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Tag Archive: Dawn of the Planet of the Apes


The granddaddy of American genre franchises offers up its next entry next week.  Billed as the final chapter, War for the Planet for the Apes at a minimum will bring the reboot universe into a complete trilogy story, focused on star Andy Serkis as Caesar.  The story continues two years after the events in Dawn of the Planet of the Apes (directed by Reeves), the sequel to the first of the reboot series, Rise of the Planet of the Apes (co-produced by Clark).  So unlike many franchises these days, the same people are creating the beginning, the middle, and the end.  Thanks to director Matt Reeves and producer Dylan Clark, we should have some continuity among the films.

War for the Planet for the Apes introduces to the films Woody Harrelson as a military leader bringing mankind’s last stand to the apes.  War for the Planet of the Apes co-stars Karin Konoval (The X-Files, Tru Calling, Fringe, Supernatural, Psych, Arrow), Judy Greer (Ant-Man, Tomorrowland, Jurassic World), Chad Rook (Timeless, Supernatural), Ty Olsson (Continuum, Supernatural, Battlestar Galactica) and Steve Zahn (That Thing You Do!, Sahara).  

The final poster is out (above, top) and a few more trailers revealed.  We have a full scene below featuring the introduction of Zahn, known for his comedic performances, revealed as a new ape referred to as “Bad Ape,” a reference given by humans while he was kept at a zoo.  Quickly we see what all the buzz is about with respect to the show’s special effects and Andy Serkis’s unique acting talent.  Will the Academy of Motion Picture Arts and Sciences award Serkis with a full acting Oscar, breaking the barrier for motion capture performances?  Also, make sure you watch below the very sly teaser of sorts incorporating what looks at first blush to be someone’s YouTube upload from a visit to a zoo.  First up, here is a great look behind the scenes at the motion capture technology and Andy Serkis’s role:

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Review by C.J. Bunce

Three years ago this month we last saw the wise ape leader Caesar and his army in Dawn of the Planet of the Apes.  Next week Caesar brings the war to mankind in the theatrical release of War for the Planet of the Apes.  Titan Books has released the prequel to the film that bridges Dawn of the Planet of the Apes and War for the Planet of the Apes, Greg Keyes’ War for the Planet of the Apes: Revelations.  And the title is quite appropriate as secrets are learned by both sides in the man vs. ape battle that has spanned the franchise’s 50-year history.

Author Greg Keyes, who provided us with the wonderfully detailed account of the apes and the virus that strikes in his prequel to Dawn of the Planet of the Apes, Dawn of the Planet of the Apes: Firestorm, a borg.com Best of 2014 book reviewed here, returns with an equally compelling account of the characters as they have matured and begin to grow battle weary.  No longer is Caesar–the great ape leader played in the films by Andy Serkis–or his followers and an opposing faction of apes struggling with communication.  Now the key conflict is ape vs. ape as Caesar attempts to direct the apes toward a peaceful compromise with the humans.

We at last meet the character to be played in the new film by Woody Harrelson, Colonel McCullough, hell-bent on destroying the apes at any cost.  But Keyes pulls from history to develop both a Shakespearean tale and an ancient one.  In Ancient Roman history, when rule was passed upon death from father to son, frequently the empire would learn that sons of great leaders are rarely so great.  Keyes creates a parallel study of the Colonel and his unseasoned soldier of a son, John, and of Caesar and Caesar’s son, proven to have been weak on the battlefield, too.  Each of the son of the Colonel, and the son of Caesar, called Blue Eyes (played in the films by Nick Thurston), have impactful character arcs here.  And both the Colonel and Caesar must face opposition of their own–the Colonel from what fragment of the government is left, and Caesar from the remaining loyalists to the great tragic figure of Koba, who was dropped from a cliff by Caesar at the end of Dawn of the Planet of the Apes.

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Theaters in the U.S. and the U.K. will see an opening night triple feature next month leading up to this summer’s blockbuster War for the Planet of the Apes.  AMC and Cinemark have already started selling tickets for their shows beginning this weekend.  The night will begin with 2011’s Rise of the Planet of the Apes followed by 2014’s Dawn of the Planet of the Apes, and end with the premiere of the latest film in the popular franchise that has surprised audiences for 50 years.

The first film will be screened in 2D with the later films screened in Real 3D.  It’s nearly eight hours of damned dirty apes, but we’re thinking you’ll be cheering them on in the newest film, the ninth theatrical release in the series and third of the reboot movies.

The granddaddy of American genre franchises offers up its next entry with star Andy Serkis reprising his role as Caesar, with director Matt Reeves and producer Dylan Clark.  The story continues two years after the events in Dawn of the Planet of the Apes, also directed by Reeves, the sequel to the first of the reboot series, Rise of the Planet of the Apes (Dylan Clark was a producer on that film, too).  The film introduces Woody Harrelson as an arrogant military leader bringing mankind’s last stand to the apes.  War for the Planet of the Apes also stars Karin Konoval (The X-Files, Tru Calling, Fringe, Supernatural, Psych, Arrow), Judy Greer (Ant-Man, Tomorrowland, Jurassic World), Chad Rook (Timeless, Supernatural), Ty Olsson (Continuum, Supernatural, Battlestar Galactica) and Steve Zahn (That Thing You Do!, Sahara).

