Tag Archive: David Fincher


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Review by C.J. Bunce

Stanley Kubrick’s The Lord of the Rings starring The Beatles.  Peter Jackson’s A Nightmare on Elm Street.  George Miller’s Justice League.  Robert Rodriguez’s Barbarella.  Shane Black’s The Monster Squad.  Two John Carpenter movies you’ve never seen.  If you’re wondering what the best movie was in any given year, you have plenty of options.  You can look for the movie that had the biggest take at the box office.  You can look to critic reviews.  You can scroll through the Internet Movie Database.  You can review awards lists or Alternate Oscars.  Or you can just watch the movies and choose for yourself.  Underexposed! The 50 Greatest Movies Never Made, a new book arriving this month from Abrams, could have been called False Starts–it’s a book about movies that almost made it to the big screen.

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Peppered with movie poster mock-ups from art group PosterSpy, filmmaker and film enthusiast Joshua Hull tracked down interesting histories of some of the best and most quirky movies that almost got made, but were either abandoned, had legal rights issues, lack of funding, lack of interest, or simply were not made to save audiences from a bad idea.  They aren’t from obscure creators, either.  The list includes projects from Alfred Hitchcock to Stanley Kubrick and Steven Spielberg–and some are ideas that sound like they could have been pretty great.  What were they thinking?  Find out in this book.  

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Review by C.J. Bunce

It’s one thing to make a film about a notably B-level filmmaker and arrive at a success like the 1994 acclaimed black and white biopic Ed Wood.  But when you try the same thing about one of the best films ever made, you’re practically set up for failure.  It would take some kind of miracle to take Jack Fincher’s clunky, meandering script for the new Netflix film Mank and make it work.  A hodgepodge of character study and Hollywood quotes, plucking half-truths and grand real-life names of Hollywood’s past, Mank misfires from poor directing decisions and camera work, a lack of understanding or attention to re-creating the magic of black and white film in the color era.  What could have been a love letter to one of America’s greatest celebrated films paints a picture of a screenwriter who, rightly or wrongly, comes off as an unlikeable drunk who couldn’t possibly deserve our attention.

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It was only last year that television viewers got a great look at the potential of theatrical quality, direct-to-Netflix films, via the superb, Academy Award-winning, black and white drama Roma (reviewed here).  Will the next black and white movie produced by the Netflix studios fare similarly?  Mank stars genre actor Gary Oldman as Herman Mankiewicz (if you don’t know “Mank’s” large body of work, you at least likely know of him through his grandson Ben Mankiewicz, host of Turner Classic Movies).  Herman’s fame came from writing scripts for film classics, including The Pride of the Yankees (and he was a contributing writer to The Wizard of Oz), and the off again on again critic’s pick for the best film of all time, Citizen Kane.

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