We’ve had a great response here at borg to our complete checklist of the variant covers for the 80th anniversary of Batman and benchmark 1000th issue of his long-standing comic book series, Detective Comics. Check it out here if you missed it. The cover art, especially when merged with the variety of historical and modern title art and legends, makes for one attractive looking book, whichever copy you go for. At least one of the ten main covers will provide a dose of nostalgia and excitement for any Batman fan. But for $9.99 is it worth the price? Can you tell the book by its 84 covers?
Incorporating eleven short stories and three pin-ups with a variety of stories, themes, and eras, this anthology is tilted in favor of the modern dark knight detective over the versions of the character from his first decades in print (Batman TV fans have several Batman ’66 comic book series to turn to for the lighter fare). Is the issue epic? That’s in the eye of the beholder. Groundbreaking? Probably not. But it’s a fun read, and using mixed pairs of writers and artists–a few classic pairs and a few nice change-ups from then and now–it’s a great exercise in searching out what works and what works really well for DC Comics’ editorial department. Love a particular story or visual style? Surprise–you the reader now have new creators to keep an eye on in future series.
Becky Cloonan’s Batman from Detective Comics #1000.
You might find your next favorite creators in “Batman’s Longest Case,” with writer Scott Snyder and artists Greg Capullo and Jonathan Glapion, the kind of story you think of when you see Batman as master detective. Writer Kevin Smith pulled out the stops for his team-up with Jim Lee and Scott Williams in “Manufacture for Use,” including one of those great splash pages Lee/Williams fans can’t get enough of. Artist Becky Cloonan delivered the biggest visual win with a flawless Batman: Year One-inspired Frank Miller style in one panel and a cool Bernie Wrightson caped crusader in another, matched nicely with Jordie Bellaire‘s colors in the story “The Batman’s Design.” Tight writing and story make for an exceptional contribution from writer Brian Michael Bendis and artist Alex Maleev called “I Know,” probably the best writing of the book. I’ll admit I was hoping for a Jim Aparo, Gene Colan, or Marv Wolfman homage (they defined the look of the Batman of my youth), but it wasn’t to be this time. But based on this issue, who would I like to see in an ongoing monthly? Brian Michael Bendis and Becky Cloonan. And my favorite part of the book? That goes to Mikel Janin‘s take on Batman with Joker and the Riddler in his one-page pin-up, which stopped me in my tracks, and should have been a variant cover option. More, please!
, the first modern and most celebrated graphic novel, DC Universe Animation’s new animated movie 
delivers all that you would want. It’s not the live action film we’ve all hoped for for years, but if you just listen to the film it will pull you in to thinking this is a live action movie with full special effects and a new and appropriately dark Batman soundtrack. The visuals are faithful to the original, with key iconic splash pages and panels from the sourcework recreated on the screen. The only piece missing is Bruce Wayne/Batman’s inner narration, which was not used in the film, a choice that some may like and some may not. As a fan of voiceover narration, I would have included it. That said, if you’re not thinking about it you won’t miss it, and the action sequences are well choreographed so it’s not a necessity to keeping this a great adaptation.
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. Written by Frank Miller with art by David Mazzucchelli, the graphic novel often floats at or near the #1 spot on lists of the best Batman stories ever told, as well as the top 100 graphic novels of all time. I’ve found the graphic novel to be better than Batman: The Dark Knight Returns, in part because it tells a classic Batman origin story and I prefer Mazzucchelli’s Gothic meets-noir-artwork in 
