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Tag Archive: Caseen Gaines


Review by C.J. Bunce

From the voiceover that introduces the new world of The Dark Crystal, like Cecil B. DeMille’s voice narrating some biblical film from the Golden Age of Hollywood, audiences instantly understand this story is going to be epic in scope.  Like Hiyao Miyazaki would create two years later in his Nausicaa and the Valley of the Wind, The Dark Crystal is unique in its creation of a fantasy that can’t be tied to Tolkien or Grimm or Baum or White.  If it’s at all derivative its source is the stuff of real-world ancient druids and mythologies outside the Western, Greco-Roman tradition.  The word classic is tied to The Dark Crystal.  It is that, the first and only film of its kind, devoid of humans or their interests, with a cast entirely of fantastical character creations.

Even if you’ve seen Jim Henson’s The Dark Crystal on home video recently, you’re likely to notice the detail and awe of the film much better on the big screen.  It returned to theaters Sunday with only five more screenings left as part of the Fathom Events series, showing at 700 theaters nationwide this week and next.  The sound is stunning in a new theater–much better for audiences with modern digital sound systems compared to its initial run back at the end of the year 1982–and the sound effects and sound editing are critical to the believability of these creations.  The music will pull you into this world.  From composer Trevor Jones, who would later create the music for Labyrinth, Sea of Love, Arachnophobia, Last of the Mohicans, Brassed Off, Dark City, From Hell, and The League of Extraordinary Gentlemen, we’re treated to an emotional journey split cleanly in two, with mirrored bleak darkness and fear on the one side, and tranquil hillsides, spiritual communities, and idyllic, pastoral, quiet places on the other.  Jones’s score takes us through both the horrors of greed and gluttony with the Skeksis, and the sweeping, heroic journey of a hero and a prophecy.

Co-directed by Jim Henson and Frank Oz, the film demonstrates what a crew of like-minded creative artists can make.  Dozens of performers were required to operate even a few of the characters at a time, and many scenes feature the wide screen simply filled with characters, like the pantheon of ten Skeksis at the deathbed of the Emperor, or the journey of the nine Mystics to the Castle of the Crystal, to the celebrating village of dozens of Podlings, and the finale filled with members of all races, including the over-sized beetles called the Garthim.  The set for Aughra’s beautiful pinnacle of set pieces–the location of that mechanical wonder that is the Orrery–showcases a fantasy creation that has yet to be matched in any film.  Henson and Oz introduce the hero Jen to the room housing this device much like Dorothy’s first glimpse into the other Land of Oz.  An obvious precursor to steampunk, the Orrery is magnificent, and the stuff of true wonder.

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Fathom Events is bringing Jim Henson and Frank Oz’s landmark fantasy The Dark Crystal back to theaters tomorrow and Wednesday, and advance response has resulted in an additional two screening dates the following week and expansion into 700 theaters nationwide.  A member of the Class of 1982, The Dark Crystal just celebrated its 35th anniversary.  The ambitious story of The Dark Crystal takes place in the world of Thra, which has been torn by a fracture in a great magic crystal, which caused two races to be created: the tranquil Mystics, or urRu, and the evil Skeksis, who all but destroyed Thra’s native species, the Gelflings.  The Mystics have summoned Jen, one of the last surviving Gelflings, to find the lost piece of the crystal.  The quest sends Jen on a classic adventure to try to restore harmony and peace to Thra.  Don’t wait–get tickets now here at the Fathom Events website before tomorrow’s screening sells out.

We recently revisited Jim Henson’s The Dark Crystal with a groundbreaking look at the film and co-directors Jim Henson and Frank Oz in Caseen Gaines’ The Dark Crystal: The Ultimate Visual History, a new deep-dive into the film reviewed here at borg.com.  According to Henson’s daughter Cheryl Henson, The Dark Crystal was Jim Henson’s most personal work.  This is a great time to have The Dark Crystal fresh in our memory, as we expect to see a 10-episode Netflix follow-on series hopefully by the end of 2018.  The Dark Crystal: The Age of Resistance does not yet have a release date.

Yes, we’re just as excited as Fizzgig–The Dark Crystal was the reigning favorite fantasy film of all time for legions of moviegoers before Peter Jackson’s The Lord of the Rings came along.  The film features performances by Jim Henson as Jen (voiced by Stephen Garlick), Kathryn Mullen as the Gelfling Kira (voiced by Lisa Maxwell), Frank Oz as the astronomer Aughra (voiced by Billie Whitelaw), and Dave Goelz as Fizzgig (voice of Percy Edwards), with Henson, Oz, and Goelz also performing as the Skeksis. Kiran Shah also performs the body of Jen, Kira, and Aughra. With a screenplay by Dave Odell (The Muppet Show), The Dark Crystal also features a majestic score by Trevor Jones (Excalibur, Labyrinth).  Along with Yoda creator Frank Oz, the film was produced by Star Wars and The Empire Strikes Back producer Gary Kurtz.

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Our borg.com Best of 2017 list continues today with the Best in Print.  If you missed them, check out our review of the Best Movies of 2017 here, the Kick-Ass Heroines of 2017 here, and the Best in Television here.

