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Tag Archive: Daniel Brühl


Instead of what has been done at past panels at San Diego Comic-Con–having a panel for each or just a few major projects–Marvel Studios exec Kevin Feige was on-hand to get several announcements out the door and as many key cast members in and out of his single panel as possible.  For the Marvel Cinematic Universe’s Phase IV, that means tying in Disney’s (pay) streaming service with the movies.  The big takeaway?  New logos are pretty much all there is so far to share, plus key casting and timing announcements.  And although the last Phase had some changes along the way, it looks as if these ten projects will round out the entirety of Marvel over the next few years.  The biggest frustration for fans of the X-Men and Fantastic Four is why nobody at Marvel has been getting a head start on these two massively popular teams of characters–money is definitely going to be left on the table for the duration of Phase IV by pushing out these projects.  Why aren’t these Priority #1 with someone at Disney in light of the long lead-time the corporation had for the Fox acquisition?

The new time table is straightforward: Black Widow movie (May 1, 2020), The Falcon and the Winter Soldier TV series (Fall 2020), Eternals movie (November 6, 2020), Shang-Chi and the Legend of the Ten Rings movie (February 12, 2021), WandaVision TV series (Spring 2021), Loki TV series (Spring 2021), Doctor Strange in the Multiverse of Madness movie (May 7, 2021), What If…? animated series (Summer 2021), Hawkeye TV series (Fall 2021), and Thor: Love and Thunder movie (November 5, 2021).  The most eagerly awaited film after this year’s Avengers: Endgame was the hinted-at Guardians of the Galaxy/Thor or Asgardians of the Galaxy team-up movie, but Marvel still has not confirmed that project, unless it’s tied into the 2021 film.  Also relegated to “in development” status: Black Panther 2, Captain Marvel 2, Fantastic Four, X-Men, and the next Tom Holland Spider-Man movie (Spider-Man is Iron Man’s replacement, right?).  Silence seems to confirm the death of the Marvel Netflix universe of Luke Cage, The Punisher, Daredevil, Jessica Jones, and Iron Fist, and maybe even Disney+ projects Runaways, Ghost Rider, and Helstrom.  FX’s Legion was already announced as canceled, and we lost track of how many times The New Mutants movie has been pushed back.  Even bigger unknowns are the next Ant-Man and The Wasp, which had Hank Pym actor Michael Douglas already discussing it as a prequel, and if anyone is thinking about Prince Namor the Submariner, nobody is talking.  It begs the question:  Does Disney have too much to handle now?

As a beginning Disney’s Marvel side seems to be taking a lead from its Star Wars division, with its offerings targeting a mix of fans old, new, and in-between.  For the fans of the MCU so far you have plenty, a Black Widow (presumably prequel) and Thor movie as bookends for Phase IV, and TV series to keep alive Falcon, Winter Soldier, Scarlet Witch, Vision, Loki, Doctor Strange, and Hawkeye.  For new audiences (and possibly much older comic book readers) there is Shang-Chi and the Eternals to get to know, along with the announcement that Luke Cage’s Mahershala Ali will be playing Blade in a reboot movie at the beginning of Phase V, the vampire hunter who, like Spider-Man, has already seen an entire series of movies outside of the MCU.

The details are an eclectic mix of things you might want, things you didn’t know you want, and things you won’t know what to make of:

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Following on the heels of 2014’s Kingsman: The Secret Service and 2017’s Kingsman: The Golden Circle comes a prequel film, The King’s Man, and the first movie trailer has just arrived from the new 20th Century Fox.  Stepping into an early Kingsman of the type perfected by Colin Firth is the actor who should have played a Bond (but ended up as another M), the BAFTA-winning, twice Academy Award-nominated actor Ralph Fiennes.  The young recruit that looks to mimic that series hero Eggsy played by Taron Egerton in the first two films this time goes to Harris Dickinson, soon to be voicing a character in Dark Crystal: Age of Resistance.

As with the prior films The King’s Man appears stylish, but with a historical England twist.  Expect again wall-to-wall, part dark comedy, and that over-the-top, operatic violence.  Series director Matthew Vaughn (Kick-Ass, Kick-Ass 2, X-Men: First Class, Layer Cake) continues to make his mark on the action genre, with his own British spy genre tale mixing the vibe of The Man from U.N.C.L.E. and The Avengers of the 1960s, based on the 2012 The Secret Service: Kingsman comic book series from award-winning creators Mark Millar (Kick-Ass, Old Man Logan) and Dave Gibbons (Watchmen).

Every great British spy story needs a Bond girl, and whether she’s a “King’s Man” or foil, this time the choice is actual former Bond girl Gemma Arterton (Quantum of Solace, Hansel & Gretel: Witch Hunters) to take over where Sofia Boutella left off in the first movie.  You’ll also find a familiar face with Captain Marvel and Shazam!’s Djimon Hounsou The King’s Man reflects a cast list that includes superhero go-to guy Aaron Taylor-Johnson (Kick-Ass, Avengers: Age of Ultron), Stanley Tucci (Captain America: The First Avenger), Rhys Ifans (Harry Potter and the Deathly Hallows), Daniel Bruhl (Captain America: Civil War, Falcon and Winter Soldier), Charles Dance (Godzilla: King of the Monsters, Gosford Park), Watchmen and Downton Abbey’s Matthew Goode, and Pirates of the Caribbean and Bohemian Rhapsody’s Tom Hollander as King George V.

Take a look at the first trailer for The King’s Man:

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Review by C.J. Bunce

How far back has this latest chapter in J.J. Abrams mash-up of science fiction and giant monsters been brewing?  Back to his 2011 summer coming of age release Super 8?  Like M. Night Shyamalan, all of Abrams’ projects, whether as executive producer or director or even writer-director, may not be successful, but they both take exciting risks with their projects.  Cloverfield was a well-crafted homage to Godzilla pictures.  10 Cloverfield Lane was a genre surprise, a mix of straight dramatic horror that ended up as a sci-fi monster movie.  And this week Netflix released a theatrical worthy next installment, The Cloverfield Paradox, this time providing that relentless sci-fi horror fix perfected with James Cameron’s Aliens.  And like Shyamalan’s recent thriller Split, a cool surprise is in store for viewers.

The Cloverfield Paradox is easily comparable to one of the best Doctor Who space station-based episodes (think The Waters of Mars).  In fact absent Matt Smith or David Tennant you might forget you’re not watching Doctor Who as so many tropes from Whovian space disaster episodes are weaved into the film.  And that’s a good thing for fans of the type of science fiction stories that Doctor Who tends to attract.  The cast of The Cloverfield Paradox forms a crew you wish would be around for a TV series.  Led by David Oyelowo (Star Wars: Rebels, Jack Reacher) as Commander Kiel, with physicists played by Daniel Brühl (Rush, Goodbye Lenin, Captain America: Civil War) as Schmidt and Ziyi Zhang (Crouching Tiger, Hidden Dragon, Rush Hour 2) as Tam, and other crewmembers played by John Ortiz (Kong: Skull Island, Alien vs. Predator), Aksel Hennie (The Martian), and Chris O’Dowd (Thor: The Dark World), the space station Cloverfield has a legitimate international crew.  But the focus is on crewmember Hamilton played by Gugu Mbatha-Raw (Beauty and the Beast, Jupiter Ascending), who leaves her husband (Roger Davies) back on Earth after her children die in a fire to help the scientists test a particle accelerator.  The success or failure of that test could mean a leap ahead for the planet or certain doom.

Anyone who has ever read an issue of DC Comics can understand the multi-verse science here.  Dabbling in quantum physics comes with uncertain risks, and after nearly a year of failed trials, when the station finally creates a stable particle beam, something has changed.  Leaving the audience always wondering whether this is going to be another Aliens episode or something else, the effect of the anomaly creates the stuff of The Philadelphia Experiment, smashing one reality into another.  One of the results is the appearance from another parallel universe of a Cloverfield physicist played by Elizabeth Debicki (Guardians of the Galaxy 2, The Man from U.N.C.L.E.).  Only Debicki’s character was not on the mission in the universe the film started out in, and as radio signals reflect an apparently altered Earth below, the loyalties of the crewmembers come into question.  It’s all great fun, and the production quality is good enough–with bonuses like crew costumes from Academy Award-winning designer Colleen Atwood–that it’s a shame audiences can’t watch this play out on a big movie theater screen.

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Cumberbatch in The Fifth Estate

The crux of the 1992 thriller Sneakers, reviewed here at borg.com last week, was all that mattered in the future is “Who controls the information.”  The problem behind every problem?  Too many secrets.  If everyone knew everyone else’s secrets, would that make us safer?  In Sneakers, the solution is a little black box invented by fictional Dr. Gunter Janek, a white haired, young, brilliant genius played by Donal Logue (Life, Copper).   His box is not just a decoder of secrets but THE decoder of secrets.  In a way Sneakers was prescient, but it took 20 years for the secrets to be revealed, not through a black box but via the Internet—led by a young Dr. Janek-looking genius, Australian editor, activist, publisher and journalist Julian Assange, founder of WikiLeaks.

Logue as Janek in Sneakers

Next month actor Benedict Cumberbatch, who continues to prove he can play any role he attempts with aplomb, stars in his next leading role as Assange in the journalism thriller The Fifth Estate.

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