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Tag Archive: Dave Cockrum


Review by C.J. Bunce

Chris Claremont, Dave Cockrum, and John Byrne’s Dark Phoenix saga in the pages of The Uncanny X-Men has attained classic status in the eyes of comics readers, up there with The Dark Knight Returns, Watchmen, and Days of Future Past.  So adapting the story into another medium forty years later is one of those cultural mainstays, a modern analogue to creating a new Sherlock Holmes film, Frankenstein movie, or another generation’s interpretation of a Shakespeare play.  Marvel Comics itself has given this a go a few times now, usually as subplots or tie-in concepts, and at the movies Marvel tried it with X-Men: United, X-Men: The Last Stand, and Dark Phoenix, this year’s wrap-up to the X-Men films.  X-Men: The Dark Phoenix Saga, the new hardcover novel from author Stuart Moore (Captain Ginger, Civil War, Thanos: Death Sentence) comes the closest so far to a faithful adaptation for Dark Phoenix purists.

We probably should blame Marvel’s bankruptcy and resulting character/universe splits and business decisions for the disjointed handling of the Dark Phoenix characters and plot points at the movies.  Dark Phoenix is an interesting story, but not the only X-Men story, so it would have been better revealed over five or six movies culminating in a Jean Grey-centered finale, since the character has been defined as Earth’s most powerful superhero as the Marvel universe is concerned.  She’s worth it.  Now with the successes of theatrical comic book adaptations, and the formula of long-term story development in the genre a proven commodity, maybe fans will see more loyal movie adaptations coming (hopefully only after we get to see some of the hundreds of other stories adapted).  But fans of the comics will be pleased here: Moore doesn’t play games with his novel.  Readers will find the classic game of chess and all the key pieces:  Emma Frost, Sebastian Shaw, Jason Wyngarde, Donald Pierce, Harry Leland, Lilandra, Moira MacTaggert, and X-Men Xavier/Charles, Kitty Pryde, Scott Summers and Logan & Co. (except notably Beast, who for some reason was not included).

Despite marketing to the effect of adapting the tale to the 21st century, if that’s true it’s only subtly handled.  The bones of the story are the same (including the awkward 1970s Harlequin romance subplot from the comics with Jean and a Regency era lover, every cringeworthy bit).  New readers, those unfamiliar with the story at all, will likely find some of those classic Claremont and Cockrum elements a bit jolting and distracting to the overall narrative, and episodic tangent shifts more typical to a monthly comic than longform story.  But Moore brings it all together with the key conflicts and outcomes of the source material falling into place.

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We got a taste of the rampaging Darth Vader we always wanted to see in the finale of Rogue One: A Star Wars Story.  In all of the movies Darth Vader seemed to be more shadow and talk than the wrath and ferocity his enemies feared in the films and stories.  So when do we get to see Darth Vader at his peak?  Marvel Comics writer Charles Soule (Poe Dameron, Astonishing X-Men) and artist Giuseppe Camuncoli (Amazing Spider-man) will give us the first look at that side of Darth Vader this month in the newest series titled Darth Vader.

Darth Vader takes place immediately after Star Wars Episode III: Revenge of the Sith.  So this is the Vader new to his cybernetic form, new to the armor, the breathing apparatus, and he’s alone–his wife and to his knowledge an unborn child is dead.  His only “friend” is the Emperor himself.  Vader’s first steps in the Dark Side as a Sith Lord, the acquisition of his red light saber, and his rise to power into the Imperial command structure are all ahead for readers of the series.  Check out a preview of Issue #1 below, after the break.

   

The first issue will feature several covers.  The main cover is by Jim Cheung.  Other covers will be provided by artists Adi Granov, Skottie Young, Phil Noto, an action figure variant by John Tyler Christopher, a blank sketch cover, a movie film cover, and an incredible homage to Dave Cockrum’s cover to Uncanny X-Men, Issue #145, by Mark Brooks–one of this year’s candidates for best comic book cover art.

Here’s Cockrum’s original cover and the pre-color, and pre-weathered version of the image by Brooks:

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Artifact Edition IDW Star Wars Chaykin Goodwin

Review by C.J. Bunce

IDW’s latest Artifact Edition has so much going for it it’s difficult to know where to begin.  For a lifelong fan of Marvel Comics’ original comic book adaptation of the original Star Wars as well as the continuing comic book adventures that followed, for someone whose first comic book was Star Wars Issue #8, and for someone who has discussed the series at length at multiple comic conventions with artist Howard Chaykin, the new Star Wars Artifact Edition is the next best thing to owning the original artwork.  Call it a treasure trove.

The Star Wars Artifact Edition is a deluxe, over-sized boxed hardcover that collects actual 12 inch X 17 inch original comic book artwork scanned in full color to faithfully create the feel of holding the original artwork in your hands.  This is the original Howard Chaykin pencil work inked by others that was then lettered and sent off for printing and the addition of color.  So it contains margin notes, tape residue, eraser marks, rub-on cross-hatch shading, some pencil-colored pages, and publisher identification information.  If you collect original comic book art, this will all be familiar to you and if you don’t, you’re about to enter a different world of what comic books are about.

Star Wars 5 cover art Hoberg    Michael Golden Star Wars 38

As far as content, you could hardly cherry pick a better selection of pages to represent Chaykin’s Star Wars work, which is amazing considering missing pages were likely not included because they could not be located.  Chaykin has said that he sold many of his original pages at a relatively low price in the years before auction prices skyrocketed for original comic book artwork.  So unfortunately Chaykin didn’t get to realize the full return his work would one day be valued at in the private market.  In addition to covers and pages from Issues 1-10, Issue 16 featuring borg.com Hall of Famer “The Hunter” is included, as well as the Michael Golden special Issue 38–for years considered one of the prized issues of Marvel Comics’ initial Star Wars run.

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abrams-star-wars-comics

Review by C.J. Bunce

With three new Star Wars comic book series beginning this year as the license returns to Marvel Comics, we’re taking a look at the second book in Abrams Books’ series of hardcover art house books on the franchise, Star Wars Art: Comics.  From the series that also brought us Star Wars Art: Posters, Star Wars Art: Concept, Star Wars Art: Illustration, and Star Wars Storyboards, Star Wars Art: Comics hones in on sequential art found in the comic book medium.

Star Wars and comic books have been in lock-step since Star Wars first hit theaters, thanks to George Lucas and an early meeting with writer Roy Thomas and artist Howard Chaykin.  The transcript of that meeting is included as an appendix to the book.  Beginning with the first comic book adaptation from Marvel and running through the Dark Horse years, Abrams has compiled a solid overview of thirty years of interpretations of the myth and magic of the Force.

Star Wars original cover art to Star Wars Howard Chaykin

Plates from cover and interior artwork were hand-picked for the book by George Lucas.  Star Wars Art: Comics is worth its price alone simply for the clear photos of Howard Chaykin and Tom Palmer’s original cover art for Marvel’s Star Wars Issue #1 and Dave Cockrum and Rick Hoberg’s original artwork to the oversized edition, both also featured on the book’s binding under the jacket.  Al Williamson’s stunningly rendered imagery from his adaptation of The Empire Strikes Back pepper the volume as well.

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