Advertisements

Tag Archive: Darren Evans


Review by C.J. Bunce

An exciting new Gothic suspense thriller has arrived in the new Netflix series Requiem.  Like any great mystery–and it seems even more so in this sub-genre–you never can tell what kind of story you’re in until the very end.  Clues are everywhere if you only look at what is right in front of you.  Call it a psychological thriller, call it a ghost story, call it a police procedural, call it another X-Files entry, call it outright horror, Requiem is a British production that, unlike so many past British series, it’s arrived for American audiences as quickly as it premiered in England.  And one of the great things about Netflix is it’s now bridging that gap of time that has so often taken British television series years to arrive in the States.  We don’t know their trick but we love it.  Requiem is as creepy, as atmospheric, and as chilling as anything you’re going to see this year.

Fans of the original The Watcher in the Woods will appreciate Requiem for many reasons, including getting that obligatory British estate nestled in the far-off woods so very right.  Viewers familiar with the Gothic genre will find themselves transfixed, scrabbling to follow clues and guess before the final episode the true nature of the darkness in the story.  The beauty of the script, acting, and setting is that you probably won’t be able to figure it all out.  It’s that good.  Expect a few “I didn’t see that coming” utterances and a satisfying ending.  Is this just another procedural crime drama about a missing child?  Something like The Missing, Thirteen, Broadchurch, Hinterlands, Shetland, or this year’s Netflix release, Collateral Or something with a more supernatural twist like British series Marchlands, Lightfields, The Secret of Crickley Hall, or a litany of creepy ghosts, haunts, and other fears from the big screen across the decades, like Otto Preminger’s Bunny Lake is Missing, Gaslight, The Lady Vanishes, or The Woman in Black, like the film adaptations of the Daphne du Maurier novels My Cousin Rachel, The Birds, and Rebecca, or adaptations of Gothic classics Wuthering Heights, Jane Eyre, Turn of the Screw, or Great Expectations?  Maybe this is a modern horror tale wrapped in Gothic dress, like The Boy, The Ring, The Sixth Sense, The Shining, The Others, The Fog (and other John Carpenter classics), Skeleton Key, the Oscar winner Get Out, this year’s film Winchester, or Guillermo del Toro’s modern creation inspired by the classic Gothic thriller, Crimson Peak Or maybe it only has the atmosphere of the above productions.  

Virtuoso cellist Matilda Grey (Star Trek Beyond, Black Mirror, and Never Let Me Go’s Lydia Wilson) is readying a London premiere with her musical partner Hal (Game of Thrones’ Joel Fry).  But her world falls apart when her mother Janice (Philip K. Dick’s Electric Dreams and Spaced’s Joanna Scanlan) commits suicide.  At her mother’s home she finds a hidden box of secrets that reveals her own past may not be what it seems, and she and Hal find themselves trying to come to terms with Matilda’s loss in the seemingly unpronounceable Welsh town of Penllynith.  Something wicked this way comes, or does it?  Is everyone just caught up in an old missing persons case from years ago and the quirky lore of an old village?

Continue reading

Advertisements

Bastard Executioner setting

Review by C.J. Bunce

Despite its gratuitous gore and overall squalid setting and circumstances, the new television series Bastard Executioner pulled off a good opener last week.  Bastard Executioner, in its two-hour pilot, pulls together every historical action drama archetype and bits of myths and legends to create a compelling drama in the midst of a struggle between the English and Welsh in not-so jolly old medieval England.

Fans of History Channel’s Vikings and Showtime’s Outlander as well as costume dramas like Braveheart, Rob Roy, and First Knight will all find something here of interest.  Not yet as exciting as Vikings but likely to be better than Outlander, it may just be another twist on Robin Hood, but episode one gave us hope this new series will keep our interest for a while.

It would seem an entire season’s worth of activity transpired in the first two-hour episode with an entire story arc begun and ended already.  A village is decimated and the avengers have sought–and gained–revenge on those that caused it.  The man we first believe to be the “bastard executioner” of the title in fact isn’t, sending the viewer’s notions of what this series will be about into a tailspin.  Instead, a mysterious Man With No Name type hero is thrust into the service of those that destroyed his wife, unborn child, and their village.  The producers’ grasp of time and place, quick plotting, and surprising twists mean we will be back for more next week.

Katey Segal Bastard Executioner

The brutality is every bit real even if it is a bit in-your-face.  Yet as bloody and violent as you could imagine, graphic and at times gory, some sense of purpose comes through for the stories’ heroes.  Loyalty, bravery, injustice, the faithful and the faithless, noble heroes and loathsome villains all can be found here.  Look for Katey Sagal (Lost, Married With Children) as the elder, mystical, witch-healer Annora, in what could prove to be an Emmy-worthy role.

Continue reading