Usually the books from Turner Classic Movies highlight lists of select genre favorites by a single author, with selections that are always on-topic, but can often provoke readers to pull out their hair, since it’s very likely nobody’s personal list will match the author’s–or anyone else’s. We’ve seen great insights and and I’ve personally found numerous selections to track down from the likes of Must-See Sci-Fi, Dynamic Dames, Forbidden Hollywood,Christmas in the Movies, and most recently Fright Favorites. But now I am going to double back to the book, and the list, that started it all. It begins with the 2001 Saturday night series, TCM’s The Essentials. The book is TCM’s The Essentials: 52 Must-See Movies and Why They Matter, by film historian Jeremy Arnold, a very different look at classic films.
As with Peter Jackson and The Lord of the Rings/The Hobbit franchise, George Lucas and Lucasfilm have rarely let screen-used props and costumes out of their own personal or corporate collections. From time to time costume components retained by production staff members or third-party contributors to the productions have surfaced at private auction, mainly parts of costumes including Darth Vader and Stormtrooper helmets, various weapons including like blasters and lightsabers, and model ship filming miniatures. But never before has an entire Star Wars character found its way to auction, and one of the most iconic pieces in the history of film at that. So when a beautiful, full-sized R2-D2 hit the auction block yesterday, deep-pocket bidders took notice. In an exciting back and forth of increasing bids in $100,000 increments, it seemed the bids for R2-D2 wouldn’t end. In less than 3 minutes the hammer stopped at $2.3 million for a total sale price (after factoring a 20% buyer’s fee) of $2.76 million. This was not only the first private Star Wars sale to eclipse seven figures, it is the highest known price paid in public auction for a piece of Star Wars film history (a Panavision movie camera used by Lucas to film the original Star Wars sold previously for $625,000, the filming miniature model of the Rebel Blockade Runner spaceship from the opening scene of the original Star Wars sold for $465,000, and a miniature filming model of a TIE Fighter sold for more than $400,000).
Like many props in the film industry, this R2-D2, made of aluminum, steel, and fiberglass parts, was pieced together from many parts that had been used, retired, and refurbished throughout the Star Wars films. According to auction house Profiles in History, who handled the sale yesterday at its offices in Calabasas, California, the anonymous seller sourced the many robotic components together over several years. And, indeed, Profiles in History has demonstrated via photographic evidence the R2-D2 can be screen-matched via its individual components to screen use in each film of the original trilogy (1977-1983) and the first two prequel films (1999-2002). After several weeks of publicity for the auction, the ownership of the restored R2 unit and its sale at this auction was not disputed, and so the bidding got underway at approximately noon Pacific time yesterday.
Profiles in History staff taking phone bids during the auction said there was no time to celebrate the success of the R2-D2 during the auction–even after three days of the auction more than 500 lots remained to be bid on following the landmark sale of the droid. The sale of the R2-D2 prop came only a day after Profiles in History sold the famous floor John Travolta danced on in the climax of Saturday Night Fever for $1.2 million. A golden prop foot of R2’s pal C-3PO went unsold at the auction, but in December 2008 Profiles in History sold a golden prop head of C-3PO, worn by actor Anthony Daniels, for $120,000.
Gore Vidal’s Thieves Fall Out is being re-released by Titan Books after more than 60 years out-of-print, as part of its Hard Case Crimes imprint. During his lifetime Vidal refused to re-publish Thieves Fall Out, his “lost pulp novel,” thinking it not up to the quality of his later, more serious works. The both complex and complicated American author of fiction and non-fiction died in 2012. His estate authorized the release of this novel, which hits bookstores tomorrow, giving readers an opportunity to see a phase in the development of the celebrated writer before he received his fame.
His tenth book and the only novel written under the pseudonym Cameron Kay (after his great uncle), Vidal wrote the crime novel in 1953 while he was in essence blacklisted by a New York Times critic for the then controversial themes in his novel The City and the Pillar. To make a living he was also writing crime novels as Edgar Box and this novel was written while those mysteries were moderately successful. Forget about any controversy surrounding this book’s release–if you like pulp crime novels and you’re someone who shies away from the works mainstream audiences gravitate toward–like Vidal’s numerous celebrated works–then Thieves Fall Out just may be the kind of novel you’re after.
Thieves Fall Out is the post-World War II story of an American who finds himself looking for work in Egypt while young German expatriates were reeling from the wartime acts of their elders and the fall of Nazism. The American becomes a puppet for local Cairo gangster types and has a few romantic encounters as he stumbles into a group of jewel thieves. Like Michael Crichton’s crime novels (that were also written under a pseudonym and reviewed previously here at borg.com) and even like Ian Fleming’s James Bond novels (especially with the womanizing leading male), Thieves Fall Out is, on the one hand, another spy-genre novel that you can imagine was just one of hundreds of gobbled up by readers in the 1950s–a quick, easy read. Its plot and style are familiar–a cocky American attempts to make the world his own despite local cultures and politics and in turn finds himself in over his head through his own missteps.
It’s the second time TCM and auction house Bonhams have teamed up to offer screen-used and production-made costumes, props, and other relics from the Golden Age of Hollywood. A November auction, TCM Presents: There’s No Place Like Hollywood, will feature a large private collection of rare items from Casablanca, including the piano featured prominently in the film where Sam plays “As Time Goes By.” A lesser seen piano from another scene in the film sold in 2012 for more than $600,000.
One lot features a mannequin display with costume components worn by Bert Lahr as the Cowardly Lion in The Wizard of Oz, said to have been used in several scenes in the film. Many of the costumes and props appear to be the same lots that have been featured in other auctions in the last few years, including various dresses from the Debbie Reynolds collection of items offered by auction house Profiles in History.
Costumes from several classic films are on the auction block, including a Clark Gable jacket from Gone With the Wind, Marilyn Monroe’s saloon gown from River of No Return, Jimmy Stewart’s Charles Lindbergh flight suit from The Spirit of St. Louis, Faye Dunaway’s dress from The Towering Inferno, a Jane Russell costume from The Outlaw, and a John Wayne Union Army coat from Rio Lobo and The Undefeated. Sci-fi and fantasy fans aren’t forgotten in the TCM auction, as there will be costumes worn by Charlton Heston and Roddy McDowall in Planet of the Apes, a background crewmember astronaut jumpsuit from Close Encounters of the Third Kind, a test dress for Judy Garland as Dorothy in The Wizard of Oz, and a Saruman staff and Aragorn sword from The Lord of the Rings films, both from Sir Christopher Lee’s personal collection.
Not long ago the idea of having all your favorite movies available for viewing instantly was as far out there as hover cars. With streaming options like Netflix you can have access to thousands of movies and TV series in a flash, only limited by the speed and quality of your own home access and viewing technology. But just like online news will never replace the physical daily newspaper, streaming will never replace the home video library.
from Warner Bros. to the eight-film 