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Gary Gerani, Topps editor for hundreds of classic trading card series returns with a new book in Abrams ComicArts’ unprecedented series of hardcover books recounting the  classic Topps “non-sports” trading cards.  This time Gerani looks at the entire collection of Planet of the Apes images featured throughout three series chronicled on cardboard by Topps in Planet of the Apes: The Original Topps Trading Card Series.

In nearly 500 pages Gerani includes the fronts and backs of all 44 cards from the original 1969 Topps set documenting the original film starring Charlton Heston, all 66 cards based on the 1975 television series (featuring Roddy McDowell and Star Trek’s Mark Lenard), and all 90 base cards, 10 sticker cards, and 44 chase cards from the 2001 reboot film directed by Tim Burton and starring Mark Wahlberg.  If you’re a Planet of the Apes fan, a fan of either of these incarnations of the several adaptations of Pierre Boulle’s 1963 science fiction novel Monkey Planet, or a POTA completist, you’ll learn something new about the franchise now spanning nearly five decades.

    

Although you’ll get exactly what you’d expect–full color images of the fronts and backs of the cards, Abrams’ trademark bubble gum cover and wax pack wrapper jacket, and promotional images–the real insight is found in Gerani’s knowledge as a Topps and Hollywood insider.  Working directly on the second and third series and working with the creators of the original series, Gerani provides an understanding of the business of designing a trading card series, the challenges (like celebrity image licensing restrictions), and high points (like finding that perfect image for a card that fans will love).  Many cards use photos taken on the shooting set, so they give different vantage points to the actors and sets than found in the films.

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BOOM_DawnPOTA_003_A_Main    BOOM_Cluster_001_A_Main

With the dozens of new titles from all the comic book publishers being released Wednesday, we thought we’d hone in on a few with the independent publishers you might miss.  The first new Legenderry title featuring Vampirella is out tomorrow from Dynamite, as is a new Jungle Jim series and sci-fi series called Cluster.  From the classic genre film world, BOOM! Studios is releasing new issues of Escape from New York and Dawn of the Planet of the Apes. 

Legenderry: Vampirella Issue #1 is packed full of great steampunk elements.  It’s the first of three new series spinning out of the world created by Bill Willingham.  King: Jungle Jim Issue #1 brings Flash Gordon creator Alex Raymond’s series to a modern audience.  Great characters and artwork have the classic feel of Raymond’s original stories.  BOOM! Studio’s new Cluster series is an interesting sci-fi story giving prisoners a chance to get out of life sentences if they’re willing to work in a futuristic military service.

KingJim01-Cov-A-CookeCol    LegenderryVampi01-Cov-A-Benitez

Escape from New York, Issue #3 continues the BOOM! Studios adaptation of the further adventures of Snake Plissken.  And Dawn of the Planet of the Apes, Issue #3, also from BOOM!, follows the exploits of the apes from the successful reboot movie series.

Check out all the previews, after the break:

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Art of the Films Planet of the Apes cover

Review by C.J. Bunce

We all know the apes win and rule the Earth from the original novel and film Planet of the Apes.  But how do they get there?

Not intended as a post-apocalyptic story as much as a chronicle of the birth of an ape civilization, Rise of the Planet of the Apes and its July 2014 sequel Dawn of the Planet of the Apes are films that manage to have no villains–by design–where the viewer can empathize with both the human and ape characters equally based on the characters’ histories and individual viewpoints.  Writers Sharon Gosling and Adam Newell have created a deluxe volume documenting the art and design of both movies with the newly released Planet of the Apes: The Art of the Films Rise of the Planet of the Apes and Dawn of Planet of the Apes.

The Planet of the Apes reboot was an outgrowth of the technologies emerging from Weta New Zealand’s work on The Lord of the Rings franchise, coupled with Andy Serkis’s experience playing Gollum as a motion capture character, and later the giant gorilla King Kong, Serkis was uniquely suited for the role of the sci-fi classic character Caesar from the original novel and film.  The crew credits the acting and chemistry of Serkis and co-star James Franco in part with the success of the reboot of the Planet of the Apes franchise in 2011’s Rise of the Planet of the Apes.

Andy-Serkis-Dawn-Planet-Apes

The challenge for the sequel Dawn of the Planet of the Apes?  For the first time in film history, digital characters finalized in a post-production process would be realized by total performance motion capture of actors initially, and not on a separate green screen soundstage, but alongside live-action characters on a standard movie set as well as on location.

