The most infamous, notorious, and maybe most beloved of toymakers, Marty Abrams returned to the toy biz in 2018 (after a stint in prison for fraud and the bankruptcy of his famous toy company–get the whole story on Netflix’sThe Toys That Made Us). The company he made famous–MEGO–gave kids a memorable 1970s line of licensed 8-inch (1:9 scale) action figures, and it has been adding more figures–often in limited supplies–the past few years. Abrams has pulled in a diverse cross-section of licensed properties to get his foot back in the door with kids and collectors. Look around at Wal-Mart and Target and you’ll find an eclectic mix of pop culture nostalgia, some figures resembling sculpts and costumes from the original MEGO figures, others representing characters that may leave you scratching your head, wondering who has been eagerly waiting to see this show in an action figure line. Finally it seems MEGO may be giving its licensors the look they deserve design-wise, as you’ll find with the Young Frankenstein and Universal Monsters line. Check out some of the new and recent figures available below.
Put away what you remember (if anything) about the 1970s Kung Fu television series. You didn’t really watch the series for David Carradine, did you? If you were like most of the viewers, you probably showed up for the martial arts. CW Network’s new reboot of Kung Fu is for that same audience, but it also casts a wider net. Wednesday night Olivia Liang showed up to take the new series, CW’s Kung Fu, by storm. You can compare it to the similar-vibed, live-action Mulan, some of your favorite recent martial arts series that have the same dramatic beats likeWu Assassins, or you can compare it to series like Charmed, Smallville, Stargirl, or Riverdale. Fans of all these shows will get a kick out of the ease at which the CW has brought a young Chinese-American hero into our must-watch DVR queue with college student-turned-Shaolin warrior Nicky Shen. She’s a completely modern, updated Buffy the Vampire Slayer, and she brings with her an interesting supporting cast while pulling some intrigue into the story via elements of classic Chinese mythology and history. It’s fantasy, and its supernatural, and there’s swinging kicks and swordplay you’re not going to want to miss.
With all the Netflix series being rolled out this year, October Faction might get overlooked. It’s the latest monster series based on a comic book and it arrived on Netflix this past weekend. Based on Steve Niles and Damien Worm’s graphic novel/comics of the same name, both the TV series (created by Sleepy Hollow and Stargate’sDamian Kindler) and the comics are a darker spin on The Addams Family–the comics even darker than the TV series, which is closer in tone to Riverdale, Charmed, and Stranger Things than, say, Grimm or Chilling Adventures of Sabrina. Unfortunately it’s not as well-constructed or visualized as any of those series, but it may be worth the time for fans of horror or stories of students with super powers. It’s the super powers angle that demonstrates how closely linked superhero series are with supernatural and horror stories in the 21st century–Swap out a few words, monsters for malevolent aliens and witches and warlocks for superheroes and you’ll find October Faction has the same story beats as, say The Umbrella Academy or The Boys.October Factionhas an easier to digest, more accessible story than both of those series although the production values lack a certain tightness in editing and cinematography style. It also could use a soundtrack that better matches the charging, creepy pitches found in Netflix’s three trailers for the series.
This is a story about a husband and wife and their twin 17-year-olds, and how the twins handle learning their parents belong to an age-old network of monster hunters. Tamara Taylor(Bones, Altered Carbon, Lost, Serenity) is really in the driver’s seat as Deloris, the mom who always seems to have the right firearm close by, joined by husband Fred, played by J.C. MacKenzie, a character actor TV audiences have seen in dozens of police procedural series and movies, including The Irishman, The Departed, The Shield, and Hemlock Grove, as a father who is looking forward to a rest from the monster work. If you agree MacKenzie is a ringer for a younger Matthew Modine, you might convince yourself October Faction is a prequel to Stranger Things (he also evokes Ed Begley, Jr.). MacKenzie’s casting is an odd choice, like starring old school Fred MacMurray or Robert Young as a modern, mouthy murderer of monsters. But he might grow on you. The kids are more interesting: Newcomers Aurora Burghart plays Viv, an angsty teen who sketches morbid miscellany and can’t understand why she sees things before they happen, and Gabriel Darku is Geoff, her gay brother who is lost leaving behind his old friends for the family’s most recent relocation–and who also thinks he sees the deceased dead.
