Fans of Captain Pike’s “old is new again” Enterprise from the second season of Star Trek: Discovery got their wish Thursday as Anson Mount’s captain, new Number One actor Rebecca Romijn and new Science Officer Spock actor Ethan Peck stepped into roles long familiar to the Star Trek fan base. The title is apt: Strange New Worlds, taking a line from William Shatner’s original introductory dialogue for Captain James T. Kirk from the very beginning of Gene Roddenberry’s vision, is handed off once again, in a series opener drawn from the pilot for the first episode of Star Trek filmed way back in 1964, and that darned old Prime Directive.
It’s always a big surprise when the holiday episode of Doctor Who is a critical not-to-be-missed episode. When we last saw the Doctor, she was trapped millions of light years away in an alien prison. The New Year’s Day 2021 special Revolution of the Daleksis not a filler, out-of-continuity holiday showpiece, instead continuing after ten months have lapsed for the Doctor’s companions back on Earth, and after the Doctor has been imprisoned for years in that same relative time span. If you missed this episode you missed: the return of John Barrowman’s universal fan-favorite character Captain Jack Harkness, another Law & Order/Law & Order UK crossover/reunion, the last we’ll see of some major characters, a new Prime Minister, a preview of a new companion, and one of the best Dalek episodes in the 57 years of the series. As the studio releases word that Jodie Whittaker will be soon leaving the series, Revolution of the Daleks reflects that both her performance as the 13th Doctor and Chris Chibnall’s running of the series has finally arrived. It’s a timeless story full of important, lovely emotional beats, fantastic new sci-fi special and visual effects, and a return to the classic framework and themes of the show’s past.
Let’s take a look at why this episode was superb and offer up some candidates for the 14th Doctor…
Like the split between fans of the third Star Wars trilogy and The Mandalorian, fans of Star Trek probably see themselves aligned to prefer either Star Trek: Discovery or Star Trek: Picard. Or maybe there’s even a better contrast between Star Trek: Discovery’s first season worldbuilding vs. that series’ second season’s throwback concepts. Was your favorite character the badass Mirror Universe Emperor Philippa Georgiou (formerly Federation Captain), played by the sly and fabulous Michelle Yeoh (the only actor onscreen who could actually immobilize someone in real life with her martial arts skill and the highest paid actress in Asia)? Maybe it was the very Original Series-inspired engineer Jett Reno, who got the best dialogue and had the best style of any character in this decade of Trekdom, played by the brilliantly funny Tig Notaro? Maybe it is the series lead, the very straight-laced Ant-Man and The Wasp-inspired sci-fi-meets-superheroine, Captain Michael Burnham, played by Sonequa Martin-Green? Or maybe it is Anson Mount giving his own superhero performance as an early (and later?) famous Captain Christopher Pike of the familiar good ship Enterprise? Turns out, if any one of the above fits the bill for you, Star Trek has something for you heading your way.
Big news for fans of Star Trek: Discovery at San Diego Comic-Con Friday was the announcement of Librarians and X-Men actor Rebecca Romijn as the new character Number One for season 2 of the series. Number One was the first of three roles taken on by Majel Barrett (and later Barrett-Roddenberry after she married Star Trek creator Gene Roddenberry), for the Star Trek original series episode “The Cage” with then Enterprise captain Christopher Pike. CBS All Access released the trailer for the second season showing our first look at the third actor to play Christopher Pike, Inhumans star Anson Mount. He follows Jeffrey Hunter and Bruce Greenwood taking on the role of the captain of the Enterprise before Kirk. In the coming second season we catch up with the crew of USS Discovery, commanded by acting Captain Saru and Commander Michael Burnham as they respond to a “Priority One” distress call from the USS Enterprise NCC-1701, commanded by Captain Christopher Pike. Mount’s Pike seems to borrow mannerisms, voice, and dialogue more from Greenwood’s work in 2009’s Star Trek and the sequel Star Trek Into Darkness. The new trailer is filled with more humor and quips than seen in marketing for the first, darker season.
