Tag Archive: Chelah Horsdal


Review by C.J. Bunce

How often does a television series stay powerfully compelling for the entirety of its run?  Most series, especially science fiction series, have a freshman and sophomore season full of bad episodes and clunky storylines.  With a fourth season now one for the books, Amazon Studios’ The Man in the High Castle is the exception, and nothing short of cinema magic that the final season of the series didn’t miss a beat in its final ten episodes.  The series has been a slow burn from the first season, but if you enjoy the idea of an alternate universe that doubles as an alternate history story–and nobody made them better than author Philip K. Dick–then this is the series for you, waiting for you to stream its 40 episodes right now.  It all began with a first-rate pilot (first previewed here at borg) set in a gut-wrenching world where the Axis beat the Allies in World War II, created five years ago for Amazon’s first run at a series format.  From the meticulously re-created sets, buildings, landscapes, costumes, props, and vehicles, to a script that may very well reflect the smartest and most tense science fiction ever to hit television sets, The Man in the High Castle proves Amazon Studios can match (and beat) the quality of programming of any of its competitors.

The themes are unfortunately current, grand and weighty like the best science fiction should be, and Santayana’s warning was probably never better illustrated in fiction form, asking the question: Could Nazi leadership of the homegrown American variety be worse than a threat from foreign invaders?  The show also explores other big ideas, like the idea that you may not be the very best possible version of yourself (and what you could do about it).  Most series are top-heavy, relying too much on the lead characters to drive the story.  The writers of The Man in the High Castle took the time to completely flesh out dozens of key supporting characters, each one critical to the story, and all an example of world-building detail that every writer should take notes on.  Every thread they created gets nicely tied up by the final episode.  The very best, most complex and creative character arcs on any series this decade happened here.  And the series’ climactic scene is simply goosebump-inducing.  The pool of candidates for anyone’s best TV actor and actress this year?  They should begin with this series.

Back again is Alexa Davalos as the world-bending, judo teacher-turned resistance strategist.  She was joined by last year’s new suave, rogue soldier, played by Jason O’Mara.  They have the knowledge to potentially save their world and infinite others, but how do they decide what is the right way to do it? Leading the bad guys on the American front again is Rufus Sewell′s Reichsmarshall John Smith, whose performance as the rising Nazi leader is so convincing viewers will never see what’s coming next, and his wife Helen, played by Chelah Horsdal, gets to step into the spotlight in nerve-wracking ways this season.  Joel de la Fuerte, as Japan’s Emperor’s leader in San Francisco, is so versatile he should be the most sought-after actor on the planet.  This year they are joined by new good guys played by Frances Turner and Clé Bennett, who bring a welcome, late-breaking twist to the outcome of the world, plus the return of Quinn Lord as the alt world’s Thomas Smith.  Even the kids playing the daughters–Genea Charpentier and Gracyn Shinyei–are scary good (meriting inclusion on our ever-growing horror film “creepy little girls” list).

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We previewed Amazon Prime’s first trailer for the final season of The Man in the High Castle here back in February, and we had a glimpse at an opening scene from the first episode of season four.  Last year’s finale for the season, our pick for last year’s best sci-fi TV here at borg, featured a 1960s sci-fi scene with its own version of Stranger Things.  Another trailer is here, and this one finally confirms Chelah Holsdal′s bigger role as Helen Smith, wife of the new leader of the Nazis and former U.S. soldier, John Smith, played by Rufus Sewell.

With Germany’s move on the Japanese States thwarted, a revolution has gained traction out West, and viewers were left with series lead Alexa Davalos’s heroic leader Juliana seemingly understanding how to phase-travel like Cary-Hiroyuki Tagawa′s Tagomi had done.  Helen and her girls have John Smith, and Himmler is taken down in an assassination attempt.  Yes, a lot was resolved, but we’re also set up for a big, brutal finale this next year, especially as Joel de la Fuente′s Inspector Kido gains more influence and power.  Who will win the battle for the World War II outcomes of all dimensions, the U.S., Japan, or Germany?  (Sounds like a game of Axis & Allies to us).

Is Helen Smith finally going to kill her husband John for letting her son die?  It seems likely Philip K. Dick would have approved all the updates and extensions to his novel in this show.  Here is the latest look at the final season of The Man in the High Castle:

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We previewed Amazon Prime’s first trailer for the final season of The Man in the High Castle here back in February.  Now we have a peek at an opening scene from the first episode of season four.  Last year’s finale for the season, our pick for last year’s best sci-fi TV here at borg, featured a 1960s sci-fi scene with its own version of “stranger things.”  An experiment led by an alternate history Josef Mengele, who could forever imprint a Nazi-won World War II on any and all timelines led to the Liberty Bell melted down and the Statue of Liberty destroyed, last seen falling into New York Harbor.  With Germany’s move on the Japanese States thwarted, a revolution has gained traction out West, and viewers were left with series lead Alexa Davalos’s heroic leader Juliana seemingly understanding how to phase-travel like Cary-Hiroyuki Tagawa’s Tagomi had done.

Luke Kleintank’s Joe Blake and Rupert Evans’ Frank Frink were cast out of the story, as Jason O’Mara’s Wyatt Price stepped in to fill the void.  Helen and her girls have left Rufus Sewell’s John Smith, and Himmler is taken down in an assassination attempt.  Yes, a lot was resolved, but we’re also set up for much more in this coming season.

What is this mysterious relationship in another timeline between Juliana and John Smith?  Check out this first look at an opening scene showcasing these characters in season four, the final season, of The Man in the High Castle:

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Amazon Prime released its first trailer for the final season of The Man in the High Castle, our pick for last year’s best sci-fi TV series here at borg.  Last fall’s season three finale, “Jahr Null” (Year Zero), included a set inspired by 1960s sci-fi films where an experiment led by an alternate history Josef Mengele could forever imprint a Nazi-won World War II on any and all timelines.  The Liberty Bell was melted down, and the Statue of Liberty was destroyed, falling into New York Harbor.  Luke Kleintank’s Joe Blake and Rupert Evans’ Frank Frink are now out of the story, as Jason O’Mara’s Wyatt Price steps in to fill the void in the rogue hero department.

Helen and the girls have left Rufus Sewell’s John Smith, and Himmler is taken down in an assassination attempt.  Did he live or die, and does that mean Smith becomes Fuhrer?  With Germany’s move on the Japanese States thwarted, a revolution has gained traction out West, and Alexa Davalos’s heroic leader Juliana has finally figured out how to travel like Cary-Hiroyuki Tagawa’s Tagomi.

Yes, a lot was resolved, but we’re also set up for much more in this coming season.  Will Laura Mennell’s Thelma Harris take on a greater role now that Bella Heathcote’s Nicole Dörmer was sent back to Germany for flaunting the law?  And what is the mysterious relationship in another timeline between Juliana and John Smith?

Check out this first look at season four of The Man in the High Castle:

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Our borg Best of 2018 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2018 here and the Kick-Ass Heroines of 2018 here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV BorgHumans (AMC).  No other series touches on the ramifications of technology, specifically the perils of an onslaught of real-world cyborg technology, like AMC’s Humans.  This year three characters stood out, including Gemma Chan’s Mia, the cyborg Synth from past seasons, who sacrificed everything for the liberty of cyborgs in the UK.  Then there was Ruth Bradley’s Karen Voss, a Synth who refused to live segregated from the humans, opting instead for a normal life for the cyborg son she assumed care for.  And Katherine Parkinson’s Laura Hawkins, a human lawyer who fought so hard for the cause of the Synths all year, only to throw away all the good she had done, failing the first real challenge that was presented to her.  This year’s best TV borg is shared by Synths Mia and Karen, as each showed the uphill battle any future outsider must overcome when faced with humans.

Best Sci-fi TV SeriesThe Man in the High Castle (Amazon).  What had been a two-season build-up all came together in the series’ third season with the audacity of killing off key characters, wisely adhering to the framework of the source Philip K. Dick novel.  The use of science fiction to tell an often gut-wrenching array of subplots and unique characters has set up a fourth season with plenty to address.  Exciting, smart, scary, and even fun, it is an unusual science fiction show that isn’t merely trigger-happy sci-fi.  Honorable mention: Humans (AMC), Counterpart (Starz).

Best New TV Series, Best Reboot, Best Ensemble CastMagnum PI (CBS).  If you would have told us a year ago our favorite show this year would be a reboot of Magnum, p.i. starring Suicide Squad’s Jay Hernandez and an actress in the iconic role of John Hillerman’s Higgins, we wouldn’t have believed it.  And yet, even as diehard fans of the original, we had to acknowledge that many elements of the reboot series were even better in the new series.  With the dangerous risk of taking on a beloved property, the production maintained loyalty to the original while making it fresh, scoring Magnum PI high marks on all counts.  Every character was smartly written–suave and confident Magnum, energetic Rick and TC, and a savvy Higgins–every actor was perfectly cast, and each show was another round of nostalgic fun for fans of the original.  Best New TV Series Honorable mention for Best New TV Series: Counterpart (Starz), Lodge 49 (AMC).

