Tag Archive: badass women of 2020


Review by C.J. Bunce

It had a promising first and third season, twists and turns, clever story arcs, and a contender for the most faithful adaptation of a comic book series from the past decade.  The creators of the fourth and final season of Netflix’s Chilling Adventures of Sabrina gave 2020 a much-needed batch of two complete seasons, and we already gave the third season kudos in the 2020 Best of TV review here at borg.  Kiernan Shipka proved to be one of TV’s best young actors, embodying a character that is next in line after Buffy Summers, Veronica Mars, and Liv Moore as young genre heroines who led series you can count on the first time and after re-watches.  Already a contender for one of the best TV series of this century, and one of Netflix’s most creative efforts, how did the final season fare for our heroine Sabrina Spellman?

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Once a year at borg we ask: What makes a great screen heroine? It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  Despite delays in releases due to the covid pandemic, nothing kept Hollywood from including great female characters on the screen, even if that meant moving movies to the small screen for a while. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  (Want to see previous years’ kickass genre heroines to see how 2020 compares?  Here are 2019, 2018, 2017, 2016, and 2015). Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass, and often badass, character is about.

This year we add masked superheroines, a CDC epidemiologist, aliens, assassins, martial artists, warriors, cyborgs, a telephone operator, an engineer, a bounty hunter, and a frog and a pig–with a roster evenly split between television and movie characters. Credit goes to both the writers, costumers, and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2020:

Bo-Katan Kryze (The Mandalorian, Star Wars: The Clone Wars).  In the animated series she would let nothing stand in her way. In a galaxy with villains like Grand Admiral Thrawn and Grand Moff Gideon, we’re lucky to have Bo-Katan on our side. Leading a team to find the Darksaber and restore Mandalore, she’s also willing to enlist a lone straggler, and help him for his efforts. With Katee Sackhoff, the actress behind Starbuck, in the armor, the coolness factor goes up by a factor of 100. Great heroines are great leaders, and, like Bo-Katan, they wield an incredible arsenal of skills. (Disney/Lucasfilm)

Nicole Haught in Wynonna Earp

Sheriff Nicole Haught (Wynonna Earp).  Katherine Barrell’s tough, savvy, and friendly sheriff is one of the best reasons to watch Wynonna Earp, now four seasons running. She’s the girlfriend of Wynonna’s sister Waverly, she is plugged into the local supernatural happenings, and she’s always available to lend a hand, when she’s not carrying out her sheriff duties. She’s an investigator who is loyal, driven, and smart. She’s also fun and friendly, making her the heart of the series. In a show about supernatural people, she holds her own as law enforcer simply by her own human wits. (Syfy)

Seven of Nine (Star Trek Picard).  More than forty years of Star Trek have revealed some exceptional women leaders. This year we were lucky to see the re-appearance of one of the best, a character who was captured as a child and trapped in what amounts to a technological cult. With the help of a strong captain, Seven was able to break free, and re-learn what it means to be human. This year that meant helping a legendary former admiral, avenge the death of her closest friend, and fight for good long after her call to duty. (CBS All Access)

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Review by C.J. Bunce

Many movies showcase gangland violence in the action genre, but very few in the way of writer-director Timo Tjahjanto.  His 2018 blood and guts masterpiece The Night Comes for Us is the kind of movie for audiences looking for the satisfaction you get from a big rollercoaster, the kind they provided in action films in the 1970s and 1980s starring Arnold Schwarzenegger, Jean-Claude Van Damme, Chuck Norris, and Bruce Lee.  It’s so heavy on violence you might get the feeling someone found a spare makeup department with extra buckets of fake blood in between horror movie projects.  Yet among the visual spectacle (you may duck a few times in your living room not to get splattered) Tjahjanto knows how to build a story and characters into one heckuva fun payoff.

