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Tag Archive: Beware the Batman


Orphan Black Tatiana Maslany as everyone

Well it’s been one long year, with plenty to do and see, plenty of good and not-so-good to read and watch, and we’re certain we read more and reviewed more content this year than ever before.  And that in no less way was true for TV watching.  At the same time we waded through all that Hollywood had to offer and honed in on the genre films we thought were worth examining.  We went back and looked at it all and pulled together our 25 picks for our annual Best of the Best list.  Today we reveal the best content focusing on the moving image, and tomorrow we’ll run through our picks for the best in print and other media.  We hope you agree with many of these great creations of the entertainment industries, and wish everyone a great 2014!

Year’s Best Fantasy Fix — The Wizard of Oz in Theaters.  It’s a film that has been viewed on TV so many times you might take it for granted.  It’s historically been on many movie reviewers’ Top 20 movies of all time.  But when you watch The Wizard of Oz on the big screen in the middle of a year of modern blockbusters you realize how it can stand up against anything Hollywood has to offer today, even after 70 years.  Remastering the print for a new generation to see it in theaters was a highlight for movie watchers this year.

Almost Human partners

Year’s Best Sci-Fi Fix — Almost Human, Fox.  Like Continuum last year, the new series Almost Human created a future world that is believable and full of extraordinary technologies based in today’s science and touching on social issues of any day.  And even putting aside its buddy cop and police procedural brilliance, every episode plunged us into future police grappling with incredible technologies–DNA bombs criminals use to contaminate a crime scene, identity masking technology to avoid facial recognition video monitors–it was the best dose of sci-fi in 2013.

Best TV Series — Orphan Black, BBC America.  What rose above everything on TV or film this year was BBC America’s new series, the almost indescribable Orphan Black From its initial trailers that piqued our interest, to the surprise series consisting of one actress playing multiple roles that dazzled from out of nowhere, magical special effects, and a unique story of clones and X-Files-inspired intrigue propelled Orphan Black to be our clear winner for Best TV Series of 2013.

Sleepy Hollow

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beware the batman batmobile

If you find typical animated series on Cartoon Network visually boring, this new series is for you.  DC Comics’ DC Nation on Cartoon Network has finally achieved a satisfying blend of eye-grabbing visuals and smart storytelling in its newest animated series, Beware the Batman.   A follow-on to Batman: The Brave and the Bold, Beware the Batman is a fresh take on Batman that opens up possibilities for a long-term animated series with interesting villains of the week similar to those we enjoyed with the 1960s live action Batman series, but skip the camp and humor for some gritty situations and snappy dialogue.

What first will draw viewers to Beware the Batman is the high-resolution, three-dimensional effect of the cutting edge CGI animation itself, similar to the realism we’ve seen in Tron: Uprising, but even more so like the stylish visuals in The Incredibles.  Although the Batman himself may be the least eye-catching of the hundreds of Batman incarnations out there, he has his own style here that may grow on viewers.  But Alfred, the villains, Tatsu Yamashiro, all look incredible.  Wayne Manor is a beautiful mansion on the edge of a cliff, something you’d expect to see from Richard Branson.  Gotham looks like the moody covers to The Dark Knight Returns.  The action sequences are full of explosions and chases offered up in ways you haven’t seen before, too, with realistic and futuristic 3D technology effects like those in Steven Spielberg’s Minority Report.

Alfred and Batman

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