Plenty of genre television is out there right now for viewers at home to consume. But discovering that one that is so exceptional is truly an exciting thing. So you might stumble through Tales from the Loop or Locke & Key or Briarpatch and give up before you even get to the halfway point, but then you land on The Mandalorian and know what great genre television has the potential to be.
Is that Bossk?
The trailers look just like Rogue One: A Star Wars Story and Solo: A Star Wars Story, which both reflected so much the original Star Wars from 1977 more than the other entries in the franchise. It’s not so much that Disney and Lucasfilm put together a movie based on every kid in the 1980s’ favorite background character, because George Lucas already made a movie about that guy, his dad, and a whole army of lookalikes. It’s hard to find a cooler character than Boba Fett in The Empire Strikes Back, until Lucas delivered on the fan service and inserted him into the original, special edition of Star Wars. It’s not only that. Or that, like Solo: A Star Wars Story, it’s clearly a full-fledged space Western. Or that fans get to see familiar elements of the franchise again, like carbon freezing, speeder bikes, scout walkers, patrol dewbacks, familiar bounty hunters, and Imperial bunkers hidden in the forest. And it’s not that the lead is played by its rising young actors known for badass characters, Pedro Pascal and co-star Gina Carano. Or that the series features a story by genre favorite Jon Favreau, with a host of episode directors like Thor: Ragnarok’s Taika Waititi, or noted Star Wars animaster Dave Filoni, or Solo director Ron’s daughter, actor Bryce Dallas Howard.
Well, it’s that, but not only that. It’s that added gravitas that Star Wars is better at than possibly any other franchise. It’s adding those dynamic, major character actors in supporting roles who make the magic happen sometimes even from the corner of the screen, from the likes of Peter Cushing, Alec Guinness, Christopher Lee, Terence Stamp, Brian Blessed, Liam Neeson, Samuel L. Jackson, Linda Hunt, Mads Mikkelsen, Forest Whitaker, Max von Sydow. Would Star Wars be Star Wars without the characters these actors brought to life? Definitely not.
For the second trailer for the new streaming series The Mandalorian, that means more Carl Weathers–who we saw in August’s first public trailer and April’s “sizzle reel” at the annual Star Wars convention. Along with Giancarlo Esposito and that toughest of older tough guys in movies, director and Jack Reacher villain Werner Herzog, we have plenty to look forward to. As the norm these days, unfortunately to watch this series you’ll need to subscribe to another streaming platform, this time that’s the Disney+ streaming service (or… once the Blu-ray arrives should you not want to feed the Disney machine any further).
So check it out–your next look at The Mandalorian, plus five new official posters:
It’s not so much that Disney and Lucasfilm put together a movie based on every kid in the 1980s’ favorite background character, because George Lucas already made a movie about that guy, his dad, and a whole army of lookalikes. It’s hard to find a cooler character than Boba Fett in The Empire Strikes Back, until Lucas delivered on the fan service and inserted him into the original, special edition of Star Wars. It’s not only that. Or that, like Solo: A Star Wars Story, it’s clearly a full-fledged space Western. Or that fans get to see familiar elements of the franchise again, like carbon freezing, speeder bikes, scout walkers, patrol dewbacks, familiar bounty hunters, and Imperial bunkers hidden in the forest. And it’s not that the lead is played by its rising young actors known for badass characters, Pedro Pascal and co-star Gina Carano. Or that the series features a story by genre favorite Jon Favreau, with a host of episode directors like Thor: Ragnarok’s Taika Waititi, or noted Star Wars animaster Dave Filoni, or Solo director Ron’s daughter, actor Bryce Dallas Howard.
Well, it’s that, but not only that.
It’s that added gravitas that Star Wars is better at than possibly any other franchise. It’s adding those dynamic, major character actors in supporting roles who make the magic happen sometimes even from the corner of the screen, from the likes of Peter Cushing, Alec Guinness, Christopher Lee, Terence Stamp, Brian Blessed, Liam Neeson, Samuel L. Jackson, Linda Hunt, Mads Mikkelsen, Forest Whitaker, Max von Sydow. Would Star Wars be Star Wars without the characters these actors brought to life? Definitely not.