The level of horror and gore is about that of Shaun of the Dead, enough to establish genre while not becoming a full-on slasher show. At first this appears to be another story of the Ender’s Game or Starship Troopers variety–black and white good and bad guys and monsters that are evil because ugly, unfamiliar, and different things are always evil. Fortunately the story catches up in time and the theme becomes that of fellow monster series Grimm, that not all monsters are bad, and sometimes humans are the worst threat of all.
The most infamous, notorious, and maybe even most beloved of toymakers, Marty Abrams is back in the toy biz years after a stint in prison for fraud and the bankruptcy of his famous toy company (get the whole story on Netflix’sThe Toys That Made Us). The company he made famous–MEGO–gave kids the ultimate 1970s line of licensed 8-inch (1:9 scale) action figures, and it returned to stores with a vengeance this year. Not to toy stores–since they seem to be a thing of the past after the bankruptcy of Toys R Us this year–but to the end cap at your neighborhood Target store. Replaced in recent years by the 3 3/4-inch line of licensed small-scale action figured from Super 7, Funko, and Biff! Bam! Pow!, the classic MEGO figures are making a comeback. Abrams has pulled in a bizarre cross-section of licensed properties to get his foot back in the door with kids, collectors, and anyone able to be sidetracked on their way to pick up school supplies and shampoo. Abrams was a groundbreaking importer, manufacturer, marketing maven, inventor, and brand developer who founded MEGO Corporation, the first company to license action figures based on TV shows and comic book superheroes, and the first to sell dolls in clear bubbles on cards that hung on pegs instead of in boxes stacked on store shelves. If you were a kid in the 1970s, you probably had at least one of his figures (I’m pretty sure we still called them dolls back then). My three-year-old self was not excluded:
The first wave of figures are already on the discount shelves at Target. Look around and you’ll find an eclectic mix of pop culture nostalgia, some figures resembling sculpts and costumes from the original MEGO figures, others representing characters that may leave you scratching your head, wondering who has been eagerly waiting to see this show in an action figure line. So Wave One includes Sulu and Chekov from the originalStar Trek series, Charlie’s Angels’ Kelly Garrett (complete with ’70s hairdo), Peg Bundy from Married with Children, Action Jackson (not the movie version) sporting a jumpsuit, NORM! Peterson from Cheers, Piper Halliwell from the original TV series Charmed,Dracula (sculpted after Bela Lugosi’s version), Alice the housekeeper and center square from The Brady Bunch, Tootie the youngest girl from Facts of Life, Jimi Hendrix in his Woodstock outfit, and probably the best of all (OK, besides Jim Hendrix): Arthur “The Fonz” Fonzarelli (aka Fonzie) looking like the original Mego figure from Happy Days. Two dual figure sets feature Jeannie and Tony fromI Dream of Jeannieand a Mirror Universe figure set of Kirk and Spock from Star Trek. Mego also has a 14-inch (1:5 scale) DC Comics line, including Wonder Woman from the TV series, General Zod from the two original Superman movies, a classic style Harley Quinn, and a Golden Age Batman.
Wave Two, arriving this month at Target stores nationwide, includes Frankenstein, Greg from The Brady Bunch, John Ratzenberger’s Cliff Clavin from Cheers, Starchild from the band KISS, Alyssa Milano’s Phoebe from Charmed, Ron Howard’s Richie Cunningham from Happy Days, Cheryl Ladd’s Kris Munroe from Charlie’s Angels, Spock and the Gorn from Star Trek, Samantha from Bewitched, Kelly Bundy from Married with Children, Jo from Facts of Life, and dual sets featuring Dorothy, Toto, and the Wicked Witch of the West from The Wizard of Oz, DJ and Stephanie Tanner from Full House. In the 14-inch DC Comics line look for Superman, Batgirl, Green Lantern, and Poison Ivy.
The good news? The networks all have released previews of their new Fall TV series. The bad news? Most of the trailers play-out pretty flat–look for more of the same bland, dry, typical attempts at the next best Emmy-winning drama and the same brand of network comedy. We showed you previews for three new series from CBS last week (here) for shows we think might be worth giving a shot: the reboot of Magnum, p.i., the return of Murphy Brown, and the Dick Wolf series FBI with Law & Order’s Jeremy Sisto and the DCU’s Connie Nielsen.
