Tag Archive: Avengers & X-Men: Axis #1 Variant


Beware the light.

Review by C.J. Bunce

On first viewing of Logan, this year’s most critically acclaimed superhero film, a viewer may love it or leave it.  It’s not your typical Marvel Comics adaptation, full of f-bombs and the bloodiest of action and violence.  Yet it’s also a finely crafted final chapter to the successful X-Men film saga and a tribute to Hugh Jackman’s unprecedented nine-film run as Logan.  Last week 20th Century Fox showed a limited screening arranged by the director of Logan in black and white, called Logan: Noir.  The version is also included on the Blu-ray release available everywhere tomorrow.  If you haven’t seen Logan, skip the theatrical version and go straight to Logan: Noir and if you have seen Logan prepare for a completely different experience with this special edition of the film.

Logan: Noir would be more aptly titled Logan: Black and White, as this is not so much classic noir than a modern Western tale shown in black and white.  Thankfully writer/director James Mangold (Cop Land, 3:10 to Yuma, The Wolverine) carefully and elegantly filmed Logan with an eye for the stark contrasts that black and white film once regularly captured so well.  Parts of the film will reach into your chest and hold you breathless, revealing the full potential of a comic book based film–and more specifically a superhero film.

Its bleak, cold landscapes are evocative of a John Ford (Stagecoach, The Man Who Shot Liberty Valance, The Grapes of Wrath) Western.  Its slow, calculated scenic pans are something Stanley Kubrick (Lolita, Dr. Strangelove) could only have hoped to have achieved in his early work.  Inasmuch as Hugh Jackman is a classic, Western, antihero archetype in his so-far-gone, washed-up, tired and grizzled Logan–former Wolverine of the X-Men–he appears far lonelier and resigned to a dismal, unrelenting future in black and white.  The cold contrasts in this Logan somehow create a vision more true to the Old Man Logan of the comic book source material.

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Phil Noto Black Widow

The last day of the year is finally here, and with that the last of our reviews of the best content of 2014.

We’ve previewed comic books each month thanks to publishers like Dynamite Comics, Dark Horse Comics, IDW Publishing, BOOM! Studios, and Image.  We sample the best of all that Marvel and DC Comics has to offer, too, and although we don’t have enough time to review everything we review those titles we think our readers might like to check out, especially those with a sci-fi, fantasy, or retro angle.  And we read plenty of books–sci-fi and fantasy, pulp and spy novels, movie and TV tie-ins, even Westerns and steampunk, as well as non-fiction books about movies, TV, and other genre topics.  This past month we have looked again at these titles, as we narrowed our selections to what we think are the very best.  So here are our picks for Best in Print for 2014.

Black-Widow-5

Best Comic Book Series — Black Widow, Marvel Comics.  We were wondering early on what would take the place of Fraction and Hollingsworth’s Hawkeye series for the most satisfying superhero fix.  It didn’t take long to see this other Marvel series looking at another superhero in a similarly personal–but very different–way.  It was a standout in a great year of comics.  Phil Noto’s art and colors were incredible and Nathan Edmondson’s story didn’t let up once.  Full of action, espionage, and intrigue.  A great series to catch-up on in a trade edition.  See our reviews of the series here and here.

AfterlifeWithArchie_07-0

Best Comic Book Mini-Series — Afterlife with Archie, Archie Comics.  Who would have guessed someone could make Archie and friends so accessible to any demographic in the 2010s?  And whose brilliant idea was doing it via a horror genre story of zombies taking over Riverdale?  Smart writing by Roberto Aguirre-Sacasa and spooky atmospheric illustrations by Francesco Francavilla made for a sumptuous series like no other.  Not technically a mini-series, it feels like one because of its staggered release.  See our earlier raves about the series here.

Wilds End issue 1

Best Comic Book Writing – Dan Abnett, Wild’s End, BOOM! Studios.  Abnett’s Wild’s End really caught us by surprise.  An incredible fantasy read that is truly unique from BOOM! Studios.  Anthropomorphic characters with incredible archaic dialogue that’s witty and smart.  A crazy mash-up of War of the Worlds, Christopher Robin’s neighborhood, and the dark edge and high stakes of Revival.  We can’t wait to see what’s in store for the rest of this series.  Check out our earlier review here.

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