Tag Archive: Brightburn


code-8-robot-cop

Review by C.J. Bunce

What appeared via advance marketing like it was going to be another film from the back side of the video store rack or film school-level sci-fi movie actually ends up as an acceptable sci-fi/superhero B-movie.  Code 8, which just arrived on Netflix, began back in 2016 as a short film project by Canadian cousins Stephen Amell, famous as CW’s Arrow, and Robbie Amell, who played CW’s Firestorm.  The project then went on to accumulate nearly $3.5 million of crowd-funding to make this feature length film, from first time writer-director Jeff Chan.  Ambitious is a fitting description of the film, which has overall low production levels, yet at points it offers some quality sci-fi tech via android cops and superpowered humans.  But its best feature is the promising young lead, as the more popular Stephen Amell takes a backseat to his cousin, Robbie Amell (ARQ, The Tomorrow People), whose charm and authenticity have him upstaging everyone scene after scene, including his cousin.

Robbie Amell plays 26-year-old Connor Reed, one of a rare breed of superpowered humans in a near-present day alternate Earth, with the story set in the fictional Lincoln City, some 90 years into a world of X-Men-inspired superhumans, all with varying types of powers.  Connor is a Class-5 “electric” meaning he can wield incredible jolts of power to use as a carpenter or to defeat high-tech security in a heist taking the form of android cops.  Connor’s mother, played by the versatile Kari Matchett (A Nero Wolfe Mystery, Leverage, Wonderfalls), is dying, and so he makes the decision to use his powers for evil to earn tens of thousands of dollars in gang money for a needed operation.  Class struggle is a theme handled here similar to District 9 and Elysium, with the discrimination beats of AlienNation and Bright, and the superpowers presented here bring out the vibe of Brightburn (minus the horror).

code-8-movie

The town has its own gangsters, centered around a drug called Psyke, including a mid-level, up-and-comer played by Stephen Amell named Garrett, who takes on Connor when he needs the extra power (literally) for a job.  The real-life cousins’ chemistry is instant, and Connor joins a crew of characters, one with the power to melt metal played by Locke & Key’s Laysla De Oliveira, a deaf superhuman with incredible strength played by Vlad Alexis (X-Men: Apocalypse), and a young woman with the power to heal played by Kyla Kane (Channel Zero).  Levels of crime lords mean power plays, and that makes everything messy for everyone.  Crime requires crimefighters, which sets the stage for the second best part of the movie, The Fast and the Furious’s Sung Kang with his always cool vibe, this time as the key cop on the case.

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In the world of the dark superhero universe you start with Alan Moore’s Watchmen and The Killing Joke, and you might pick up Frank Miller’s Batman: The Dark Knight Returns, Brad Meltzer’s Identity Crisis, Mark Millar’s Old Man Logan, Garth Ennis’s Crossed, and if you go back a bit further you might pick up Jim Starlin’s Batman: A Death in the Family.  And you take another look at Tim Burton making Batman movies.  You also might stumble over Garth Ennis’s The Boys and Brian Michael Bendis’s Jessica Jones.  These last two comics are making their way to your television this summer, first with the return of Marvel’s Jessica Jones for its third season on Netflix as the swan song for all its Marvel series, and then Amazon Prime is stepping in with an adaptation of Ennis’s The Boys, dark in every other way that Jessica Jones isn’t.  Those are in addition to Brightburn, a movie written by the live-action superhero guru Gunn brothers about a kid with Superman powers who doesn’t use them for good.  Meaning lots of bloody gore and violence.  It’s still in theaters.

Our first trailer is for the final season of Marvel’s Jessica Jones Should it be a surprise that everything seems exactly as it was in the last season?  Is it enough that Krysten Ritter′s anti-hero conquers her demons one at a time?  Viewers want to cheer her on, to do anything to get happy in a dark and dreary real-life New York, but without development of her character beyond returning to the bottle and self-inflicted pain, we’re left to turn to other characters.  Thankfully that left her adopted sister Trish, played by Rachael Taylor, as last season’s real hero to root for.  But does Jeremy Bobb (Russian Doll) have a chance at filling in as next villain as Foolkiller after David Tennant’s performance as Kilgrave?  And why another new guy for Jones, bringing in Benjamin Walker (Abraham Lincoln: Vampire Hunter) instead of Luke Cage or The Punisher?

The Boys is a different kind of dark, but in many ways it’s just another effort to do what Alan Moore did with Watchmen–deconstruct superheroes until they are only recognizable because of the capes and costumes.  So think of the depraved nature of Mark Millar’s Kick-Ass, but add a multiplier.  Or if Watchmen was a normal school day, The Boys is Watchmen where the teenage kids take over.  The kids in this case include Seth Rogan and Evan Goldberg as producers, so expect plenty of “adult language” aka expletives, and their typical brand of raunch and bodily fluids.   Is there a chance of some subtlety or nuance with these guys behind the series, or can we hope for something closer to Superbad?  The more promising elements in the trailer are found in the costumes (by Iron Man costume designer Laura Jean Shannon, Titans’ designer Joyce Schure, and Doom Patrol’s designer Carrie Grace) and the cast, including pop culture icon Karl Urban (Thor: Ragnarok, Star Trek, The Lord of the Rings, Judge Dredd, Xena: Warrior Princess) and Erin Moriarty, who also starred on season one of Jessica Jones, Elizabeth Shue (The Karate Kid, Leaving Las Vegas), and Jennifer Esposito (Spin City, NCIS).

Take a look at these trailers for some of the darker edge of superheroes in genredom:

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