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Tag Archive: Boyd Holbrook


The Predator is back.  Today 20th Century Fox released the first full movie trailer for the autumn release of The Predator, the eagerly awaited sequel in the Predator franchise.  And this first trailer looks pretty fun.  Will this sequel finally approach the original Arnold Schwarzenegger sci-fi classic from 1987?  The Alien franchise seems to have raked in the big box office bucks for decades while the Predator films haven’t moved past the original.  All indications point to director Shane Black (who played the joking marine in the original Predator) leaving aside 2004’s Alien vs. Predator, 2007’s Aliens vs. Predator: Requiem, and 2010’s Predators.  The role of Jake Busey places the new film 30 years after the first sequel.  He plays the son of the character played by his dad, actor Gary Busey, in Predator 2.

If you’re a fan of the next generation of character actors, The Predator may be what you’re looking for.  Boyd Holbrook, who played the cyborg villain of last year’s Oscar-nominated film Logan, plays Quinn McKenna, a member of a military assassin squad.  Sterling K. Brown, who played the king’s brother in Black Panther and the defendant in Marshall, plays a government agent.  Lochlyn Munro, star of Riverdale and guest star in every genre TV series since 1989, plays a General.  Chuck, Dexter, and The Handmaid’s Tale co-star Yvonne Strahovski plays a character named Emily.  X-Men: Apocalypse and Iron Man 2’s Olivia Munn, featured heavily in the trailer, is Casey Bracket, a scientist researching the aliens.  Comedian and actor Keegan-Michael Key and Buffy the Vampire Slayer and Crow: City of Angels’ Thomas Jane co-star as members of the strike force.  Westworld’s Trevante Rhodes plays a member of the team named Williams.  Young Wonder star Jacob Tremblay is the kid that sets the story into motion, with a package in the mail.  And for a dose of gravitas, look for Edward James Olmos as a general in the movie.

This is the plot description for the film:

From the outer reaches of space to the small-town streets of suburbia, the hunt comes home in Shane Black’s explosive reinvention of the Predator series.  Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species.  When a young boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.

Now check out this trailer for The Predator:

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Beware the light.

Review by C.J. Bunce

On first viewing of Logan, this year’s most critically acclaimed superhero film, a viewer may love it or leave it.  It’s not your typical Marvel Comics adaptation, full of f-bombs and the bloodiest of action and violence.  Yet it’s also a finely crafted final chapter to the successful X-Men film saga and a tribute to Hugh Jackman’s unprecedented nine-film run as Logan.  Last week 20th Century Fox showed a limited screening arranged by the director of Logan in black and white, called Logan: Noir.  The version is also included on the Blu-ray release available everywhere tomorrow.  If you haven’t seen Logan, skip the theatrical version and go straight to Logan: Noir and if you have seen Logan prepare for a completely different experience with this special edition of the film.

Logan: Noir would be more aptly titled Logan: Black and White, as this is not so much classic noir than a modern Western tale shown in black and white.  Thankfully writer/director James Mangold (Cop Land, 3:10 to Yuma, The Wolverine) carefully and elegantly filmed Logan with an eye for the stark contrasts that black and white film once regularly captured so well.  Parts of the film will reach into your chest and hold you breathless, revealing the full potential of a comic book based film–and more specifically a superhero film.

Its bleak, cold landscapes are evocative of a John Ford (Stagecoach, The Man Who Shot Liberty Valance, The Grapes of Wrath) Western.  Its slow, calculated scenic pans are something Stanley Kubrick (Lolita, Dr. Strangelove) could only have hoped to have achieved in his early work.  Inasmuch as Hugh Jackman is a classic, Western, antihero archetype in his so-far-gone, washed-up, tired and grizzled Logan–former Wolverine of the X-Men–he appears far lonelier and resigned to a dismal, unrelenting future in black and white.  The cold contrasts in this Logan somehow create a vision more true to the Old Man Logan of the comic book source material.

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