Tag Archive: Daniel Kraus


Living Dead cover

Review by C.J. Bunce

“By removing the head, or destroying the brain.”

It’s the message delivered to England residents in Shaun of the Dead by the news service on how to deal with the impending zombie threat.  And the same rule applies to the killing of zombie ghouls in the long-awaited sequel to the original zombie classic, 1968’s Night of the Living Dead.  That’s right, writer Daniel Kraus picked up a story begun by George A. Romero decades ago to create a behemoth of a follow-up to the movie series in a 654-page novel, The Living Dead: A New Novel It’s scheduled to arrive in bookstores and online June 9 (update: moved to August 4), and borg has previewed an advance copy thanks to publisher Tor Books.  Romero, who passed away in 2017, was the modern horror auteur, known as the “Godfather of the Dead” for his works including the films Creepshow, Monkey Shines, and an adaptation of Stephen King’s The Dark Half, in addition to several zombie/ghoul sequels.  He inspired countless horror directors, including Edgar Wright, director of Shaun of the Dead.  But his 1968 black and white creepshow is what he is known best for.  In conjunction with Romero’s estate, Kraus wrote the bulk of the novel based on more than 100 pages of story and notes from the acclaimed horror writer and director, described in an author’s note to the novel.

The nuance and 1960s style of Night of the Living Dead is long gone in The Living Dead, replaced with a fully modern zombie spectacle–think 28 Days Later and The Walking Dead.  But its framework of characters destined to have intersecting paths is like a Quentin Tarentino movie, and this is the kind of story anyone could see him adapting to the screen.  Kraus takes a Romero story treatment of what starts as “some kind of bird flu thing” and attacks it from numerous vantage points, including the unique viewpoint of the thoughts of the dead as they re-emerge as zombies.  Characters that take center stage in separate encounters include: Puerto Rican squadron pilot Jennifer Pagán, who fights off “turned” military personnel aboard the USS Olympia aircraft carrier, Karl Nashimura, a master helmsman aboard Pagán’s ship, Chuck Corso, an ambitious journalist who has never been taken seriously until he intercepts a White House internal communication reflecting a frightening turn of events, Etta Hoffman, an archivist worker in a Census Bureau records center, whose access to death data documents what could the final years of humanity, and Greer Morgan, a young resident of a mobile home park in rural northwest Missouri who knows how to use a bow and arrow.

But the best of the novel tracks the actions of Luis Acocella, an assistant medical examiner in San Diego who experiences the first encounter with a patient affected by a strange new virus that seems to be reanimating the dead.  The story of he and his assistant Charlene, would have made a superb story, even if the rest of the chapters had been stripped away.  Although many zombie tales are strictly fantasy horror, the author makes some effort to provide a science fiction basis for the virus’s study.

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Review by C.J. Bunce

As you look at that great Paul Mann cover art for Blood Sugar, would you ever guess the following describes what is inside?  A modern-day look at the struggles of a teenager in a broken home and broken society in the vein of S.E. Hinton’s The Outsiders (or any of her early books, for that matter).  It has the gritty street life from Attack the Block, Do the Right Thing, or Car Wash, the “being different” of Lucas (the film with Corey Haim) and the coming of age confusion and angst of Stephen King’s Stand By Me aka The Body and issues kids worry about like in Judy Blume’s Are You There God? It’s Me, Margaret.  What?

In one way Blood Sugar is the worst written novel you’ll ever read.  And in another way, it’s the kind of story that should already be optioned to become an independent film.  That “bad writing” is tricky, because the story is told in an experimental manner through the voice of a young teenager named Jody, a boy whose life is a mess and whose street sense surpasses any “book learning” he passed up in his life so far.  Author Daniel Kraus, through the voice of Jody, speaks in rambling sentences, stream of conscience thoughts, and with little punctuation and grammar (no apostrophes, etc.).  It’s distracting at first to the point a reader may just walk away, but it doesn’t take too long to realize Kraus’s characters are real if not disturbingly so.  Yes, they are a mess, but this book might be worthwhile in the hands of the right kid.  Kraus is a screenplay writer, known for his script to The Shape of Water and his young adult works.  It no doubt takes some commitment to write an entire story in this strange manner.  His novel reads like a screenplay, and it’s far more a young adult novel than anything you’ve read before in the Hard Case Crime series.  It’s not a fun read–it’s dark, and desperate, and dire–the kids have no good path ahead, and their plight is like that of the doomed kids in Bless the Beasts and Children.  But it’s one heckuva thought-provoking drama.

Jody is a funny, dumb, impressionable kid.  He hasn’t read much but he knows The Lord of the Rings movies backward and forward.  He rarely swears, instead using goofy swapped words for profanity, which drops the serious and sometimes violent nature of the content into something that should pass for a PG-13 rating, something like I would have read in eighth grade.  This is a dark story of drugs and living in a rat-infested, inner-city project, of mental health issues, bad parenting, of youth gone amok, all in that same theme–but in an updated 21st century way–as Rebel Without a Cause, or any of the books referenced above.  And everything in Jody’s life hits a turning point on Halloween.  This is not your typical crime novel.

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