We were looking forward to New Girl’sHannah Simone starring in a reboot of The Greatest American Hero, but ABC rejected the series after the pilot was filmed. Forever and Law & Order’sAlana de la Garza‘s series Chiefs, and Timothy Hutton in Main Justice are still expected from CBS. What We Do in the Shadows is a werewolf-zombie comedy starring Doug Jones coming from FX. HBO is expected to launch a series called Camping with David Tennant, Ione Skye, and Juliette Lewis. And Showtime has City on a Hill with Kevin Bacon, Aldis Hodge, and Jill Hennessy, Ball Street with Don Cheadle, and Kidding with Jim Carrey, Catherine Keener, and Frank Langella. But we’ve seen no trailers for these series yet.
Putting aside the ongoing series being continued between now and year end, several new series with trailers now released may be of interest based on actors who have previously acted in genre series, so we’re going to run down those that may be worth at least a viewing of the first episode.
Here are the other new series, the genre actors you might want to know about, followed by the trailers for Fall 2018:
Tomorrow two classic franchises will take the form of comic book series as Dynamite Entertainment releases the first issues of Charmed and Nancy Drew and The Hardy Boys: The Big Lie.
Inspired by recent noir comic book series like Ed Brubaker’s Fatale and Darwyn Cooke’s Parker series, Nancy Drew and The Hardy Boys: The Big Lie writer Anthony Del Col (Assassin’s Creed, Kill Shakespeare) and artist Werther Dell’Edera (Detective Comics, House of Mystery) are bringing the classic teen detectives into the 21st century. Yet it has a very Archie Comics vibe. In the new series, Frank and Joe Hardy are accused of murdering their father, a detective, and they enlist Nancy Drew to help prove their innocence–and find the real murderer. The series promises a “twisting, hard-boiled tale, complete with double-crosses, deceit and dames,” keeping with the noir crime setting. Look for cover variants Nancy Drew and The Hardy Boys: The Big Lie from Faye Dalton, Emma Vieceli, and Robert Hack.
Before the series Supernatural would take over the genre spot for the next decade, the three Halliwell sisters, Prue (Shannen Doherty), Piper (Holly Marie Combs) and Phoebe (Alyssa Milano) provided a similar weekly fix of the paranormal, the mythic, the magical, and the Wiccan. Following the death of Prue in the finale of Season 3, their long-lost half sister Paige Matthews (Rose McGowan) assumed Prue’s role within the “Power of Three,” and a new comic book series will continue the story of these three sisters. The second longest running hour-long television series featuring all female leads, Charmed aired 178 episodes over eight seasons. The next episodes will take the form of a Charmed monthly comic featuring writer Erica Schultz (Swords of Sorrow) and artist Maria Sanapo (Grimm, DC Comics Bombshells). Artist Joe Corroney (Star Wars, Star Trek) will provide the cover art to Issue #1, and Sanapo will draw the monthly covers and interior artwork.
Check out previews of Issue #1 of both new series, including variant covers, after the break, courtesy of Dynamite Entertainment:
During the same years that Buffy the Vampire Slayer was bringing a unique take on the teen horror genre, from 1998 through 2006 the “Charmed Ones” and the “Power of Three” connected TV viewers to a different realm of stories of the supernatural in the WB’s series Charmed. Before the series Supernatural would take over the genre spot for the next decade, the three Halliwell sisters, Prue (Shannen Doherty), Piper (Holly Marie Combs) and Phoebe (Alyssa Milano) provided a similar weekly fix of the paranormal, the mythic, the magical, and the Wiccan. Following the death of Prue in the finale of Season 3, their long-lost half sister Paige Matthews (Rose McGowan) assumed Prue’s role within the “Power of Three” and a new comic book series will continue the story of these three sisters from the show.
The second longest running hour-long television series featuring all female leads, Charmed aired 178 episodes over eight seasons. The next episodes will take the form of a Charmed, monthly comic featuring writer Erica Schultz (Swords of Sorrow: Masquerade & Kato, Swords of Sorrow: Black Sparrow & Lady Zorro, Revenge) and artist Maria Sanapo (Grimm, DC Comics Bombshells). Zenescope previously published a Season 9 and Season 10 comic book series and 43 tie-in novels further expanded the series into 2008. In 2015 a reboot novel series beginning with the Paul Ruditis book The War on Witches was set between the two comic book seasons.
