Tag Archive: Chinese authors


A Bond Undone

Review by C.J. Bunce

As the paperback edition of Anna Holmwood’s English translation of A Hero Born–book one of Jin Yong′s Legends of the Condor Heroes novels–arrives in bookstores tomorrow, the first English translation of Volume 2 is coming late this month.  In the spirit of Homer, Robert E. Howard, Edgar Rice Burroughs, J.R.R. Tolkien, Akira Kurosawa, and George Lucas, Jin Yong’s epic adventure continues in A Bond Undone A sequel as exciting a follow-up as The Two Towers, The Empire Strikes Back, and The Godfather II, Jin Yong takes his epic, legendary wuxia heroes into a riveting, unputdownable volume of honor, loyalty, bravery, cunning, and devotion.  And English audiences get to experience it for the first time this month thanks to a compelling, tightly written translation by Gigi Chang.  The 1950s series has sold more than 300 million copies internationally over the past 60 years, but the books are finally being made available to U.S. and UK readers.

Two young men whose destinies were determined before they were born, Guo Jing and Yang Kang, were made sworn brothers by their fathers, and their lives came crashing together 18 years later in A Hero Born (awarded our Best Read of 2019, reviewed here at borg), as the truth of their shared past finally caught up with them.  By the end of the first book they had each developed relationships with powerful women, Lotus Huang with Jing, Mercy Mu with Kang, all four among the most promising martial artists of the early 13th century of this work of historical fantasy.  The story takes on tones of a Shakespearean tragedy, as Mu and Kang’s relationship is one of confusion and despair, as they are driven together and then apart by Kang’s fear at parting ways with a life of privilege, the only life he has ever known.  Jing, the saga’s hero, is constantly mocked for his ignorance, but the quick wit and love of Lotus, and his pursuit of her hand, allows him to come under the teachings of the greatest of China’s masters.

Adding to their former teachers or shifus, in A Bond Undone Jing and Lotus learn secret kung fu from a new shifu, Count Seven Hong, Chief of the Beggar Clan, a comical sort who will do anything for great food.  As Jing stumbles into getting himself engaged to more than one woman (one by order of Genghis Khan, one by his former shifus and a mentor), Lotus is pursued by Gallant Ouyang, a handsome but conniving member of a tribe who has amassed an unwilling army of women warriors, all at his beck and call, as well as a more powerful kung fu.  Jing has his own enemies, not the least of which is the deadly Cyclone Mei, who possesses one of two volumes of the Nine Yin Manual, a book of secret, ultimate martial arts, the understanding of which could make someone the greatest master of them all.  The book is both the Holy Grail and One Ring of the series.  But Mei was also the student of Lotus’s father, the Heretic Apothecary Huang, as was her husband Hurricane Chen, inadvertently killed by the reflexes of a six-year-old Jing, told in the first volume of the series.  Apothecary Huang is repulsed at the thought of his daughter betrothed to the killer of one of his students, which sets up the key action of the story.

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Review by C.J. Bunce

To understand the scope of celebrated Chinese author Cixin Liu′s 2005 novel Supernova Era, finally available to Western audiences in an English translated edition by Joel Martinsen, it helps to look back to its influences, and those works published since its original publication in China.  At its core, this is a classic science fiction novel of the Philip K. Dick, Arthur C. Clarke, and Ray Bradbury school.  It’s a work of speculative fiction, at once arguably both optimistic and dystopian that reads almost like an alternate history in the vein of Dick’s The Man in the High Castle.  Disturbing and horrifying at points, philosophical, and filled with global, international, and political intrigue, it’s also squarely a young adult title, featuring almost exclusively middle grade aged kids tasked with surviving an interstellar holocaust–the actual “supernova” of the title–that quickly fries the DNA of anyone older than the age of thirteen.  The solution?  In the face of their imminent deaths, the world’s adult leaders begin to select youth leadership based on the classic “model United Nations” competitions.  It’s a jarring, but ultimately interesting and clever mash-up of some great tropes of science fiction.

Since the initial publication of Supernova Era in China, we’ve seen parts of the story replayed–possibly even inspiring–many other genre works:  Only last year in we saw Jeff Lemire’s Sentient–a comic book series where the adults on a ship are killed in a sabotage leaving kids to run a spaceship.  Here, we follow two small groups of children, the cabinet who must lead China and the cabinet who leads the United States, without the help, advice, education, and other benefits of adults or adulthood, on a global stage.   At first, the children default to letting an Internet-like artificial intelligence computer–the Digital Domain–help keep society in order, something like the robot in last year’s Netflix movie, I Am Mother, where a computer system’s robotic surrogate fulfills all parental duties to children.