So let’s get going.  Here are our selections for this year’s Best in Print:

Best New Edition of Previous Published WorkThe Wind in the Willows, Kenneth Grahame, David Petersen (IDW Publishing).  David Petersen’s artwork was the perfect excuse to get Kenneth Grahame’s wonderful classic The Wind in the Willows into the hands of new readers.  The new edition from IDW Publishing was the perfect storybook, and Petersen, known best for his Mouse Guard series, showed his understanding of these characters and their natural world full of wonder through his fantasy images.

Best Read, Best Retro Read – Forever and a Death, Donald E. Westlake (Hard Case Crime).  Not every good idea comes to fruition.  Not every excellent project gets off the ground.  Not every great book gets published.  The Hard Case Crime imprint of Titan Books came through again, seizing the opportunity to take a lost, never before published work of Donald E. Westlake--Forever and a Death--and brought it to life.  And what a great adventure!  Originally the story commissioned to be the James Bond film Tomorrow Never Dies, the projected was shelved, and only now do we get fantastic characters (like environmental activist and diver Kim Baldur) in a very Bondian situation–destroying Hong Kong as payback for China taking it back from Great Britain.  Honorable mention for Best Retro Read: Turn on the Heat, Erle Stanley Gardner, and Dragon Teeth, Michael Crichton.

Best Sci-Fi Read – Slaves of the Switchboard of Doom: A Novel of Retropolis, Bradley W. Schenck (Tor Books).  Imaginative, new, and fun, Schenck took us into a timeless world full of nostalgia and classic science fiction.  Great tech, and a sprawling story.  Interesting characters and great world-building, this novel will be a great surprise for sci-fi readers.  Honorable mention: War for the Planet of the Apes: Revelations, Greg Keyes.

Best Fantasy Read – An Alchemy of Masques and Mirrors, Curtis Craddock (Tor Books).  The plot of this debut novel is labyrinthine and action-packed, full of assassination attempts from all quarters, courtly intrigue galore, grandiose philosophies, and a cast of characters anchored by the strong, smart, resourceful, and eminently likeable heroes.  Supporting everything is Craddock’s strong, confident, often-funny, and sharply observant writing that goes from heart-wrenching to hilarious on a single page without missing a beat.  A dazzling debut.

Best Genre Non-fiction – Middle-Earth: From Script to Screen, Daniel Falconer (Harper Design).  We wish every genre franchise had such a magnificent, thorough, monumental guide.  Falconer’s guide to Peter Jackson’s The Lord of the Rings and The Hobbit trilogies is full of interviews at all levels of the creative process, and supported by concept art, photographs, maps, and so much more.  Worthy of the six films it covers, it’s the ultimate fan book and a model for any franchise attempting to put everything fans could want into a single volume.

There’s much more of our selections for 2017’s Best in Print and more, after the jump…

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Review by C.J. Bunce

If you had a time machine and your goal was to find someone to give a master class in storytelling–a master class in worldbuilding–and bringing an idea to reality, would there be a better choice than Jim Henson?  Henson will be forever known first for his Sesame Street character Ernie and Muppets Kermit the Frog, Rowlf the Dog, Dr. Teeth, Waldorf, The Swedish Chef, and more.  The Muppet Movie and The Muppet Show are beloved by generations.  He made the unreal seem real, and fantasy as close to reality as we may ever see it.  Yet he was perhaps proudest of the creation of the first full-length, live-action motion picture where the stars were all creatures, The Dark Crystal, yet another of the unforgettable films from 1982 we’re celebrating this year here at borg.com.  The Henson family and The Jim Henson Company have opened their archive and published the remarkable story of the film from idea to the film’s release in The Dark Crystal: The Ultimate Visual History, available this month from Insight Editions.

Writer Caseen Gaines’ new chronicle of The Dark Crystal is not a typical “visual companion.”  The story told in the text provides a most intriguing account of Henson, a behind the scenes look at the man from his family and all those who worked with him, as he talked through the idea for a darker story while delayed on a chance cancelled flight with his daughter, as he cast a team of puppet builders, creative performance artists, artisans, costumers, and concept design artists, as he leveraged the success of The Muppet Movie, and strategically negotiated his way to gain investment dollars to make a film that stands alone in the history of fantasy film.  As daughter Cheryl Henson states in the book, “I don’t think my father ever tried to hide how something was done, because how it’s done is often as interesting as the final product”–and that proves true in The Ultimate Visual History.  She provides a foreword to the book and an introduction is provided by film creators Brian and Wendy Froud.

Gaines includes tipped-in replica memorabilia from the Jim Henson archives, which he integrates into the narrative to illustrate the five years of Henson’s concept to screen process.  Readers gain new appreciation for Henson as we witness his own hand-written notebook pages of ideas for the characters that would transform into the dualism of the Skeksis and Mystics, Brian Froud’s original concept book created to sell the idea to investors, outlines, story treatments, hand-drawn sketches, scene memos, and a concept art pitch book by Froud for a planned sequel.  Photographs document a chronological preparation of characters looking at first nothing like their final on-screen personas and the difficult process of creating the mechanics for each type of character, for Gelflings Jen and Kira, the exiled Skeksis Chamberlain, Jen’s dying Mystic master, a room full of potato-headed Podlings, the wise goddess/prophet Aughra, the majestic Landstriders, the giant beetle-like Garthim, and the cute and toothy fuzzy Fizzgig.  The new fantasy world had its roots in myths and folklore, yet Henson created something singular with all these magicians that was akin to Tolkien’s fantasy realm.

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