Publisher Dynamite Comics describes the first story of the new series: A dark force has set its sights on the art world of San Francisco and the only ones who can stop it are Phoebe, Paige, and Piper! Continue reading →
It’s interesting that 20th Century Fox is not calling the new FX channel series Legion, X-Men: Legion, although it at least is carrying the X-Men symbol as part of the title art. Netflix’s Marvel series Daredevil was already a recognizable brand, and once onboard it was easy for fans to try on the next series, Jessica Jones and Luke Cage. But Legion may get lost in the shuffle of a half-dozen DC Universe series and Netflix’s cornering the market on Marvel serials. To be successful Legion will need to be good, and good enough to succeed based on word-of-mouth, just as Luke Cage was able to take off with viewers earlier this year.
Legion, as a character, hails from writer Chris Claremont and legendary comic book artist Bill Sienkiewicz from the New Mutants comic book in 1985. Legion is David Haller (played by Downton Abbey actor and the new Beauty and the Beast star Dan Stevens), the mutant son of Professor Charles Xavier. Legion is one of those superheroes who can take on others’ abilities (something like the adaptive powers of Sylar and Peter Petrelli in Heroes, the Charmed Ones in Charmed, the X-Men universe Sentinels, The Borg from Star Trek, or Doomsday). This is related to his schizophrenia or similar mental disorder–as a mutant it means each personality is tied to Haller manifesting different powers. Which means we have the foundation for what could be a pretty open-ended playground for the series writers.
Legion’s cast includes Scott Lawrence, Mackenzie Grey, Rachel Keller, Aubrey Plaza, Jean Smart, Katie Aselton, Jeremie Harris, Bill Irwin, and Amber Midthunder.
Back in Beginner Computing class in junior high, we learned the BASIC computer language on Commodore VIC 20s. The first program you learn to write is this:
10 PRINT HELLO
20 GOTO 10
The end result is a loop, printing the word HELLO over and over again infinitely like this:
HELLOHELLOHELLOHELLOHELLOHELLOHELLO
HELLOHELLOHELLOHELLOHELLOHELLOHELLO
HELLOHELLOHELLOHELLOHELLOHELLOHELLO
HELLOHELLOHELLOHELLOHELLOHELLOHELLO …
It’s an easy way to illustrate a temporal loop or time loop, a recurring story element in science fiction and fantasy works.
In 1905 Spanish philosopher George Santayana wrote “Those who cannot remember the past are condemned to repeat it.” He didn’t mean this literally. As science and science fiction would later speculate, repeating the past may be a possibility one day.
It is difficult to determine who first put the literal repeat of history into story form, but it is a recurring science fiction device that is often used to great effect. Classic sci-fi writer Philip K. Dick used the time loop in his 1975 short story “A Little Something for Us Tempunauts.” The best and most well known example of this is the Bill Murray movie Groundhog Day, where for for some unknown reason a weatherman’s day is repeated until something happens that is supposed to happen–he gets the day exactly right.
Unlike later uses of this device, in his short story Philip K. Dick did not express the element as a repeat of the actual narrative story, but an explanation of cause and effect. In his story, time traveling astronauts go on a mission, where destruction of the mission results in a time loop that may or may not result in the preservation of an eternal life for everyone. We don’t see the result, but hear from the tempunauts they have been there, done that, before. Over and over.
Usually use of a time loop on sci-fi/fantasy genre tales involves at least one person being able to realize the existence of the repetition. Bill Murray’s weatherman knows the day is repeating in Groundhog Day. Yet the other characters are not aware at all. In other uses, characters get to experience deja vu or even fatigue from living time over and over.
This week’s episode of the Syfy Channel’s Haven, the series based on a Stephen King story, is titled “Audrey Parker’s Day Off,” and is one of the best of the series so far. The main character Audrey Parker, played by Emily Rose, wakes up to repeat a day after she comes upon a death at a crime scene. She is in bed with friend Chris, played by Jason Priestley, to whom she must explain a different plan for each new day. In each new day she tries to figure out how to not cause any death, by changing the variables of each day. In the context of the mystic “troubles” the town of Haven is dealing with, Audrey as the only person person unaffected by the troubles. With Audrey the show uses this story device quite well. The parallels to Groundhog Day are unmistakable, but viewers can’t help but like it when it is adapted in a new way as was done here.
