If you’d happened to watched last year’s crime noir film Motherless Brooklyn and not known the screenwriter or director, I wouldn’t fault you if you expected to see Francis Ford Coppola’s name in the credits, or you figured Martin Scorsese finally made the perfect New York picture. But that’s not what you’ll find, because it not only stars Edward Norton, but he wrote and directed the film–his first director effort. And it’s an exciting, stunning, gritty film. The fact that Motherless Brooklyn is even worthy of comparison might be praise enough for the film and its creator, but it goes a step further and surpasses a film it’s frequently been compared to–Roman Polanski’s Chinatown. The fact that Once Upon a Time… in Hollywood and The Irishman were nominated for best film at the Oscars this year, but this wasn’t? That’s a real head-scratcher–or that Norton’s performance as a Tourette’s syndrome-affected private detective trying to find the guys that killed his boss wasn’t even nominated for best actor? Movie lovers and fans of crime noir who missed it should catch its home release. It’s as good as it gets.
Another trailer has arrived for director and auteur Martin Scorsese′s new movie The Irishman (we ran the first trailer here), this time focusing more on Al Pacino′s take on ill-fated labor leader Jimmy Hoffa, and comedic actor “Everybody Loves” Ray Romano bringing his charm back to audiences as Teamsters lawyer Bill Bufalino, asking questions of Robert De Niro as one of the guys alleged to have murdered Hoffa.
At first blush, the issue with The Irishman is twofold. First, we’ve already seen Al Pacino, Robert De Niro, Joe Pesci, etc., when they were younger, and now they have been extensively de-aged via CGI and makeup for this film. So we know what they looked like at the ages of the characters in the film, but they didn’t look like the de-aged characters in the trailer. Second, preview audiences that have seen the movie in theater screenings have already commented on the dreaded “uncanny valley”–that difficulty in adapting the eye to the CGI efforts to make humans look real via digital effects manipulation.
The positive is that most viewers will see The Irishman on the small screen. Rogue One: A Star Wars Story’s CGI re-creation of Peter Cushing as Grand Moff Tarkin was easier for the eye to adapt to on the small screen than in the theatrical release where more detail was present. Maybe the same will be true for The Irishman? The film is a direct-to-Netflix release, and Scorsese is a tried and true filmmaker, so audiences have nothing to lose but three-and-a-half hours (yep, this is a long one, folks).
With the first trailer for The Irishman out, it may be getting clearer why Martin Scorsese′s latest in a 45-year career-spanning string of films is going straight to Netflix. Despite Netflix claims that it can compete financially with movie theater releases, it has yet to provide a reliable run of hits. Can The Irishman help? Even heavy hitters of Scorsese’s past, Robert De Niro, Al Pacino, and Joe Pesci, can’t seem to make this movie look compelling. The audience is left with only “another crime movie with those guys,” with no reference to who or what it’s about. And is any amount of CGI and makeup going to get audiences to believe in a married couple played by 36-year-old Anna Paquin paired with 75-year-old De Niro playing 55-year-old Frank Sheeran? If you’re like everyone else you may not know Sheeran claimed late in life to have killed teamster leader Jimmy Hoffa. So it’s no wonder this feels like Scorsese’s version of an Oliver Stone movie.
Take away the Las Vegas and this first trailer for The Irishman looks plenty like a trailer for Scorsese’s Casino, complete with an attempt to get De Niro and Pesci back to how they looked in 1995, De Niro and Pesci looking like they did in 1990 in Goodfellas, Pacino looking like he did back in 1973 in Mean Streets, or, to jump into Francis Ford Coppola pictures, like Pacino and De Niro looked in 1974 in The Godfather, Part II. As much as we loved Peter Cushing’s transformation in Rogue One: A Star Wars Story and Michael Douglas’s transformation in the Ant-Man movies, a legion of fans will need more improvements in technology before they get past the “uncanny valley”–that reaction you have when something digital is trying to look real but doesn’t quite succeed.
Long-time “bad guy” club member Harvey Keitel, Ant-Man’s and Jumanji: Welcome to the Jungle’sBobby Cannavale, and “Everybody Loves” Ray Romano are not seen in this trailer, but expected to have key roles. See whether the CGI works for you in this first trailer from Netflix for The Irishman:
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? The last of the nine films in theStar Wars saga. Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.Shazam!is DC’s contribution. Quentin Tarantino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix). M. Night Shyamalan finishes his dark superhero trilogy with Glass. Arnold Schwarzenegger and Linda Hamilton return in Terminator. Jordan Peele is back with another horror film with Us.
Do you like sequels? This is your year. Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet Sematary—Disney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year. Yep, lots and lots of sequels are coming.
Some films don’t have locked-in release dates yet. Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:
Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)
Some of these films will have revised release dates, or get pushed to 2020.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):
January
Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.
Serenity– Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.
King of Thieves– Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.
You might think that a movie from 22 years ago isn’t prime material for a reboot, especially when that movie is Joe Johnston’s barely memorable Jumanji. It starred Robin Williams, a bunch of kids and a nice pantheon of supporting actresses (including Patricia Clarkson (The Maze Runner series, The Station Agent), Bebe Neuwirth (Cheers, Malice, Star Trek: The Next Generation), and Bonnie Hunt (Zootopia, Monsters, Inc.)). Ten years later Jon Favreau would take the same formula ahead with Zathura. Both movies featured kids getting pulled into a board game where they must fight to survive. Blending these shows with the pulled-in concept first taken on by Tron in 1982, the new fantasy adventure Jumanji: Welcome to the Jungle takes the idea from board game to video game, and does it much better by taking the child actors and having them turn into adult fantasy world avatars, all played by some of Hollywood’s best-loved actors.