The trailer was unveiled at Star Trek: Discovery’s Hall H appearance today at SDCC, with series’ showrunner Alex Kurtzman also announcing Star Trek: Short Treks, a four-episode spinoff series of fifteen minute short films (like for Star Trek fan film-length features) that will begin monthly in December, to include episodes with Leverage’s Aldis Hodge, Rainn Wilson, Doug Jones, and Mary Wiseman. Kurtzman also revealed that fans can expect Spock to appear next season, as hinted at in the trailer. The panel included actors Sonequa Martin-Green (Commander Michael Burnham), Doug Jones (Commander Saru), Shazad Latif (Lt. Ash Tyler), Mary Wiseman (Ensign Sylvia Tilly), Anthony Rapp (Lt. Commander Paul Stamets), Wilson Cruz (Dr. Hugh Culber), Mary Chieffo (L’Rell), Anson Mount (Captain Christopher Pike), Tig Notaro (new Chief Engineer Reno), and executive producer Heather Kadin.
Take a look at a new look at a classic character in this preview for season 2 of Star Trek: Discovery: Continue reading →
When the worst of us does its best to silence the rest of us, you get a story like 1971’s Pentagon Papers bombshell. When a voluminous, decades-in-the-making, confidential government report that demonstrated unconstitutional behavior by a succession of presidents from Truman through Johnson is leaked to the press, The New York Times first reported on it, and the Nixon administration sought and was granted an injunction preventing the Times from publishing further articles on the subject. Director Steven Spielberg focuses his new expertly crafted biopic The Post on The Washington Post as it decided whether to publish excerpts of the Pentagon Papers in the face of the Times injunction, primarily through the eyes of newspaper owner Katherine Graham, played by Meryl Streep, and managing editor Ben Bradlee, played by Tom Hanks. For the average moviegoer, Spielberg takes a rather mundane footnote in American history and makes it completely engaging and entertaining. Carefully re-creating the early 1970s more than 45 years later with everything from the annoying mishandling of coins as you tried to make a payphone call, to the rotary phones we all used, to the weekly ritual of the family newspaper strewn across the living room, to costume designer Ann Roth’s hand-sewn vintage wardrobe re-creations, eyeglasses, jewelry, and hairdos of the era, to old technology and random items on shelves (that might prompt you to think it’s time to get a new iced tea pitcher), to the thankfully bygone days of women sitting in one room at a party and the men in another, to board rooms completely devoid of women (although today there is still rarely more than one or two), Spielberg makes the best use of the film medium, sharing a timely and important story for a new generation of moviegoers.
Filmed in the same 1970s noir style as Alan J. Pakula’s All the President’s Men (and using a newsroom set that is almost as accurate as that film’s 1975 California movie set version of the real thing), The Post might as well be a prequel. It’s almost as good, lacking some of the more heart-pounding, real-life thrills of Watergate, like the mysterious informant Deep Throat, the uncertainty of whether someone in the government was going to think The Washington Post’s press coverage was worth killing over, and the perceived nature of the stakes (the executive branch vs. the Fourth Estate). To his credit Spielberg had the more difficult task of re-creating an era and a newsroom in 2017, when Redford was filming his movie only three years after the events took place (and Spielberg is also certain to illustrate the stakes to both the players and the nation of this earlier event). From the opening scene Spielberg traverses familiar territory, opening with an embedded government wonk in a warzone in Vietnam, as believable as his earliest team-up with Hanks, in Saving Private Ryan. Seamlessly composer John Williams rejoins his long partnership with Spielberg in this scene, offering one of his best scores in years, alternating within the film an intensity that rivals his Raider of the Lost Ark compositions with the contemplative import of the moment realized in his Schindler’s List soundtrack.
Yesterday is today, as scene after scene attests to the same corporate deal making, the same roadshow investors, the same IPO efforts, the same boardroom antics, the same misogyny, the same shuffling of blame, and the same indifference to the public good permeates the nation and the news. Convincingly selling us on the gravity of the story is the best ensemble cast put together in the past year. Streep plays a surprisingly layered Katherine Graham, a socialite who would become the first woman Fortune 500 CEO and first woman to helm a major newspaper, best known for her role in the Pentagon Papers and Watergate. Streep never ceases to amaze as she creates yet another character as believable and authentic as any of her past award-winning performances. The Tom Hanks that won best actor Oscars for Philadelphia and Forrest Gump is also back, playing the strident editor Bradlee for all it’s worth, complete with the editor’s accent, brusque language and bravado, equal to Jason Robards’ Oscar-winning take on the same man in All the President’s Men. The rest of the cast is a virtual Who’s Who of the current top genre actor scene.