For the latest trailer for the new streaming series The Mandalorian, that means Carl Weathers–who we saw in April’s “sizzle reel” at the annual Star Wars convention (yet to be posted by Lucasfilm, but check out a watchable version below), with a first look at Giancarlo Esposito, and that toughest of older tough guys in movies, director and Jack Reacher villain Werner Herzog. Not seen in this trailer, but expected to be added to the list, is Nick Nolte, who we can imagine could get us to that similar kind of character as Woody Harrelson or Paul Bettany in Solo.
So check it out–your next look at The Mandalorian:
It was only back in 2015 that the fourth film in the Jurassic Park franchise, Jurassic World, premiered its first trailer, and a rather bad one at that. Now as 2018 approaches we have a trailer for the fifth film in the series, Jurassic World: Fallen Kingdom. And the latest trailer reveals yet another rehash of the original, brilliant, Steven Spielberg adaptation of Michael Crichton’ fantastic novel. As with Jurassic World, the effort is not entirely futile, Jurassic World was simple entertainment on a big scale–a feast for the eyes. But for some of us, for all its incredible special effects and fantastic futuristic technology, Jurassic World proved the maxim George Lucas laid out in reference to the success behind the original Star Wars–“Special effects are a tool, a means of telling a story… A special effect without a story is a pretty boring thing.” And that summed up Jurassic World–the umpmillionth variation on the Frankenstein how-not-to-build-a-monster story, and the latest twist on Crichton’s original look at a theme park gone haywire in his movie Westworld.
Yet if every other blockbuster that takes the leap into Sequel World is able to continue forward with more and more and more and pulls audiences into theaters, why not Jurassic Park? For those that want to reclaim even a spark of the original in the theater again, maybe it’s enough. So what does the trailer tell us that Jurassic World: Fallen Kingdom has going for it?
First off, Chris Pratt is back. Audiences like Pratt movies in part because they simply like Pratt’s charm. He has the same brand of star power as John Wayne, who always appeared to be playing John Wayne in all his movies. Like Schwarzenegger, Willis, Van Damme, etc. It must be an action star thing. So if you’ve watched Pratt (like we have) in everything from Everwood to Guardians of the Galaxy 2, we’re wagering you’re going to like Pratt returning as dinosaur wrangler Owen Grady. Bryce Dallas Howard is an equally good if not better actor, with less of a fan following, and here she and Pratt are back again being snarky with each other (snore) in a Jurassic World preview. If they didn’t have chemistry in the first film, why would we expect it to surface in a sequel? Maybe what we need is the return of Jeff Goldblum in his best-loved role as Dr. Ian Malcolm? His performance in 1993 was so well-received that Crichton, who killed off Malcolm in the original novel, resurrected the character for the sequel. Did Goldblum’s return help The Lost World: Jurassic Park? Not really. But it’s been twenty years since we last saw Dr. Nature… Finds… a Way, so maybe enough time has passed so we can love him all over again.
And there are dinosaurs. We’ll never get tired of more dinosaurs. I want to see a triceratops racing a stegosaurus on the big screen. How about you?
Check out this new trailer for Jurassic World: Fallen Kingdom:
The world needs more “nice” movies, doesn’t it? All the dark and twisted every time you go to the theater gets old fast. So why not a reboot of a Disney classic adapted for live action? The original Pete’s Dragon featured an animated dragon and this year’s Pete’s Dragon remake will feature an updated CGI dragon, furry, green, and huggable, now fully revealed in this week’s latest trailer.
Disney obviously isn’t after another Star Wars win, but with a young boy lead and some familiar stars like Robert Redford, Karl Urban, and Bryce Dallas Howard, it’s aiming for the next Harry and the Hendersons, Jurassic Park, or the Jason Scott Lee live-action version of The Jungle Book. From the trailer, we see more and more that Pete’s Dragon is the third part of a forest-based version of the Mowgli-inspired stories all coming back to the big screen: The Jungle Book, The Legend of Tarzan being the others.
