Tag Archive: Avery Brooks


Review by C.J. Bunce

If you ever longed for the easygoing action movies from the 1970s like Smokey and the Bandit and Every Which Way But Loose, you may want to check out the new Netflix movie Spenser Confidential Like those films it has the big screen leading actor in Mark Wahlberg (The Italian Job, Shooter, Ted), playing the familiar Robert P. Parker character Spenser, the amiable co-star with Winston Duke (Black Panther, Us) as partner Hawk, the mouthy lead actress in Iliza Shlesinger (Instant Family, Forever 31) as Spenser’s ex Cissy, the snarky elder voice in Alan Arkin (Argo, Gattaca, So I Married an Axe Murderer, Sesame Street) as Spenser and Hawk’s mentor, and even the cute animal friend presence via a friendly hound dog (that’s Pearl).  And a cool ride (here, a primo 1984 Buick Riviera).

Just like with the big screen movie The Man from U.N.C.L.E. (reviewed here at borg), viewers should forget about what they’ve read in the novels or experienced in the 1980s TV series starring Robert Urich and Avery Brooks.  This is a trademark Mark Wahlberg movie, and he’s in familiar territory–Boston–and Wahlberg’s own real-life stint in jail brings a certain authenticity to his performance as a tough guy with a big mouth who can hold is own against much bigger thugs, emerging from the slammer.  Wahlberg’s character has bits of the roles he’s taken on in The Departed (cop), Shooter (strategist), The Italian Job (planner), The Perfect Storm (driven), 2 Guns (drugs), The Other Guys (buddy cop), even Ted (Bostonian), and the film comes from director Peter Berg, who audiences have seen team up with Wahlberg before in Mile 22, Patriots Day, Deepwater Horizon, and Lone Survivor.

Wahlberg’s ex-cop is a good guy who must act when he sees someone in trouble, which in turn gets him into trouble.  The story in Spenser Confidential is neither complex not action-packed.  But Arkin and Shlesinger add some humor to what is very much an extended episode of early 1980s prime time television.  It has the same quality that makes us keeping coming back for more in the reboot Magnum PI series and the new Stumptown series–actors we like, characters we like, and an easy mystery to solve.

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Robert B. Parker′s crime-solving duo made famous by Robert Urich and Avery Brooks in Spenser for Hire is getting its first movie adaptation with the Netflix Studios release, Spenser Confidential.  The film is billed as an action-comedy, and is based on Parker’s star characters from his 40 novels.  Parker used other writers for some of the novels in the series, and this film is reportedly loosely based on the novel Wonderland, penned by Ace Atkins.

The wise-cracking Bostonian Spenser is not new territory for Mark Wahlberg, who will join director Peter Berg in their fifth film project together.  In this first trailer, Wahlberg, the 2017 highest paid actor in the world, makes it hard to differentiate this from the roles he’s played in The Italian Job, The Departed, The Other Guys, Ted, Pain & Gain, Shooter, 2 Guns, Transformers: The Last Knight, and All the Money in the World. But like Tom Cruise and Dwayne Johnson, fans go to Wahlberg movies to see Wahlberg be Wahlberg.

Hawk will be played by Black Panther co-star Winston DukeSpenser Confidential co-stars Alan Arkin (Catch-22, Argo, Gattaca, So I Married an Axe Murderer, The Muppets), Iliza Shlesinger (Instant Family, Elder Millenial), Bokeem Woodbine (Spider-Man: Homecoming, Ghostbusters: Afterlife), and Post Malone (Spider-Man: Into the Spider-Verse).

Check out the first trailer for Spenser Confidential:

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Review by C.J. Bunce

Twenty years ago the last episode of Star Trek: Deep Space Nine premiered, and for its anniversary a crowdfunding project funded a feature-length retrospective on the series.  Deep Space Nine: What We Left Behind will be familiar to any fan of Deep Space Nine who has delved into the special features found in the DVD sets or online via YouTube.  It’s full of those reminiscences, albeit updated, diehard fans have viewed countless times in interviews with cast and crew and via panels at the annual Star Trek convention in Las Vegas.  But the unique feature for this new documentary is a reunion of writers from the series who sit down and block out what a possible next episode of the series might include.