When the daily toil of work grinds the kids in the Supernova Era into a state of boredom, they reach out to a massively multi-player online roleplaying game (MMPORG) and begin to build their real lives around it, as we saw in Ernest Cline’s 2011 novel, Ready Player One, where a future society allows itself to give up life in the real world to become lost inside a virtual reality MMPORG.  And the world’s kid leadership ultimately decide they need to compete with other nations, creating a worldwide version of Suzanne Collins’ 2008 novel The Hunger Games (also inspired by Stephen King’s novel, The Running Man) with a society relying on a new world construct with quirky contrived, artificial new rules of survival, battling wars with gameboard rules to the death.  Were these authors aware of Liu’s internationally known and respected work?  Possibly, but it’s the earlier works that served at least in part as influences on Liu’s novel.

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Review by C.J. Bunce

When you think of epic adventures, maybe first that comes to mind is J.R.R. Tolkien’s The Lord of the Rings or George Lucas’s Star Wars.  Maybe the cinematic stories of Akira Kurosawa, like The Seven Samurai, The Hidden Fortress, and Rashomon.  Or maybe your epic adventures are more fantasy, like Edgar Rice Burroughs’ Tarzan of the Apes, Robert E. Howard’s Conan the Conqueror, or historical, like Sir Walter Scott’s Ivanhoe, Baroness Orczy’s The Scarlet Pimpernel, C.S. Forester’s Lieutenant Hornblower, or go farther back, like Sir Thomas Malory’s Le Morte De’Arthur, the Maya’s Popul Vuh, the Old English Beowulf, the Old Norse Poetic Edda, or even the stories of Homer, The Iliad and The Odyssey.  What if someone wrote an equally exciting, rich adventure in the 1950s that has been read by more than 300 million readers, and you missed it, simply because it hasn’t been translated into English yet?  That would be the first English edition just released of A Hero Born, by Jin Wong, the pen name of Chinese author Louis Cha.  His novels sold more than 300 million copies internationally over the past 60 years, but the series is finally available to U.S. readers.

Two men, Skyfury Guo and Ironheart Yang, grow up together around 1200 AD.  Becoming best friends and blood brothers, they get married and have their firstborn both due at the same time.  They swear loyalty to each other, including a vow binding the futures of their family together that will survive these men, just as intruding warriors divide and even kill members of their family, leaving the friends and their families to disperse and flee.  Enter the Seven Heroes of the South (known by their enemies as the Seven Freaks of the South).  When the two friends are feared dead, this elite Magnificent Seven of sorts, a fabulous mix of warriors with every type of skill and weapon, makes a bargain with one of the revered seven Immortals, Eternal Spring Qiu Chuji.  They will separately train the offspring of the men, and in 18 years return for a showdown to see who are the better masters or shifu.  To one of the women a boy is born, named Guo Jing, and it is his story–his mythic hero’s journey–that the reader follows in this first adventure, which takes him from birth into adulthood, toward a destiny he may not be prepared for.  Guo Jing does not know his life and training is all based on a wager.  What does it take to have honor, to have character, to be a hero, and what surprises will he stumble upon on his way to meet his destiny?

Books like A Hero Born are why we have words like “epic.”  First published in Chinese in 1957, A Hero Born is the first novel in Jin Wong’s Legends of the Condor Heroes series set in the 13th century, following the life of a family in a community under the Song Empire who escaped to join Genghis Khan and his people.  It’s hard to believe the novel wasn’t written a hundred or hundreds of years earlier, or that George Lucas didn’t base his entire Star Wars saga on this story.  Anna Holmwood′s use of prose in her translation is pure artistry–A Hero Born reads seamlessly as if the novel was originally written in English.  Holmwood conveys the meanings of the hundreds of Chinese terms without seeming to explain them, weaving cultural nuances, the unique characters, the rich history of China, the Mongols, and Jin, the Taoist philosophy, and visual kung fu choreography into easy reader understanding.  The world-building will suck readers in and leave you wanting even more.  Luckily the entire series has been translated now, to be released over the next few years.

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