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Review by C.J. Bunce

In simplest terms, Jurassic World is simple entertainment on a big scale–a feast for the eyes.  But for all its incredible special effects and fantastic futuristic technology, Jurassic World proves the maxim George Lucas laid out in reference to the success behind the original Star Wars–“Special effects are a tool, a means of telling a story… A special effect without a story is a pretty boring thing.”  And that sums up Jurassic World, as a film and a 3D Blu-ray, Blu-ray, DVD, and digital release–the umpmillionth variation on the Frankenstein how-not-to-build-a-monster story, and the latest twist on Michael Crichton’s original look at a theme park gone bad in his movie Westworld.

Touted in its marketing as the #1 movie of the year, and proven out at the box office, in many way Jurassic World is a remake and certainly an homage to the original Jurassic Park.  More than twenty years after the devastation caused in Jurassic Park, Isla Nublar now features a fully realized, fully functioning dinosaur theme park, Jurassic World, as originally envisioned by Richard Attenborough’s John Hammond.  You’ll experience deja vu several times as these new characters, and one from the original, fail to learn the lessons of history.  Didn’t the production team watch The Lost World (Jurassic Park II) and Jurassic Park III?  The new theme park is built over the old park where so much went wrong and so many died, including leaving the original park all derelict and intact as it was in the last scene of the original movie, including leaving old Jurassic Park jeeps around for a modern, distracted teenager to magically restore to driving condition in a single scene.  Dinosaur battle shots mirror those from the original, including the finale, although despite new technology the dinosaurs don’t seem as “real” here.  Jurassic World seems to repeatedly search for a scene to match that “objects in mirror are closer than they appear” scene in the original.  Michael Giacchino’s score misses the wonder and excitement of John Williams’s original themes.  Although the effort is there, no single scene in Jurassic World captures the startling jumps and wows of Jurassic Park.

With four script/story writers for Jurassic World, it’s obvious why the story failed to deliver.  Although we note above that George Lucas knows storytelling, he is also now famous for the stilted dialogue of his Star Wars prequels.  The story team in Jurassic World offers up similarly strange words from the mouths of its actors–things no one would possibly say.  And we can’t believe these dinosaur monsters are scary when the cast bounces back from each near-death experience so quickly.  Even the worst of the characters, the youngest boy (who is a walking disaster) seems barely affected by the death going on around him for half the film.

The real conflicts within the script can be found in the strange parallels and inconsistencies.  For one, director Colin Trevorrow has been quoted as saying his inspiration for the film was an image of a little girl texting in front of a T-Rex behind her.  The corporate bad guy theme that underlies the plot is that no one cares about dinosaurs anymore, they are old news, and audiences needs something bigger and better.  You can just see Trevorrow and executive producer Steven Spielberg laughing all the way to the bank over the irony here.  The message, as delivered in the climax, is “bigger isn’t always better” and that often the original, the classic, offers up the best experience.  Yet Jurassic World hammers into us the over-sized fantasies of Godzilla and King Kong instead of the science-fictional world that made a success of Jurassic Park.

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