Check out this new trailer for Pete’s Dragon this time featuring the actual dragon, Elliot:
Few individuals have stood apart from their peers in their professional endeavors as much as maestro John Williams. Last week the American Film Institute presented Williams with its life achievement award, the 44th awarded and first for a composer. It’s certainly about time. With five Academy Award wins and 50 nominations, Williams holds the record for the most Oscar nominations of any living person. Three of his scores, for Star Wars, Jaws, and E.T., the Extra-Terrestrial, are on AFI’s list of the top 25 scores of all time. This Wednesday night the AFI award event will be televised, and guests honoring Williams include George Lucas, Steven Spielberg–both who owe the most to Williams for their individual successes–as well as Mark Hamill, Harrison Ford, Morgan Freeman, Drew Barrymore, Tom Hanks, Itzhak Perlman, J.J. Abrams, Bryce Dallas Howard, Will Farrell, Steve Martin, Seth McFarlane, and Daisy Ridley.
You may not remember the first time you heard a familiar tune from Williams, but for those more than 40 years old it was no doubt the theme from television’s Lost in Space series, featuring an end credit to “Johnny” Williams. He also provided the piano music for the Academy Award winning, and AFI recognized comedy Some Like it Hot. For everyone since then you can define your generation by your earliest familiarity with his music, whether it’s the Main Title to Star Wars, the Jurassic Park theme, or the theme to Harry Potter and the Sorcerer’s Stone. Those whose introduction to Williams was Star Wars: The Force Awakens have plenty of great music to discover.
Williams is of a rare breed of American composer whose songs stick with you forever. He’s in an elite club with the likes of musicians Aaron Copland, John Philip Sousa, Leonard Bernstein, Irving Berlin, and George Gershwin. For more than 60 years Williams has set the bar for–and defined worldwide for moviegoers’ ears–our expectation for modern programmatic movie music.
Stepping aside from his success at major memorable themes, one of his greatest skills is his juxtaposition of opposites. Just listen in the Jaws soundtrack to the busy streets of Amity in the “Montage” and the cheery adventure theme from “The Great Shark Chase” among his well-known bass horror cues. Some of his most brilliant compositions are tucked away behind giant, epic scores, like “The Asteroid Field” from The Empire Strikes Back and “Escape from Venice” from Indiana Jones and the Last Crusade. And would modern audiences even know a march beyond nationalistic music if not for “The Superman March,” “The Raiders of the Lost Ark March,” “The March from 1941,” and “The Imperial March” from The Empire Strikes Back?
The original Pete’s Dragon featured an animated dragon accompanying the young lead actor of the movie’s title. This year’s Pete’s Dragon remake will feature an updated CGI dragon, as revealed in this week’s latest full-length trailer. The film also stars Robert Redford and Bryce Dallas Howard.
This Pete’s Dragon does not appear to be the stuff of the Disney blockbuster, but perhaps it will fit into the pocket of endearing, memorable films like Harry and the Hendersons or the Jason Scott Lee live-action version of The Jungle Book. Or, from what we learn from Howard’s character about the little boy raised in the woods without humans in the trailer, this could also go in the direction of Jodie Foster’s Nell. Then again, it’s a Disney flick, so probably not.
It is a bit strange that Disney is dipping back into its past so much coming off of a year of record sales from Star Wars: The Force Awakens. Yet another remake of another children’s favorite, The Jungle Book, is due out from Disney this April.
Check out this trailer for Pete’s Dragon:
Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year. So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2016 as have been disclosed. Usually we select the 24 that look like the biggest hits, but we’re going all out for 2016. The result is a whopping 48 movies, many you’ll probably want to see in the theater or catch on video. We bet you’ll find a bunch below you’ve never heard of. Bookmark this now for your 2016 calendar!
Most coming out in the second half of 2016 don’t even have posters released yet, but many do. We’ve included descriptions and key cast so you can start planning accordingly.
What do we think will be the biggest hits of the year? How about Star Wars: Rogue One? Or Star Trek Beyond? You’ve heard endlessly about Batman v Superman: Dawn of Justice, but 2016 will also see Doctor Strange, Captain America: Civil War, and X-Men: Apocalypse. There’s even a handful of Westerns, with The Hateful 8, Jane Got a Gun, and another remake of The Magnificent Seven heading our way.
The Hateful Eight – January 1
Tarentino’s Western! Ennio Morricone score! Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, and Channing Tatum!
