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Tag Archive: Bob Peak


Review by C.J. Bunce

Only a few Hollywood movie stars have reached icon status as Clint Eastwood has, from TV actor and film star in Westerns to street-smart leading man and pop culture idol, playing against type and then back again, and onward to award-winning director.  Eastwood has made his mark, and it makes sense that enough movie posters have featured his image and films to justify a book focused exclusively on the subject of the artwork instead of spotlighting any specific artist.  Not so much a survey of artwork as much as a comprehensive guide to movie posters featuring the star, Clint Eastwood: Icon–The Essential Film Art Collection is available this month in a revised and expanded edition for the first time in a decade.

In many ways Clint Eastwood: Icon would make for the ultimate auction catalog were all the items pictured for sale.  But it’s more than that.  Writer and compiler David Frangioni’s approach to collecting and his details about key posters will educate and inform even the passing film fan and collector.  Film expert and professor Thomas Schatz provides commentary on the context of Eastwood and his films within each decade.  Every area of collecting should be so lucky to have such a presentation in this format for its fans to admire.  Frangioni and Schatz include references to the artists when known, which is rare over the course of these hundreds of images.  The collection of work from these artists provides another niche study area for the history movie posters, including an international array of artists like Michelangelo Papuzza, Renato Casaro, Sanford Kossin, Peter Max, Jack Davis, Hans Braun, Lutz Peltzer, Lorenzo and Giuliano Nistri, Ron Lesser, John Alvin, Frank Frazetta, Bob Peak, Birney Lettick, Roger Huyssen, and Gerard Huerta.  Definitely a few names movie poster and pop art fans will recognize.

The posters represented aren’t only those styles seen by audiences entering American movie theaters.  These include many variations that appeared in theaters across the globe, some by artists whose names are lost to time, with decade-appropriate type styles and language to match.  As time marched on, more and more posters featured photographic images of Eastwood from the films, or other marketing photos of the actor inserted with or without additional artwork and text.  Why use a painting of Eastwood to advertise a Dirty Harry film when a photograph is most likely to reel in filmgoers?

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makin moving posters

If you’ve watched any number of the documentaries or read about the artists that created classic movie posters in the 20th century, you can’t help but notice a subtext about the small circle of artists that became well known for their work.  Ego and competition among artists is a recurring theme.  In 2014 here at borg.com we looked at Drew Struzan via a documentary exclusively about him and his work.  Three books discussed here are about Struzan’s contributions to movie poster art.  A new book in 2014 chronicled works by John Alvin, reviewed here, and another book reviewed here documented the movie posters created for the Star Wars franchise alone.   Originals of some lesser Bob Peak poster art are being offered at more than $6,000 here.  In 2014 the greatest collection of movie posters ever assembled was offered at auction, discussed here.  Movie posters are still popular and do not appear to be fading away anytime soon.

In most accounts and interviews, movie poster artists of the past 50 years lament the decline of the movie poster.  But has that ever really been true?  Isn’t every artist in every medium always faced with competition from new creators and new tools of the trade?  Every year countless artists design movie posters that entice moviegoers.  Should we really be discounting creators who aren’t using pencils or paints to create the final product?  And is it enough for fans of movie posters that options like Mondo and new, up-and-coming poster artists are looking back and providing updated views of films via their poster releases?

24x36

Director Kevin Burke’s latest look at movie posters, called 24X36 to reflect the size of the standard marquee print, focuses on two classic poster artists, John Alvin and Roger Castel, Alvin known for countless posters for blockbusters and Castel for his often reproduced Jaws poster art.  The documentary also steps forward with interviews and discussions with more recent artists in the craft, including William Stout, Jason Edmiston, Laurent Durieux, and Gary Pullin.  We’ve looked at the works of Laurent Durieux here at borg.com previously.

Here’s a preview of the documentary 24X36:

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ST MD 3 alt cover     Star-Trek-Manifest-Destiny-4

One of the coolest events going on this year to commemorate 50 years of Star Trek is a new four-part mini-series from IDW Publishing.  Plenty of great issues of Star Trek in comics are coming your way this year, but tomorrow IDW releases the second of four variant covers that we think will bend your view of time and space.  At least as far as the Final Frontier is concerned.

IDW artist Tony Shasteen has created four variant covers for the series Star Trek: Manifest Destiny, and each interprets Star Trek movie posters of the past.  For these posters, the new crew of the Enterprise portrayed by the actors from J.J. Abrams’ movies replace the original series actors.  The results will make the classic Star Trek fan have a double-take.

ST MD 1 cover alt     ST MD 2 cover alt

It also makes you see what untapped places the new universe of Star Trek could conquer.  Who doesn’t want to see Chris Pine’s Captain Kirk and Zachary Quinto’s Mr. Spock in an update of the classic maroon uniforms from Star Trek II-VII in one of the coming sequels?  And Kirk in his classic shell-design civilian outfit from Star Trek II-IV?  IDW is giving us a peek at what that could look like.

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