cast members from the series will be pictured on hotel keycards across town.  With more than 40,000 keys created for the week, visitors will find these unique collectibles at nearly 40 San Diego hotels.  Check your keycards for Archie Andrews (K.J. Apa), Jughead Jones (Cole Sprouse), Betty Cooper (Lili Reinhart), Veronica Lodge (Camila Mendes), Alice Cooper (Mädchen Amick), Fred Andrews (Luke Perry), Hermione Lodge (Marisol Nichols), Hiram Lodge (Mark Consuelos), Cheryl Blossom (Madelaine Petsch), Josie McCoy (Ashleigh Murray), Kevin Keller (Casey Cott), F.P. Jones (Skeet Ulrich), Reggie Mantle (Charles Melton), and Toni Topaz (Vanessa Morgan).

As promised, here’s your preview of Archie Meets Batman ’66, Issue #1:

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If you are a fan of Italian comic book artist Francesco Francavilla, you probably make sure you’ve kept up with his work on series like DC’s Detective Comics, his creator-owned noir series The Black Beetle, Dynamite’s Zorro, Marvel’s Black Panther, Archie Horror’s Afterlife With Archie and Chilling Adventures of Sabrina, and loads of other series and comic book covers.  In July you’ll even be able to purchase his variant edition of the forthcoming comic Archie Meets Batman ’66.  Francavilla burst onto the comics scene a decade ago, and quickly his trademark style–a mix of classic pulp, noir, and retro color combinations and designs–helped earn him the Eisner Award in 2012.  But if you’re a completist, get ready to for a brief course change this week.

Here’s something to think about: Not all comic book artists stick exclusively to the comic book medium.  Today Francavilla’s artwork is taking on the non-fiction route, as the artist is the featured creator of visuals in today’s issue of The New York Time Magazine.  It’s a clever pairing as the magazine’s annual money issue is taking on the mystique of the classic Crime Does Not Pay comic book series of comicdom’s Golden Era, instead of featuring images of the criminals themselves in its pages.  Titled “Crime Pays,” today’s issue has plenty of Francavilla’s unique imagery for his fans to soak up.  And–what a concept–get caught up on the news at the same time.  Here is the new cover image compared to a classic 1940s cover design:

   

For Francavilla’s comic book fans, he says there’s nothing to worry about.  Via Twitter Saturday he responded to one fan, “I’m not leaving comics at all – working on the new @TheBlackBeetle mini right now as matter of fact 🙂 #IheartComics”.

The New York Times Magazine created this video look behind the scenes at Francavilla’s contribution to this issue of the magazine.

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