Tag Archive: Arrowverse


Flash crisis

Review by C.J. Bunce

If the CW’s 2019 take on DC’s Crisis on Infinite Earths storyline was your thing, you may enjoy the Barryverse version of events in a sequence of six novels featuring The Flash.  The television tie-in wove several CW Arrowverse series of DC Comics adaptations into a single story for a few weeks, in what was probably the closest we’ll see to Marvel Comics’ Avengers: Endgame for the live-action superheroes of DC Entertainment.  The Flash Crossover Crisis: The Legends of Forever debuts next week here at Amazon and at booksellers everywhere.  The sixth of Lyga’s time traveling, there-and-back-again speedster tales, and the third in his Crossover Crisis trilogy, reaches its finale as The Legends of Tomorrow take over from Green Arrow and Supergirl as guests of The Flash aka Barry Allen and supporting characters of The Flash–the series–as they prepare to go to the End of Time… to save all the worlds of the Multiverse.

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Review by C.J. Bunce

If first impressions are everything, the first four minutes of the new CW series Superman & Lois look like a great next series to add to your DVR.  But that’s not where the writers of the series take us, leaning more into the soap opera drama audiences saw in years of Smallville.  The typical Superman tale follows Clark Kent from rural America to the big city of Metropolis, when the typical Supes story takes off.  This series reverses that plan, moving Supes and his family back to Smallville when newspaper man Clark Kent loses his job in the big city.  What happens when you take a strong-willed city woman like Lois Lane and her and Clark’s two (newly created) citified (twin) sons to Smallville?  Fans loving to watch Superman soaring in the supersuit, righting wrongs and exploring the globe, will need to take a backseat for at least part of the new series.  Economic downturns, the scam of reverse mortgages, embedded conflicts between rural and urban America–things you probably don’t turn to for your next CW superhero series–is the direction of the new series.  But what about strong-willed Lois?  Although she gets to share the title, Lois doesn’t get much to do–yet.

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Review by C.J. Bunce

After what I viewed as the best superhero series pilot yet here at borg back in May, Stargirl never let up, never let us down, and with this week’s season finale rises to become the very best superhero series yet.  We can slice and dice and compare series like The Flash and Arrow, Supergirl, and Marvel’s Agents of S.H.I.E.L.D., but did any of them adapt the comic book mythos to the screen as written and drawn by years of comic book writers and artists?  Or did they all twist the stories to cut away at what made the stories enduring in the first place?  Even Riverdale and Chilling Adventures of Sabrina–two fantastic comic book adaptations–were nudged aside by thirteen perfect episodes of comic books in TV form.  Not since the heart in the original series The Flash, The Incredible Hulk, and the animated series Superfriends has a series full of superhero characters gotten so much so right.  And one scene in the season finale was so good, so surprising, it may have you stand up and cheer.

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Review by C.J. Bunce

Isn’t this a great time for a new superhero series to begin?  If you agree then you’re in luck, because tonight’s premiere episode of Stargirl might be DC Comics’ best TV pilot yet.  Prepare to meet the next superheroes from the corners of 30 years of DC Comics.  Courtney Whitmore’s relationship with her new stepdad is like you’d expect at first–awkward.  But it’s doubly awkward when he’s an over-eager good guy named Patrick played by Luke Wilson (known best for his roles in Wes Anderson movies and an unforgettable spot on The X-Files).  Courtney (seen above sporting a rather timely mask) discovers there is more than meets the eye with Pat, and the series opener will propel viewers further ahead into his secrets and past–sooner than you might expect.  The result is incredibly promising, a pilot mixing well-done special effects with a great story, a coming of age tale targeted at kids, a fun cast of familiar faces and a new young actress hitting the ground running (or soaring), a cool car and a 1950s vibe, and throwbacks for viewers who keep their eyes open.  And the entire first season is now available on digital.

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Swamp Thing ad

When people with creativity and skill have their grasp on the reins of DC Comics properties, great things can happen.  Unfortunately it’s a rarity.  Although its Arrowverse on the CW Network were good efforts, DC at the movies hasn’t shown much promise until last year’s Shazam!, although Aquaman was another good effort.  But the big win of live-action DC Comics adaptations was last year’s Swamp Thing (above) featuring the titular creature and other Justice League Dark characters Xanadu and the Phantom Stranger.  The series was our own selection here at borg for top superhero series last year.  Shazam! and Swamp Thing prove that with good writing, production, and acting talent both movie and television adaptations truly worthy of the comic book source material are possible.