The 5th Wave – January 8
Chloe Grace Moretz and Liev Schreiber in an alien invasion.
400 Days – January 12
The CW’s Brandon Routh, Caity Lotz, and Tom Cavanaugh in a movie about astronauts that seems to be a play on Ender’s Game.
Review by C.J. Bunce
In simplest terms, Jurassic World is simple entertainment on a big scale–a feast for the eyes. But for all its incredible special effects and fantastic futuristic technology, Jurassic World proves the maxim George Lucas laid out in reference to the success behind the original Star Wars–“Special effects are a tool, a means of telling a story… A special effect without a story is a pretty boring thing.” And that sums up Jurassic World, as a film and a 3D Blu-ray, Blu-ray, DVD, and digital release–the umpmillionth variation on the Frankenstein how-not-to-build-a-monster story, and the latest twist on Michael Crichton’s original look at a theme park gone bad in his movie Westworld.
Touted in its marketing as the #1 movie of the year, and proven out at the box office, in many way Jurassic World is a remake and certainly an homage to the original Jurassic Park. More than twenty years after the devastation caused in Jurassic Park, Isla Nublar now features a fully realized, fully functioning dinosaur theme park, Jurassic World, as originally envisioned by Richard Attenborough’s John Hammond. You’ll experience deja vu several times as these new characters, and one from the original, fail to learn the lessons of history. Didn’t the production team watch The Lost World (Jurassic Park II) and Jurassic Park III? The new theme park is built over the old park where so much went wrong and so many died, including leaving the original park all derelict and intact as it was in the last scene of the original movie, including leaving old Jurassic Park jeeps around for a modern, distracted teenager to magically restore to driving condition in a single scene. Dinosaur battle shots mirror those from the original, including the finale, although despite new technology the dinosaurs don’t seem as “real” here. Jurassic World seems to repeatedly search for a scene to match that “objects in mirror are closer than they appear” scene in the original. Michael Giacchino’s score misses the wonder and excitement of John Williams’s original themes. Although the effort is there, no single scene in Jurassic World captures the startling jumps and wows of Jurassic Park.
With four script/story writers for Jurassic World, it’s obvious why the story failed to deliver. Although we note above that George Lucas knows storytelling, he is also now famous for the stilted dialogue of his Star Wars prequels. The story team in Jurassic World offers up similarly strange words from the mouths of its actors–things no one would possibly say. And we can’t believe these dinosaur monsters are scary when the cast bounces back from each near-death experience so quickly. Even the worst of the characters, the youngest boy (who is a walking disaster) seems barely affected by the death going on around him for half the film.
The real conflicts within the script can be found in the strange parallels and inconsistencies. For one, director Colin Trevorrow has been quoted as saying his inspiration for the film was an image of a little girl texting in front of a T-Rex behind her. The corporate bad guy theme that underlies the plot is that no one cares about dinosaurs anymore, they are old news, and audiences needs something bigger and better. You can just see Trevorrow and executive producer Steven Spielberg laughing all the way to the bank over the irony here. The message, as delivered in the climax, is “bigger isn’t always better” and that often the original, the classic, offers up the best experience. Yet Jurassic World hammers into us the over-sized fantasies of Godzilla and King Kong instead of the science-fictional world that made a success of Jurassic Park.
At least if Jurassic World bombs we can’t accuse Amblin, Legendary, and Universal of false advertising.
This weekend the studios released the first film clip for the fourth film based on Michael Crichton’s bestselling novel Jurassic Park. Normally that would be something to gravitate toward, but not so this time. The clip features the show’s stars Chris Pratt and Bryce Dallas Howard with some over-long, stilted, outright boring dialogue. For nearly two minutes. And no dinosaurs.
We’d love to see the meetings where it was decided that this was the first clip to show audiences to showcase the movie. Already plenty of viewers have slammed it on social media. Even Avengers: Age of Ultron director Joss Whedon chimed in about the staid, sexist set-up on Twitter: “…and I’m too busy wishing this clip wasn’t 70’s era sexist. She’s a stiff, he’s a life-force – really? Still?” And although it’s a bit odd for a director with a competing 2015 film so openly chiding another’s movie, he’s certainly right.
Here’s the clip:
