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Tag Archive: D.C. Fontana


Review by C.J. Bunce

Actor Vic Mignogna, who has played Star Trek’s Captain Kirk on the fan-made series Star Trek Continues, has taken on an enormous task in his latest project, narrating the mammoth behind-the-scenes look at classic television and creator/producer Gene Roddenberry in an audio play adaptation of the Saturn Award-winning These Are the Voyages–ST: TOS Season One–nearly 29 hours in all.  Master researcher and TV historian Marc Cushman has meticulously crafted several volumes detailing the Golden Age of Television, including four volumes (and fifth on the way) of Star Trek history.  With the new audiobook, Cushman has assembled nearly 100 voice actors, including several Star Trek insiders quoted in the book, who returned to voice their contributions from Cushman’s first book in his series.  Among the voices you’ll hear writer Dorothy Fontana, writer Ronald D. Moore, actor Clint Howard, casting director Joe D’Agosta, actor Sean Kenney, and director Ralph Senensky, plus sons of Leonard Nimoy (Adam) and James Doohan (Chris) voicing their fathers’ quoted material, and other surprises, like Mythbusters co-host and Star Trek Continues actor Grant Imahara as the voice of George Takei.  The result is a fantastic way to kick back and enjoy the long-lost past and inner-workings of your favorite 1960s sci-fi series.

Marc Cushman’s adaptation of his own work, with Susan Osborn, smartly distills his lengthy first volume into the key narrative elements–Gene Roddenberry’s arrival in Hollywood, the development of Star Trek, Roddenberry’s assemblage of creators, directors, producers, writers, and actors for his series, and the episode by episode chronicle of the ups and downs of season one.  Mignogna is a fantastic choice to walk the audience along, a mix of 1930s radioplay storyteller and Ken Burns’ award-winning series of documentaries.  For anyone afraid of embarking on a lengthy 658-page non-fiction book, this is your answer.

Actor Vic Mignogna with Star Trek repeat guest actor Clint Howard.

Voice actor Ralph Miller really nails the talkative and often irritable Gene Roddenberry.  The less-known players in the story often provide the most interesting performances, men and women reproducing 1960s inflections and accents in a myriad of types believably well.  The dialogue in the book has a more lively feel and effect when spoken.  As an example, Gene Roddenberry and Matt Jefferies’ discussions (originally via written correspondence) over details of military components to be incorporated into the series sets provides for some humor in the drama.  Listeners will really get a good picture of these two negotiating over who was better able to sign-off on the look of the practical, visual bits of the series.  And the production values are spot on–These Are the Voyages–ST: TOS Season One is a well-produced, entertaining work full of trivia for Star Trek fans and classic TV buffs, presented in an unusual, unexpected way.

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Review by C.J. Bunce

TV historian and Star Trek expert Marc Cushman has returned with his next volume in the history of the creators of Star Trek, the 1960s television series, the hardcover book These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s, Volume 1 (1970-75).  At a massive 763 pages, Cushman uses his trademark style of sifting through every available source to collect details about Hollywood, executives, writers, actors, and everyone in between to provide a history of television via the extensive use of contemporary, primary source materials.  The book includes dozens of black and white photographs, screen shots, marketing images, and behind the scenes photographs.

Fans of Star Trek: The Animated Series and the tie-in novels that began with author James Blish should take note: Much of the book is about Star Trek: The Animated Series, the marketing of Star Trek by Roddenberry’s company Lincoln Enterprises, and several studio tie-ins during the 1970s, including the Gold Key comics, and Blish’s famous run of novels–all which kept Trek fans engaged for a decade without a live-action presence.  The rest is devoted to Roddenberry’s personal projects before and after The Animated Series.

Many themes are brought to light as Cushman tracks Roddenberry’s career and efforts to revive Star Trek after the 1960s series cancellation.  Roddenberry’s in-your-face nature with studio executives didn’t help him any, yet his persistence kept him in the business.  William Shatner was able to rely on his past success as an actor to easily move ahead with his career and lay the groundwork to become the icon he is known as today.  Leonard Nimoy benefited the most directly from Star Trek–he became a sex symbol, and moved from a music career to becoming co-star of the original Mission: Impossible.  He also didn’t miss a beat continuing his acting with major stage productions.  The rest of the cast was type-cast, having more difficulty finding work, especially Walter Koenig, who was even denied a voice-acting role on The Animated Series.  But The Animated Series would prove several things: Every member of the cast was ready to jump at the chance of returning to Star Trek despite their other projects.  Nimoy was at first hesitant, but when seeing the rest of the cast join up he seemed to not want to be left behind.  This included the writers for the original series–everyone asked to provide a script for The Animated Series wanted to return to the unique science fiction material–and did.

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