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Review by C.J. Bunce

Now that everyone has seen it who likely was going to watch CBS All Access’s next Star Trek incarnation, Star Trek: Picard, it’s time to delve into the series.  If you haven’t yet, take advantage of the free CBS All Access offer while you can.  Series star Patrick Stewart has said he decided to bring his character back to the screen because of the role he performed for even more years than Picard–Charles Xavier in the X-Men series–specifically because of the strong finish he was able to give the character in James Mangold’s Oscar-nominated finale Logan, possibly Stewart’s strongest performance in his film and TV career opposite Old Man Logan as Old Man Charles.  Stewart succeeded, as Star Trek: Picard, already expecting at least another season, showcases the beloved character as Old Man Picard and wraps far better fans’ last meeting with not only Picard, but Data, Riker, and Troi, too.  And surprisingly it does that for Star Trek Voyager, specifically for Jeri Ryan′s Seven of Nine, who also had a rather anticlimactic finale in the last episode of that series.  Her new take is very different from before, but still lots of fun.

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AlteredCarbon_S2_MainTrailer

Review by C.J. Bunce

The first season of Netflix’s Altered Carbon was a fantastic sci-fi series with a stellar cast and a story and production values that rivaled the original Blade Runner and its 2017 sequel.  Based on Richard K. Morgan’s novels, the series is centered around Takeshi Kovacs, a future soldier in a world where science has developed a hard drive called a “stack” that is implanted in humans’ necks, allowing our memories to be uploaded to storage and replanted over and over so they seemingly can live forever, even in new bodies.  That conceit allows Kovacs and other characters to be played by any number of actors, which, as demonstrated in Season 2, can allow the series to continue indefinitely much as Doctor Who’s regeneration mechanism allows replacement Doctors.  So how does a series fair when it replaces the lead after the first season?  Can it keep up the intrigue and interest for viewers?

The first season asked: What does it mean to be human, and how much can you shed away and replace with technology and still retain the “self”?  Unfortunately, the second season falls a bit short.  Although it wisely was paired down from ten to eight episodes for its second season (season one couldn’t keep up the action and would have benefited from some good editing), the series just doesn’t capture the same magic.  Anthony Mackie′s assumption of the role of Kovacs in the year 2385, years after the events of the first season, is more of a re-hash of what we saw Joel Kinnaman do with the character last season.  Mackie is usually one of the best parts of any project he tackles (The Adjustment Bureau, Captain America: Winter Soldier), but the story and dialogue here are not as sophisticated as in the inaugural effort, and Mackie is always intense, his acting dialed up to eleven, much different than his character in the first season.  Simone Missick, who we loved in Marvel’s Luke Cage, provides an interesting new cyborg character for the Altered Carbon universe as Trepp, but it didn’t quite catch up to the passion of Martha Higareda’s driven cop Kristin Ortega last season.  But where the series shines is in its supporting cast of characters, many returning from last season.  The result is like comparing the first season of the Battlestar Galactica reboot with the last–good television–even if it’s not as gritty and exciting as the first season, it still may be the best sci-fi series on television this year.

Poe Dig 301

Foremost is Chris Conner back as the artificial intelligence who has taken inspiration from Edgar Allan Poe, a bodyguard of sorts looking out for Kovacs (Mackie) in his new body (called a sleeve).  Conner brings to the series the same kind of compelling look at the trouble of incorporating humanity into robots or cyber-creations, the same type of battle of sentience in the non-living as conveyed by Robert Picardo as the emergency medical hologram in Star Trek Voyager.  In this season Poe is in trouble–his matrix is broken and he needs to reboot, which he does not want to do because that would mean he would forget Lizzie (Hayley Law), a key character of last season, and a memory stored in his digital mind.  Not rebooting means he makes mistakes that could hinder Kovacs’s ability to stay hidden from his pursuers.  But there is hope for Poe, and that comes in the form of another creation, another artificial intelligence, an ancient storage “archaeologue” unit called Dig 301, played by Dina Shihabi, who nicely substitutes as a futuristic love interest for Poe.

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