Review by C.J. Bunce
If you have been watching closely, you may notice that streaming platforms, pay channels, and cable networks rely on hit movies for the bulk of their replays. Try to find some of your favorites outside the mainstream on Netflix, for example, and you’re likely to find mostly films made since streaming itself started to be a thing. Starz has been one monthly pay channel option that is slowly bringing back more obscure films from the past 50 years, films like Outland and Wolfen. Another you may have missed is Let Me In from a decade ago, another of those rare genre-bending films that–if you’re lucky enough to just stumble across it–is the kind of film to remind you why you love genre films. It stars twelve-year-old actors Chloe Grace Moretz and Kodi Smit-McPhee in powerful breakout performances, the same year Moretz would deliver one of the big screen’s best superheroine performances as the cute but foul-mouthed Hit Girl in the movie Kick-Ass with Nicolas Cage, and just after Smit-McPhee would co-star in the dystopian film The Road with Viggo Mortenson.
Is it horror, an early 1980s coming-of-age tale, a love story, crime-suspense, a story of an abusive father, or something more (as Starlord might say, “a bit of both”?). If you enjoy not knowing what genre of film you’re jumping into, this is for you. Like Midnight Special, Skeleton Key, 12 Monkeys, and The Others, much of the film will creep by before you even have any certainty as to what is “really” going on. Writer-director Matt Reeves, who brought audiences the Cloverfield series and the latest Planet of the Apes movies and is working on The Batman for 2021, mixes some truly dramatic moments into Let Me In, while also adding the next must-watch for coming of age movies, suspense-thrillers, horror, and romance. Just as James Mangold delivered a father-daughter love story in Logan, Reeves puts his own stamp on a compelling tale of a boy and the girl next door.
The clues Reeves delivers along the way will be more obvious to some than others. Donnie Darko, Fargo, Logan, The Outsiders–Don’t be surprised if Reeves’ deftly drawn scenes evoke feelings from all sorts of big films. Disturbing, poignant, triumphant, chilling. You might even get twisted into feeling a certain sympathy for one of the film’s creepier characters. A police detective played by Elias Koteas (Shooter, Zodiac, Gattaca) will have you think you’re following Mark Ruffalo’s character in another Zodiac movie.