Only a free and unrestrained press can effectively expose deception in government. And paramount among the responsibilities of a free press is the duty to prevent any part of the government from deceiving the people and sending them off to distant lands to die of foreign fevers and foreign shot and shell.
— United States Supreme Court Justice Hugo Black, NY Times v United States
The Post is the next in a prestigious line of the drama sub-genre of motion pictures focusing on journalism, a group featuring great films like Citizen Kane, Meet John Doe, The China Syndrome, Call Northside 777, and Zodiac. The Post could be seen as a sequel of sorts to another film classic from this group, the Academy Award-winning 1976 film All the President’s Men. That film, which told the story of The Washington Post coverage of the break-in at the Watergate Hotel that led to President Richard Nixon’s resignation, co-starred Jason Robards as executive editor Ben Bradlee. The Washington Post is again front and center in The Post, this time with Tom Hanks as Bradlee and Meryl Streep as publisher Katherine Graham (who was an active player in the events in All the President’s Men, but the character did not appear in the film).
With director Steven Spielberg, Streep, and Hanks attached to the film, it’s likely The Post will be a big Oscar contender next March. The Post tells the story of The Washington Post’s decision to disclose The Pentagon Papers over the course of a few weeks in June 1971, an extensive government study that would show that the government had hidden from the public and media the true extent of U.S. activity in the Vietnam War. The decision of the Supreme Court would stifle the media for 15 days before finally providing some guidance on when the government may restrict the press from certain disclosures.
The film features plenty of familiar faces, including Alison Brie as Graham’s daughter Lally Weymouth, Carrie Coon as Meg Greenfield (Post editorial writer and confidante of Graham), David Cross as Post editor Philip Geyelin, Bruce Greenwood as Robert McNamara (President Johnson’s secretary of defense), Tracy Letts as Paul Ignatius (President Johnson’s assistant secretary of defense), Bob Odenkirk as Ben Bagdikian (the reporter for The Post at the center of the Pentagon Papers coverage), Michael Stuhlbarg as Post managing editor Eugene Patterson, and Zach Woods as Daniel Ellsberg, the military analyst who disclosed the Pentagon Papers and was charged with espionage.
The new sequel to Kingsman: The Secret Service (reviewed here at borg.com) starts as you’d hope for, immediately slamming viewers into high gear with a frenetic car chase featuring BAFTA-winning actor Taron Egerton’s Brit spy Eggsy, defending himself from a kidnapping with the same level of over-the-top superhero moves that saved him from similar threats in the first film. After the introduction of Kingsman: The Golden Circle, which opens this Friday nationwide, the film loses the freshness and style of the original and shifts from a faithful James Bond homage to Bond as it might be interpreted by the Coen Brothers. Where the original careened into the stuff of a Quentin Tarantino film in its major action sequences, the sequel shifts into a quirky blend of gore, explosives, and caricatures that moves beyond Bond homage to more of an Austin Powers parody.
The sequel offers up a top tier cast. BAFTA winner Mark Strong (Sherlock Holmes, Stardust, Kick-Ass, Green Lantern, John Carter, Zero Dark Thirty) returns as Merlin and–no surprise from the trailers–Academy Award-winning actor Colin Firth (The King’s Speech, Shakespeare in Love, Pride and Prejudice) is back as agent Galahad and Edward Holcroft (Wolf Hall) returns as rejected Kingsman Charlie. Audiences saw both die in the original. Firth is picture-perfect in every scene, as if he was always destined to have a 007 role. Holcroft, who you might easily mistake for Chris Evans, offers up a more fleshed out character this round, and he gets some of the better one-on-one battles against Eggsy, complete with a nifty Swiss Army multi-functional borg arm.