Deep Space Nine showrunner and executive producer Ira Steven Behr leads the documentary, hitting the high points of his seven years creating Deep Space Nine, intercutting new and old interviews with key and supporting cast members, a few members of the production staff, co-creator Rick Berman and the man representing the business side of production, Kerry McCluggage, former chairman of Paramount Television Group.  Deep Space Nine: What We Left Behind does not look closely at the production from a design, costumes, props, music, or technical standpoint, but is almost exclusively focused on the writers and actors, and why the crew thinks its show was different from competing programs in the 1990s (although some art production familiar faces including Herman Zimmerman, Michael and Denise Okuda, and Doug Drexler make brief appearances).

The writers room reunion of Behr, Ronald D. Moore, René Echevarria, Hans Beimler, and Robert Hewitt Wolfe talking through a spec script idea for a new 20th anniversary reunion episode is a great guide for anyone wanting a glimpse at the process of developing a television show.  Backed by a cartoon art/Ken Burns-esque multimedia mock-up of characters and sets by artists Magdalena Marinova, Kai De Mello-Folsom, and Luke Snailham, it’s a better presentation format than watching more talking heads.  The result feels quite like a Brannon Braga or Ronald D. Moore series finale episode (see Star Trek: The Next Generation’s “All Good Things…” and Star Trek Voyager’s “Endgame”), complete with a time jump and appearances by grown-up regular players, in this case Jake Sisko and Molly O’Brien.  Vedek Kira?  Captain Nog?  With some make-up and new costumes, the writers’ episode creation would have actually made a fine final episode to the series, providing some resolution to the fate of Avery Brooks′ Captain Sisko.

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Deep Space Nine:  The Animated Series.

Sounds good, doesn’t it?

When so many years pass between projects, everyone ages and actors no longer reflect the look they had from decades ago.  But that isn’t so for voices.  What better way to continue a series that is no longer realistic as a live-action show but than to create a respectable animated version?  Just look at all the actors from the original Star Wars trilogy that came back to perform for DisneyXD’s animated series Star Wars Rebels–James Earl Jones, Billy Dee Williams, Anthony Daniels, Frank Oz.  And the opportunity for guest stars!  Rebels has seen characters voiced by Firefly’s Gina Torres, Star Trek: The Next Generation’s Brent Spiner, Buffy the Vampire Slayer’s Sarah Michelle Gellar, Harry Potter’s Jason Isaacs, and Doctor Who’s Tom Baker!  The sky (galaxy, etc.) is truly the limit.

The Star Trek franchise is relatively untapped compared to what Disney is exploiting with its Star Wars franchise in only its first year in “let’s make money” mode.  What is CBS and Paramount waiting for?  So why not get to work on a Deep Space Nine animated series?  Former DS9 writer/producer Ira Steven Behr announced this weekend that he has been creating a DS9 documentary, which he says includes contributions from original Deep Space Nine writers.  As part of the film he had the writers break down the story for how they might see an episode one of Deep Space Nine Season 8.  Insert mic drop here.

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Who doesn’t want to see that?  But why stop there?  The dismissive, easy answer is that coordination of schedules will make it difficult, another Trek TV series and movie are in the works, etc.  But all CBS and Paramount need to do is think bigger.  Like Disney.  And if the idea isn’t enough to spark some momentum, how about this great mock-up of the DS9 cast as they might look in a Season 8 created by artist Josh Howard (above, top) from the artist back in 2013 (check out his website here), the countless comic book adaptations published over the years (above), or illustrator Anna Rettberg’s vision from 2012 (check out her website here):

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