Best Series, Best Drama, Best ComedyLodge 49 (AMC).  Lodge 49 told two stories: a darkly serious drama of real people dealing with real-life 2018 adversity, and the other a comedy farce like no other.  Hanging over our heads was the idea that this was going to be a fantasy show, complete with secret codes, hidden rooms, and psychic visions.  If you’re looking for all the elements of great fantasy the hint of it all could be found throughout this series.  And yet it wasn’t fantasy at all.  An oddball Cheers?  A southern Twin Peaks without the Lynchian weirdness?  Star Wyatt Russell’s hero Dud could be dismissed as a typical young man with no vision, or maybe he’s that idealist that everyone needs to strive to be.  Maybe we’ll learn more about that next season.  Honorable mention for Best Drama: Counterpart (Starz).  Honorable mention for Best Comedy: Baskets (FX).
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Review by C.J. Bunce

Philip K. Dick‘s  The Man in the High Castle won the Hugo Award for Best Novel in 1963, and is widely considered his best work.  Some of his 44 novels and 121 short stories have been adapted to film, including 10 in the past year in the series Electric Dreams (previously reviewed here at borg), and big screen films Blade Runner, Total Recall, Minority Report, The Adjustment Bureau, Paycheck, Next, A Scanner Darkly, and Screamers.  None of those better reflect the depth of Philip K. Dick’s genius than the Amazon television series The Man in the High Castle Season 3 is available this month on Amazon Prime’s streaming service.  In his novel the series is based on Dick delved into the science fiction trope of the alternate history, a parallel world showing a view of a different 1960s after World War II.  Often mislabeled as merely a story where Nazis won the war, the fact is the novel focuses substantially on the shared Japanese victory and the resulting assimilated culture in the United States some 20 years later.  Series director Daniel Percival and a host of other directors and writers expand upon the novel–and the parallel world–into something much bigger, and something much greater.  To call The Man in the High Castle a loose adaptation of the novel is a disservice–the series conjures the spirit of Dick’s unique vision faithfully and one can imagine Dick endorsing the expanded elements were he still with us.  The novel is always the backbone of the series (even in this third season’s fifth episode “The New Colossus” viewers are brought back to a cornerstone scene from the novel).  As with Dick’s book, the series is an inspired, even noble use of science fiction.

Amazon debuted its film studio potential with the pilot for the series in January 2015, followed that November by the first season, developing not only the lead characters in the book–antique dealer Robert Childan (Brennan Brown) and Japanese Pacific States trade minister Nobusuke Tagomi (Cary-Hiroyuki Tagawa)–important secondary characters are expanded, too, including struggling jewelry maker Frank Frink (Rupert Evans), his wife (girlfriend in the series) Juliana Crane (Alexa Davalos) who would venture off to meet the mysterious title character (Stephen Root), their friend and co-worker Ed McCarthy (D.J. Qualls), Nazi spy Joe Blake aka Joe Cinadella (Luke Kleintank), and the enigmatic Nazi attaché Rudolph Wegener (Carsten Norgaard).  Added to these eight characters by series creator Frank Spotnitz are former U.S. soldier-turned rising Nazi officer John Smith (Rufus Sewell) and his family, Inspector Kido–a cold and ruthless Japanese enforcer (Joel de la Fuente), and Nicole Dörmer (Bella Heathcote), a rising propaganda director.  The characters were fleshed out in 2016 in the show’s second season, with chemistry among the cast, plus high stakes life-and-death risks that raised doubt that viewers’ favorite characters will survive from episode to episode–all reason to keep coming back for more.  With this new season, viewers have now been able to examine the tentacles of a Fascist state as it infiltrates and annihilates both the average worker and the ruling elite–nobody really wins, everyone loses.  Historical parallels to the real world are left for the viewer’s interpretation.

Through Sewell’s Smith we see the inevitable doom awaiting everyone under a Fascist regime–that even the leaders aren’t exempt from application of their code of terror and hatred (Smith as a top official still lost his son for his “inferior” DNA via a genetic anomaly), from Frank Frink we see the struggle to survive for any member of the citizenry who is not of the “preferred” race, through Joe Cinadella (aka Joe Blake) we see how quickly a Nazi can be brainwashed into disregarding life, through Wegener we see the difficulty of defiance and resistance against a giant, stifling regime in power, through Dörmer we see the arrogance and cost of hubris, from Kido we see that torment and terror under an autocratic regime knows no bounds, Childan illustrates the complacency of a detached, disengaged middle class, through Tagomi we see the struggle of a single peacemaker among a field of lunatics, and through Juliana and Ed we see the possibility of hope through commitment and determination–but will they succeed or fail?.

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