The result is great fantasy fun–escapist, easy, laugh-out-loud humor that showcases the talents, charisma, and humor, of the four stars. Leading the way is Dwayne “The Rock” Johnson (who according to Meet the Press is considering a 2020 presidential bid). No current personality is better at poking fun at himself, with charisma, good looks, and the smarts to pull off the persona of a teenager afraid of everything who becomes the chiseled Dr. Smolder Bravestone, and yes, smoldering is one of his video character powers. My screening was preceded by a trailer for Rampage, another big action film game tie-in along the lines of San Andreas. Jumanji: Welcome to the Jungle co-stars Johnson’s Central Intelligence co-star Kevin Hart, who brings his stand-up comic, self-effacing persona to the big screen again as the tough kid turned short-statured sidekick to Bravestone, Franklin Finbar. Finbar’s video game powers are hysterical–one of his powers is carrying Bravestone’s tools, and his weaknesses include cake and strength itself.
Another nice choice is comedic actor Jack Black, who plays self-absorbed teenager Bethany’s avatar, Professor Shelly (as in Sheldon, not Michelle) Oberon. Black plays the role for great laughs, and he pulls off playing a teenage girl like only he could. Karen Gillan stars as studious teen Martha’s avatar Ruby Roundhouse, a seriously badass superheroine of the Tomb Raider Lara Croft school. Gillan, known best for her role as Amelia Pond in Doctor Who and as Nebula in the Guardians of the Galaxy series, proves again she was born to play big action roles. She and Bravestone are exactly what you’d expect from online role player fantasy personas, not in actual Activision game but maneuvering pitfalls just the same. When they’re saving the day the audience is cheering them on every step of the way. In between those scenes audiences will be laughing as the coming-of-age story of the kids breaks through. By the end of the film, a cameo actor performance–a brilliant casting move–will take audiences full circle with the mystique of another coming of age fantasy with life-changing implications from the 30 years ago (hint: the cameo actor previously co-starred with one of this film’s actors in one of our favorite coming of age classics).
A fantastic animated movie is heading to theaters this week that your family is not going to want to miss, and (assuming you’re already planning to see Star Wars: The Last Jedi) if you see only two movies over the holidays you’ll want to make sure this is one of them. Once referred to as the greatest children’s book since Winnie the Pooh, the 1936 internationally successful The Story of Ferdinand has finally been adapted into a full-length animated film. It is the real deal–a classic animated movie in the tradition of Pinocchio, Bambi, Snow White, The Jungle Book, Tarzan, and Beauty and the Beast, possibly the best film in decades to merit inclusion among these cinema greats, with a level of animation that may have you thinking of the Aardman stop-action films because of its quality 3D animation. The 32-page original story written by Munro Leaf and illustrated by Robert Lawson has been expanded into a larger story with new characters like many popular children’s books–think Dumbo the Flying Elephant, The Polar Express, and The Night at the Museum–remaining completely loyal to the original story.
Ferdinand tells the story of a rural Spanish bull (voiced by actor/WWE wrestler John Cena) who is not interested in growing up like other bulls to fight a matador in the giant arena in Madrid. He leaves his farm and is adopted by a man and his daughter, where he spends his days smelling (and caring for) flowers on the hillside. He eventually grows to be a giant bull, larger than any bull around, and a mishap bee sting lands Ferdinand back at the farm with the bulls he grew up with. They, too, have grown up: Valiente, a stubborn, angry bull (voiced by Ant-Man’s Bobby Cannavale), a small bull named Bones (voiced by Law and Order’s Anthony Anderson), Guapo, a show-off bull (voiced by NFL football player Peyton Manning), an engineered super bull named Machina, and a Scottish Highlander named Angus (voiced by Doctor Who’s David Tennant). Law and Order’s Jeremy Sisto provides the voice of Ferdinand’s father and Jerrod Carmichael (Transformer: The Last Knight) is the voice of the dog, Paco. Soon an ambitious goat (voiced by Saturday Night Live’s Kate McKinnon) befriends Ferdinand as Ferdinand learns what it means to be seen by everyone as a “monstrous” bull again.
Ferdinand has it all, at its core a story about an individual who stays true to himself, beautiful scenery, some fun and familiar voice actors, a complex villain, an outstanding musical score with great songs, and powerful themes. Brazilian director Carlos Saldanha, who directed the Ice Age films and Rio, demonstrates his mastery of cutting edge animation, with a screenplay that creates several subplots that all get nicely tied up by film’s end. The soundtrack includes songs from Smash Mouth, Green Day, Shakira, Ed Sheeran, and many more. Prolific composer John Powell (The Italian Job, Shrek, The Bourne Identity, Paycheck, X-Men: The Last Stand, and next year’s Solo: A Star Wars Story) offers up a musical score that includes all you’d hope for in a Spanish story, incorporating a variety of styles and instrumentation.