New to the world of the Kingsmen are their American spy agency counterparts. The leader is played by Academy Award-winning actor Jeff Bridges (The Big Lebowski, RIPD, Hell or High Water, Tron, True Grit, Iron Man) in a classic Southern-accented delivery, appearing for a few brief scenes. Pedro Pascal (The Great Wall, The Adjustment Bureau, Game of Thrones, Buffy the Vampire Slayer), whose moustache makes him a ringer for a 1970s Burt Reynolds, breaks out in his performance as an agent with some mad lasso skills. And true to form, genre favorite Channing Tatum (21 Jump Street) shows up with the swagger of a Southern lawman, but in only the briefest of scenes, much like his smaller roles in G.I. Joe: Retribution and Hail, Caesar! The U.S. spy squad is full of Hee Haw-vibed caricatures of Americans, albeit echoing Joe Don Baker’s drawling U.S. roles in three Bond movies (The Living Daylights, GoldenEye, Tomorrow Never Dies). The women have the better parts in Kingsman: The Golden Circle: Academy Award winner Halle Barry (X-Men series, Catwoman, Monster’s Ball) is the American “Q” with the nicely Ian Fleming name of Ginger Ale–the former “Bond girl” flipping sides this time from Bond co-lead and love interest (Die Another Day) to the current Ben Whishaw I.T. guru role. And Academy Award winner Julianne Moore (The Big Lebowski, The Lost World: Jurassic Park, Children of Men) is the film’s villain, a drug kingpin named Poppy–a strange, comic books-meet-Coen Brothers baddie bent on world domination, with scary calm Jack Nicholson Joker insanity and a 1950s chic. We’ve seen some Bond villains far out there, but Moore’s Poppy is one who could out-crazy them all.
Forty-five years later it’s become clear that confidential informant Deep Throat’s role in the Watergate scandal that resulted in the 1974 resignation of President Richard Nixon was far less than the legend that had been built over the years. Despite the top journalism by Washington Post reporters Bob Woodward and Carl Bernstein–it was really good ol’ fashioned dogged reporting and investigation that brought the White House down–it is their own account, as documented in their book All the Presidents’ Men that in fact created the mythos of the secret crusader that revealed all. For 30 years the mystery of what Washington insider was really the pseudonymous Deep Throat was one of the biggest mysteries of modern political history, the history of journalism, and the history of modern America. Who was the secret informant? Many around during Watergate would never find out, including Nixon, although he had speculated it was FBI Director Mark Felt. The world knew that Woodward and Bernstein knew the answer. It was all the exciting stuff of a paperback suspense thriller, until Felt admitted in 2005 that he was, indeed, the informant.
Yes, the title violates the “don’t make it so damned long” rule of titling a great movie, but since we’ve known the secret persona of Mark Felt for twelve years, it’s really been only a matter of time until we’d get to see Watergate from a new angle. Mark Felt: The Man Who Brought Down the White House, from Sony Pictures Classics, looks like an interesting enough thriller, but can it possibly have what made the four-time Oscar winner All the Presidents’ Men such a benchmark in the history of film? All the President’s Men was exciting despite the audience knowing the ending. Now the audience even knows the key secret of the story, so it will be up to a compelling story for this new account to succeed, and a great cast.
Director Peter Landesman has assembled an impressive cast. Liam Neeson(Schindler’s List, Taken, Star Wars: The Phantom Menace, Batman Begins, The Chronicles of Narnia) plays Felt. Diane Lane (The Outsiders, Judge Dredd, Man of Steel) plays his wife. Michael C. Hall(Dexter, Paycheck) is White House counsel to Nixon, John Dean. Julian Morris (New Girl, 24, Valkyrie) is Bob Woodward. Tom Sizemore (Twin Peaks, Striking Distance, China Beach) plays an FBI agent, and CIA agents are played by Bruce Greenwood(Star Trek, Super 8, Thirteen Days, Knots Landing) and Eddie Marsan (Atomic Blonde, Jonathan Strange & Mr. Morrell, The World’s End, Sherlock Holmes, V for Vendetta).Noah Wyle(Donnie Darko, The Librarians, A Few Good Men) plays Department of Justice official Stan Pottinger. Pat Gray, acting FBI Director at the time of the break-in at Democratic National Headquarters at the Watergate Hotel complex, is played by notable genre tough guy actor Martin Csokas(The Lord of the Rings, The Equalizer, The Amazing Spider-man 2, Abraham Lincoln: Vampire Hunter, Alice in Wonderland, Aeon Flux, Timeline, Xena: Warrior Princess). Also look for Josh Lucas (Hulk, A Beautiful Mind) and Kate Walsh (The Drew Carey Show, Scary Movie 5).
Here is a preview for Mark Felt: The Man Who Brought Down the White House:
