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Tag Archive: Carlo Rambaldi


Review by C.J. Bunce

So many books that go behind the scenes of films take a similar approach, skimming the surface with interviews of only top production heads, providing diehard fans of the property who have read all the fanzines little that is new.  So when you get an immersive treatise like The Making of Alien, you must take a few weeks to digest every story, quote and anecdote found inside.  Maybe it’s because so much of the inception of the other classics J.W. Rinzler has written about is the stuff of sci-fi movie legend, but Rinzler’s research this time around is completely enthralling.  Writer Dan O’Bannon, writer and initial director Walter Hill, concept artist H.R. Giger, director and storyboard artist Ridley Scott, actors Sigourney Weaver, Yaphet Kotto, Veronica Cartwright, and Ian Holm–Rinzler’s chronology is framed by the entry of these people into the project and their key roles.  The account of their intersected careers and efforts resulting in the 1979 sci-fi/horror classic provide a detailed understanding of studio productions in the 1970s.  For fans of the film and the franchise, you couldn’t ask for more for this year’s 40th anniversary of Alien.

Rinzler, who has also created similar deep dives behind the scenes of Star Wars, The Empire Strikes Back, Return of the Jedi, the Indiana Jones films, and last year’s The Making of Planet of the Apes, has established the best format for giving sci-fi fans the ultimate immersive experience.  In many ways The Making of Alien is an account of the necessary vetting process behind any major creative endeavor.  The first draft of any story is never the best, and sometimes neither is the 100th draft.  But the best books and the best movies get reviewed by other people, usually producers, editors, studios, departments, some with prestige and money backing them, sometimes over and over, with changes made to every chapter, with creators and ideas that are tried on for size, dismissed, re-introduced, and sometimes brought back again.  By the end of many a film, the contributors are exhausted and disenchanted, some even devastated.  Only sometimes this is alleviated by a resulting success.  It was even more difficult working on a project like Alien–a mash-up of science fiction and horror pulled together in the 1970s, when drama was in, and science fiction meant either the cold drama of 2001: A Space Odyssey or the roller coaster spectacle of Star Wars.  Behind the scenes there would be overlaps in creative types, like famed set “graffiti artist” Roger Christian and sound expert Ben Burtt.  But ultimately Alien had to be something different to get noticed.

The stories of O’Bannon and Giger’s contributions and conflicts are the most intriguing of the bunch, and if you’ve read everything available on the film you’ll be surprised there is far more to their stories you haven’t read.  The influence of John Carpenter was paramount to getting the idea of the film past the first step, particularly his films Dark Star and The Thing.  Along the journey other creators would intersect with the project–people like Steven Spielberg, Alan Ladd, Jr., John Dykstra, Brian Johnson, Nick Allder, Ron Cobb, Jerry Goldsmith, and even Jean “Moebius” Giraud.

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In the summer of 1979, Ridley Scott revealed the next evolution in science fiction and horror with his landmark creation Alien Thanks to Star Wars art director Roger Christian, audiences saw the first lived-in look into our future, a sci-fi world that felt more realistic than nearly any sci-fi movie before it (space fantasy Star Wars excluded).  Dismissing the brand new, antiseptic look of 2001: A Space Odyssey, it was Christian’s realism and H.R. Giger‘s creepy creations that made the scares of Alien that much more jolting.  Arriving for the 40th anniversary of Alien, go-to behind-the-scenes movie book writer J.W. Rinzler is back after last year’s The Making of the Planet of the Apes (reviewed here at borg), with his next book, The Making of Alien.

Emerging first from the mind of writer Dan O’Bannon, Alien would become one of the most memorable sci-fi/horror thrillers of all time.  The film brought us Academy Award-winning concept art, new alien monsters, gore, ships, and other spectacular effects thanks to Giger, Carlo Rambaldi, Brian Johnson, Nick Allder, and Dennis Ayling, and groundbreaking set work by Christian, Michael Seymour, Leslie Dilley, and Ian Whittaker.  Including new interviews with Ridley Scott and other key staff from the original production crew and featuring many never-before-seen photographs and artworks from the Fox archives, The Making of Alien promises to be the definitive work on this masterpiece of sci-fi/horror.

Above and following are some preview pages from The Making of Alien Pre-order The Making of Alien now here at Amazon, and come back this summer for our review here at borg:

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