New streaming provider HBO Max announced this week its own team-up.  It will join J.J. Abrams’ Bad Robot Productions to produce a new live-action Justice League Dark series with Warner Brothers Television (in addition, a project related to Stephen King’s The Shining called Overlook was also announced).

Justice League Dark is, as the title suggests, a band of superpowered characters from the shadows of the DCU.  Spanish artist Mikel Janin was tasked with re-imagining the look of these more offbeat and occult characters from their earlier individual series and appearances for the New 52 launch in 2011, and for us Justice League Dark is synonymous with Janin’s designs, shown above and below (we interviewed Mikel about the new look here at borg back in March 2012).  The JLD then included Zatanna, Constantine, Deadman, Shade, Madame Xanadu, Swamp Thing, the Phantom Stranger, Frankenstein, and the Enchantress, and more as they would emerge throughout the series’ short 40-issue run.

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McHale stargirl

What’s more fun than the idea of Joel McHale as a DC Comics superhero, and Luke Wilson as his sidekick?  Unfortunately that’s not the focus of the CW’s next series of the Arrowverse, but it’s close, and if the volley of trailers are any indication, fans of the DC universe will see these two in recurring backstory in Stargirl, coming next month.  The other famous league of extraordinary superpeople, the Justice Society of America meets its demise, but that’s the starting point, as a young woman named Courtney Whitmore, played by 20-year-old actress Brec Bassinger (School of Rock), learns her stepdad is a superhero sidekick.

Make that “was” a superhero sidekick.   Luke Wilson, known best for his roles in Wes Anderson movies and an unforgettable spot on The X-Files, was once S.T.R.I.P.E, a mechanic in a powered armor supersuit, and sidekick to Sylvester Pemberton, aka Starman, played by Community, Ted, and The Soup’s Joel McHale (in the comics the Star-Spangled Kid from the 1940s aka Skyman).  Members of Seven Soldiers of Victory, the All-Star Squadron, and the Justice Society of America, these guys got around.  In the new series Courtney takes on Starman’s mantle, a cosmic staff that chooses her, and she’ll begin to assemble the next generation of superheroes.

Justice Society

Appearing at first blush a lot like DC’s Doom Patrol, the pantheon of superheroes includes Anjelika Washington and Henry Thomas as versions of Doctor Mid-Nite, Yvette Monreal and Brian Stapf as Wildcat, and Cameron Gellman and Lou Ferrigno, Jr. as Hourman, taking on Christopher James Baker as Brainwave, Joy Osmanski as Tigress, Neil Hopkins as Sportsmaster, Nelson Lee as Dragon King, and Neil Jackson as Icicle.

Here is the new trailer, and some recent trailers, for DC’s Stargirl:

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The Ninth Doctor, Darth Vader, Superman, James Bond’s Q, Lt. Cmdr. Data, Ahsoka Tano, Ariel-The Little Mermaid, a Mythbuster, a slate of characters from the CW Arrowverse, Stranger Things, and The Karate Kid, and more are heading to Kansas City

For twenty-one years Planet Comicon Kansas City has been one of the Midwest’s biggest comic book and pop culture conventions and that was no less so in 2014 when it became the largest attended event in the history of the Kansas City Convention Center.  And it’s only gotten bigger.  Last year’s show featured guests including Henry Winkler, William Shatner, John Wesley Shipp, Cary Elwes, and Joonas Suotamo, and this year more of the most memorable names from TV and movies from the past and present are slated to attend.  Leading things off, The Doctor is In–The Ninth Doctor to be exact–Christopher Eccleston, star of Doctor Who who also played villains in Thor: The Dark World and G.I. Joe: The Rise of Cobra, will make his first appearance at the annual event, which takes place at Kansas City’s convention center at Bartle Hall, March 20-22, 2020.

Fan-favorite nerd, cosplayer, builder, and either your first or second favorite Mythbuster, Adam Savage will be making his first appearance at the show.  Making their second appearances at the event are star of Rogue One: A Star Wars Story (and Guardians of the Galaxy and Harry Potter universe actor) Darth Vader actor Spencer Wilding and Star Trek legend–Data himself (and Dr. Soong, Lore, and B9)–beloved actor Brent Spiner.  After several appearances of past Superman actors, Midwest native Brandon Routh is finally coming to PCKC.  He’ll be joined by other CW Arrowverse actors, Rachel Skarsten (in her second Kansas City convention appearance), plus Katie Cassidy, Kevin Conroy, Jes Macallen, Courtney Ford, and Caity Lotz.

Two Yutes?  My Cousin Vinny, The Outsiders, and Crossroads star Ralph Macchio is making his first appearance at PCKC.  Joining him are his co-stars from The Karate Kid and Cobra Kai, Martin Kove and William ZabkaStranger Things fans can meet stars Gaten Matarazzo, Caleb McLaughlin, and Gabriella Pizzolo.  To top it all off, formerly James Bond’s Q and Monty Python comedy legend, John Cleese is making his first convention appearance in Kansas City.  And perennial Planet Comicon Kansas City guest, the original Hulk, Lou Ferrigno will be back in town for the event.

–there’s something for every TV and movie fanboy and fangirl at this year’s show.

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Last night’s episode of CW′s Arrow brings eight seasons of one of DC Comics’ oldest superheroes to a close as the CW aired the show’s series finale.  Focused on Oliver Queen aka the Green Arrow–one of the costumed characters off to the sidelines over the years in the shadow of Superman, Batman, and Wonder Woman–the series would be a resounding success for the network and executive Greg Berlanti, sprouting several other DC Comics adaptations under the banner of the Arrowverse.  And what a long, strange trip it has been.  It’s been seven and a half years since I first watched the premiere of CW’s Arrow in Hall H at San Diego Comic-Con 2012 at the panel featuring the creators and stars Stephen Amell and Katie Cassidy (I reviewed the pilot first here at borg).  My initial reaction found the show a “refreshing, intriguing update to the superhero game,” and “even for a fan of the traditional character’s story, updates made for TV were well thought out and did little to detract from the core of what makes Green Arrow the unique character that has survived as a key comic book character for 70 years,” and that the pilot “deftly managed to alter far less of the source material than, for example, the Green Lantern movie released in 2011, and in doing so created a truer, more refreshing story with appropriate nods to the past, and one that promises to survive, should it find its fan base.”  Who knew that survival would mean greenlighting so many more superhero shows, including The Flash, Supergirl, Legends of Tomorrow, Black Lightning, Batwoman, and the forthcoming Superman & Lois?

The series accomplished a lot even if it didn’t get everything right.  Arrow suffered when it veered too far from the DC Comics stories, or when it pursued too deeply the more arcane corners of the DC universe, the biggest side trip being the dominance of fan-favorite minor character Felicity Smoak in the series, ultimately knocking Dinah (or Laurel in this version) Lance aside to be Oliver’s romantic partner, which again took center stage in the finale episode.

This winter’s ambitious Crisis on Infinite Earth’s crossover event killed off Oliver Queen in the grand tradition of killing any superhero character (aka until his inevitable return, which we’ve seen in Kevin Smith, Phil Hester, and Ande Parks’ comics story arc).  Although the finale itself, “Fadeout,” was much like an old 1980s “filler” episode (with many scenes spliced from past episodes) and like the final Crisis episodes it was about mourning Oliver and preparing for his funeral.  But the penultimate episode, “Green Arrow and the Canaries” (which aired last week), would make for a good spin-off.  That episode took Katie Cassidy’s Laurel Lance (the only actor we ever expected to be Black Canary in 2012), and teamed her up with Katherine McNamara’s Mia (Oliver and Felicity’s daughter trained by Oliver last year), along with Juliana Harkavy’s Dinah Drake, all in a future world of Earth in 2040 (introduced earlier in the series).  How long will the CW Arrowverse continue without its flagship series?  Only time will tell, but viewership already switched over to make The Flash the CW’s #1 watched show.

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We’re three episodes into the CW’s Crisis on Infinite Earths crossover event, sixth of the now annual efforts to get interest from the audience of Arrow, The Flash, Legends of Tomorrow, Supergirl, Batwoman, or Black Lightning in more than just one of their several adaptions of DC Comics.  The Crisis crossover has so far aired during Supergirl, Batwoman, and The Flash, and is now streaming on the CW app, continuing January 14 with episodes on Arrow and Legends of Tomorrow.  If you’re able to not be critical of all its flaws, you may be able to sit back and have fun with all the cameos and guest stars.  But the clunky writing and even clunkier dialogue may also leave you thinking about what could be–what could be done with the DC characters if only someone would put forth some extra effort.  Nobody expects TV series to produce the results you get with a movie budget, yet so far CW’s series have been more faithful to the spirit of the comic book source material than DC at the theaters (this year’s movie Shazam! as the welcome exception).  With all the money going into so many related series, why not cut a few of the series and combine efforts to focus more on compelling combined team scripts?  The actors are great, a cut above the material they’re working from, and it’s difficult to watch the crossover event and not wish executive producer Marc Guggenheim & Co. would give the actors something more.

Sure, it’s tough to cram so many characters into so few minutes.  But you also don’t want your fans making excuses for you.  We like fan service, a term host Kevin Smith uses a few times in his after show to describe this crossover, but how about that extra push to boost the quality?  That said, there is something for every taste in the Crisis crossover, and if you’re willing to sit back and let it all come at you, you’re going to find some great efforts to pull at your nostalgia strings.  Everyone involved, especially as they discuss their efforts in the after show, seem to love the material.  The overall big wins include John Wesley Shipp, who still holds the title for all-time best superhero adaptation, returning again for some scenes as the Flash from his 1990-91 series, Brandon Routh playing both his regular series character The Atom and donning the cape again he wore as the big-screen Superman in Superman Returns, and Matt Ryan, who couldn’t be more dead-on from the comics in his performance, reprising his role as John Constantine (more Justice League Dark, please!).

In part, the CW is stuck because of deals and studios, which (sort of) explains no Wonder Woman, Green Lantern, Aquaman, (yet two Supermans?) or big-screen Batman actor–although voice actor Kevin Conroy has a legion of fans who are probably more than happy to see him take a turn as a Kingdom Come-inspired Bruce Wayne.  Having a voice actor who doesn’t look like any comic version of Batman is just something you have to go with here–maybe close your eyes and imagine him in the animated Batman series.

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Review by C.J. Bunce

Is there a more likeable superhero in all of the DC Comics and Marvel Comics extended universe than Melissa Benoist’s Kara Danvers on CW’s Supergirl?   New this year from Abrams/Amulet Books is Jo Whittemore’s latest novel in her CW Arrowverse tie-in series, Supergirl: Master of Illusion.  Readers will catch up with Kara as she teams up with J’onn J’onzz the Martian Manhunter, sister Alex, James Olsen, CatCo tech genius Winn Schott, and her boyfriend Mon-El against her next foe, vintage DC Comics supervillain Felix Faust, an illusionist, manipulator, and hypnotist.  He’s out to gather some ancient artifacts to unleash a trio of demons on the world, and he has plenty to distract the protectors of National City.  As Kara assembles her team to help, she meets up with another oldie-but-a-goodie, the multi-talented Princess Tlaca and Justice League Dark favorite Madame Xanadu.

Kara’s self-effacing inner monologue said out loud (“did she really just say that?”) makes her the most accessible protagonist of any of the recent slate of superhero novel adaptations of comics, TV series, and movies.  Nice, kind, and never snarky (and always seeming to be hunting down her next snack), she accomplishes all she needs without acting like an all-powerful, infallible god like Superman and Wonder Woman, or her all-powerful counterpart named Danvers from that other comic book universe, Marvel Comics’s Captain Marvel.  Supergirl doesn’t forget the “girl” in Supergirl–she’s cute but not cutesy, and she’s smart and has her own skills, but a key component of her character is her lack of confidence.  She’s learning, but she makes mistakes along the way, like every young woman (or man) or girl (or boy), and that’s a great way to get readers on her side.

Felix Faust seems like a good guy at first, helping Kara get her way out of a fix as she’s schmoozing the local city elite at a gala event.  But his real agenda soon becomes clear.  How does the mysterious princess from the ancient Aztec civilization fit in?  It’s up to Kara to maintain her alter ego as a journalist, get a story and keep her job, and save National City before it’s too late.

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