Jason Priestley may be strangely tied to time loops, as he also appeared in a television series entirely about time loops, called Tru Calling, one of borg.com’s favorite series. In Tru Calling, a graduate student and morgue worker named Tru played by Eliza Dushku is able to relive days in the hope of saving the life of someone who died on that day. Usually she has several opportunities to do this. Priestley’s character later in the series comes along as an agent of death to undo the seemingly good that Tru has been doing. His view is that Tru is interfering with the proper course of events, as if only one timeline is correct, and with him it is the first timeline.
Early Edition was another series focusing on the ability to “do over.” The loop also occurs in the Buffy the Vampire Slayer episode “Life Serial,” on the series Eureka in the episode “I Do Over,” the X-Files episode “Monday,” and the Xena, Warrier Princess episode “Been There, Done That.”
In theaters now is the fifth film in the Final Destination franchise. This series presents a variant on going back to change the past, without the ability to try again via repeats, although with the character of Clear played by Ali Larter in the first two movies, the repeat effort seems to be there all the same. In the world of the Final Destination films, an individual lives out a horrible accident, then snaps back in sort of a deja vu state, with only seconds to try to prevent the course of events from happening. However, like Priestley’s character in Tru Calling, an unseen power, like his agent of death, is set about to return the normal and proper timeline, even if it means the death of dozens.
In Kurt Vonnegut’s Slaughterhouse-Five, Vonnegut’s hero Billy Pilgrim similarly becomes what Vonnegut calls “unstuck in time”. He has no choice, he appears in various stages of his own life, but with the choice of changing events. This also happens in the episode of Angel called “Time Bomb.”
Captain Picard (Patrick Stewart) experienced the same problem a few times in Star Trek: The Next Generation. In the episode “Tapestry,” John de Lancie’s omnipotent character Q plunges Picard into the past to allow Picard to not only revisit his past, but to change it if he wishes. With no regrets, Picard changes nothing, even when that means a Nausicaan will again put a pool cue through his heart, resulting in Picard again needing an artificial heart for the rest of his life. But whereas revisiting the past in story form has been around for centuries–think Charles Dickens’ A Christmas Carol–a temporal loop requires repeated visits to the past. Luckily Scrooge gets it right after merely watching his past, and Q is just fine with Picard’s choices the second time around.
Actually the best Star Trek representation of the temporal loop is the Next Generation episode “Cause and Effect,” which might as well be an essay on how time loops work. The episode starts with a poker game between the bridge officers. The ship then experiences a temporal distortion and a ship comes out of nowhere to collide with the USS Enterprise, resulting in the destruction of both ships. Then we have a commercial break, and the show appears to repeat again. I know of at least one person who almost turned off the show, thinking there was something wrong with the network feed. Brilliantly, the audience must be confused. What did we miss? In this story, characters are impacted by the repetition, they feel tired, and they experience deja vu. Luckily Lt. Commander Data figures out how to leave a subtle clue for the next repeat, allowing him to save the ship before the end of the hour of the episode. His crew had been repeating the event for mere days, but the other ship caught in the anomaly, the USS Bozeman helmed by a captain played by Kelsey Grammer, has unknowingly re-lived the same day for decades, and the show ends with Picard informing the other captain of some pretty bad news about his lost time. Breaking a time loop is also the focus of the Charmed episode “The Good, The Bad, and The Cursed.”
Writers use time loops again and again because they are fun, and modern audiences understand them, mostly because of the success of Groundhog Day. In fact in this week’s episode of Haven, “Audrey Parker’s Day Off,” when Audrey explains all this to Interim Chief of Police Nathan Wournos, his response is “you’re stuck in my second favorite Bill Murray movie.” When on the following day Audrey has to explain the recurring events yet again, she cuts him off when he is about to repeat the line and finishes it for him.
, Vonnegut’s hero Billy Pilgrim similarly becomes what Vonnegut calls “unstuck in time”. He has no choice, he appears in various stages of his own life, but with the choice of changing events. This also happens in the episode of Angel called “Time Bomb.”
