1959. A gallon of gas cost a quarter. Movie tickets were a dollar and color was replacing black and white film. You could buy a new car for $2,000. In technology the Soviets beat the United States to the Moon, with a hitch, crashing their Luna 2 spacecraft into the lunar surface. The U.S. selected seven astronauts for their Mercury space program. Xerox began selling copiers to companies, IBM made headway with its mainframe computer, and Jack Kilby invented the microchip. Kids first began playing with Play-doh, Etch-a-Sketch, and Barbie dolls. On one end of the country The Sound of Music opened on Broadway and everywhere music fans faced the day the music died. The world first witnessed The Twilight Zone. The gray flannel suit defined the businessman. And in 1959 the great filmmaker Billy Wilder produced and directed his own screenplay and the film would become the best reviewed comedy of all time, pegging the number one spot on the American Film Institute’s registry of best American comedies. The film was Some Like It Hot. And it’s back in theaters this weekend for a limited release.
Some Like It Hot has it all. Marilyn Monroe in arguably her best performance. Tony Curtis and Jack Lemmon only at the beginning of their long and distinguished careers. The movie doesn’t take place in 1959–it is set 30 years earlier in the heyday of speakeasies and Depression era mobs. Tony Curtis is Joe, a ladies’ man and gambler–the sax player. Jack Lemmon is Jerry, a straight arrow–the double-bass player. They play in a band in a speakeasy (disguised as a funeral home) run by mob boss “Spats” Colombo (George Raft). When Joe and Jerry accidentally witness a Valentine’s Day massacre-inspired mob hit, they must go on the run. They find an all-female band heading to Miami via train and disguise themselves as the original bosom buddies, Josephine and Daphne, befriending the band’s gorgeous and upbeat lead singer and ukulele player, Sugar Kane, played by Marilyn Monroe. That’s where the laughs begin, and a back-up cast of classic Hollywood staples, including Pat O’Brien and Joe E. Brown, fill in the gaps.
Despite the popularity of color film, Wilder shot Some Like It Hot in a steamy black and white. Wilder had already directed Monroe in The Seven Year Itch, so the pairing was an obvious fit. Wilder and Lemmon would start a partnership that lasted until 1981. Wilder was the true King of Comedy. He worked on nothing but hit movies over the course of his career–serious stuff like Double Indemnity, Sunset Boulevard, Stalag 17, The Spirit of St. Louis, and Witness for the Prosecution, in addition to comedies including Sabrina, The Seven Year Itch, The Apartment, Ocean’s 11, Irma la Douce, The Fortune Cookie, and Casino Royale.