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Koba socializing with humans

WELCOME TO EARTH-4

A Weekly Column with J. Torrey McClain

When I think about some of my favorite movies, they contain a sense of the dynamics of a family, whether it is by blood or by situation.  The Incredibles is a fantastic example of a family at the center of the story and how, when forced to confront his own mortality, at his core Mr. Incredible finds that family is the most important thing in his life.  Stalag 17 is about a family in a single room wooden cell in a POW camp and even though they argue and kid and get on each other’s nerves, they will risk their lives for each other.  The Philadelphia Story revolves around a family’s plan for a wedding one weekend on their estate.  Up is built on scrapbook glimpses of a life spent together as a family.

Dawn of the Planet of the Apes contains what it means to have family and what a family is as one of its themes.  Humans as a family.  Apes as a family.  The family of Caesar and the family of the lead human Malcolm played by Jason Clarke.  Family by blood and new families after loved ones perish.

It is dealing with the idea of ape families that becomes problematic in my mind.  Scientifically, we know that chimpanzees, gorillas and orangutans have familial bonds.  We can see those attachments as we stare at them through windows in zoos as the elders have learned to turn their backs to our prying eyes.  There are blood families and communities as families.  Yet, we don’t really care much about what happens to them because they can’t tell us how separation from their family feels.  We hope they forget if they ever get sent to a new zoo or study facility.  We hope that any new introductions into a community will forget the families left behind in the wild or their previous place of captivity.  It would be different if our apes, the ones that we see, could scream at us like Caesar and tell us that we won’t threaten or separate their family.

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Dawn of the Planet of the Apes Firestorm

We’ve reviewed several TV and movie franchise tie-in novels over the past several years.  As a matter of course, editors that select the writers for these novels tend to choose authors with a grasp of the universe and characters and the result is usually an adventure beyond the original that will please fans.  Such novels include Alien: Out of the Shadows, Grimm: The Chopping Block, and Veronica Mars: The Thousand Dollar Tan Line.  We’ve also seen plenty of stories in print that serve as prequels or bridge the film versions of franchise stories.  Star Trek: Countdown and Alien: Out of the Shadows are examples of these, with Star Trek: Countdown being among the best Star Trek stories I have ever read from any incarnation of the franchise.  Then there are the novelizations of movies.  In the review stack are novelizations of the new Godzilla, Pacific Rim, and a new edition of the original Alien.  In the Planet of the Apes franchise, historic novelizations of the classic series always served as a reminder of the adventure behind each film, and allowed readers to add a bit here and there from their own imaginations as they revisited the stories they watched on the big screen from the comforts of their home.

Coming soon to bookstores is a new novel by Greg Keyes that bridges the recent movie Rise of the Planet of the Apes and the coming summer release Dawn of the Planet of the Apes.  Known for its great, long titles, the franchise’s latest novel calls itself the official movie prequel Dawn of the Planet of the Apes: Firestorm.  More than a novelization, Firestorm is among the best movie tie-in novels you’ll find.  It is much more than a quick read, and Keyes delves into social, political, and scientific issues in so many ways to provide a story steeped in the morality tales of classic science fiction, while carrying with it that wide scope of action and excitement that readers want.

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Dawn of the Planet of the Apes clip

At the beginning of the year we listed Dawn of the Planet of the Apes as one of the movies to see in 2014.  The Planet of the Apes is as classic a sci-fi franchise as you can find.  Written by Pierre Boulle, who also wrote Bridge Over the River Kwai, the original novel is a great read, and the subsequent novels are fun reads, too, including Battle for the Planet of the Apes by David Gerrold.

It seems incredible that this franchise keeps churning out new movies.  What makes readers and movie-watchers keep coming back for more?  Is it because we feel so close to our biped cousins of the animal kingdom?  Is it because we just completely dig seeing apes riding horseback?

The newest film, Dawn of the Planet of the Apes, is the tenth visual incarnation of the apes outsmarting humans story, following the classic original, Charlton Heston’s Planet of the Apes (1968), Beneath the Planet of the Apes (1970), Ricardo Montalban’s Escape from the Planet of the Apes (1971), Conquest of the Planet of the Apes (1972), Battle for the Planet of the Apes (1973), Planet of the Apes (TV series with Mark Lenard) (1974), Return to the Planet of the Apes (animated) (1975), Mark Wahlberg’s Planet of the Apes (2001 remake), and James Franco’s Rise of the Planet of the Apes (2011 reboot).

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We’ve just wound down another year of big movies–from Star Trek Into Darkness to Skyfall to Thor: The Dark World to The Hobbit: The Desolation of Smaug.  So what’s on the radar at borg.com for 2014?  We think you’ll want to see several of these big sci-fi, fantasy, superhero, and action flicks coming to a screen near you in 2014.*

Jack Ryan Shadow Recruit movie poster

Jack Ryan: Shadow Recruit – Jan. 17 – This Tom Clancy spin-off has been pushed out to 2014.  Starring Chris Pine and directed by Kenneth Branagh.

I Frankenstein movie poster

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