Before you go out and read the novel the movie Bullet Trainis based on, check out my review here at borg from last year. Perhaps the English edition is a poor translation of Kotaro Isaka’s novel Maria Beetle, but I’m thinking it’s just simply a dry novel with a good title. Either way, for a title like Bullet Train, it was lacking in many ways. Happily, the first trailer for the movie adaptation starring Brad Pitt looks nothing like the novel, which was an homage to Thomas the Tank Engine cartoons (seriously!). In the movie trailer Pitt appears like he’s stepping back into the role of Cliff Booth, that badass brawler from Once Upon a Time in Hollywood (who was even better in Quentin Tarantino’s novel than in the film). So the good news is director David Leitch, known for actual action content like Atomic Blonde, Deadpool 2, Hobbs & Shaw, and John Wick, seems to be disregarding the book and focusing on what audiences would expect from that title: a big action movie.
Full of style and color (and action!) backed by a Japanese version of the BeeGees’ Staying Alive–check out the trailer for Bullet Train:
It’s been another long year of great entertainment. Before we wrap our coverage of 2018, it’s time for the sixth annual round of new honorees for the borg Hall of Fame. We have plenty of honorees from 2018 films and television, plus many from past years, and a peek at some from the future – 40 in all. You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”
Some reminders about criteria. Borgs have technology integrated with biology. Wearing a technology-powered suit alone doesn’t qualify a new member. Tony Stark aka Iron Man was an inaugural honoree because the Arc Reactor kept him alive. The new Spider-Man suit worn by Tom Holland is similar to Tony’s, but as far as we can tell it’s not integrated with Peter Parker’s biology. Similarly Peni Parker, seen outside her high-tech SP//dr suit in Spider-Man: Into the Spider-Verse, and Black Manta from Aquaman (and decades of comics before), seem to be merely wearing tech suits. We’d love a reason for a Mandalorian to make the cut, like Boba Fett, or Jango Fett, since nobody has more intriguing armor. Maybe Jon Favreau’s new television series will give us something new to ponder next year.
Also, if the creators tell us the characters are merely robots, automatons, or androids, we take their word for it. Westworld continues to define its own characters as androids (like Star Trek: The Next Generation’s Lt. Commander Data throughout the TV series), and not cyborgs (going back to Michael Crichton’s original story), so we continue this year to hold off on their admittance unless something changes, like the incorporation of living biological (blood, cells, etc.) materials. Are we closing in on admitting individuals solely based on a breathing apparatus that may allow them to breathe to in non-native atmospheres? Only if integrated (surgically). Darth Vader has more borg parts than his breathing filter. We assume new honoree Saw Gerrera does as well. With more biological enhancements we’d allow Tusken Raiders, Moloch, and Two Tubes from the Star Wars universe, and Mordock the Benzite from Star Trek, but wouldn’t that also mean anyone in a deep sea suit or space suit is a cyborg? Again, integration is key. Ready Player One has humans interacting with a cyber-world with virtual reality goggles and other equipment, but like the Programs (as opposed to the Users) in the movie Tron, this doesn’t qualify as borg either, but we’re making an exception this year for the in-world Aech, who is a cyborg orc character, and two Tron universe characters.
Already admitted in 2017 were advance honorees that didn’t actually make it to the screen until 2018. This included Josh Brolin’s new take on Cable in Deadpool 2 and Simone Missick’s Misty Knight after her acquisition of a borg arm in Marvel’s Luke Cage. New versions of Robotman and Cyborg are coming in 2019 in the Doom Patrol series, but they are already members of the revered Hall of Fame. Above are the new looks for these two earlier honorees.
When we created last year’s preview of 2018 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best. All year we tried to keep up with what Hollywood had to offer and honed in on the genre content we thought was worth examining. We went back and looked at it all and pulled together our picks for our annual Best Movies of 2018.
Genredom. As always, we’re after the best genre content of the year–with our top categories from the Best in Movies. There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch. What do all of this year’s selections have in common? In addition to those elements that define each part of genredom, each has a good story. Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.
Come back later this month for our TV and print media picks, and our annual borgHall of Fame inductees. Wait no further, here are our movie picks for 2018:
Best Film, Best Drama – Bohemian Rhapsody (20th Century Fox). For the epic historical costume drama category, this biopic was something fresh and new, even among dozens of movies about bands that came before it. Gary Busey played a great Buddy Holly and Val Kilmer a perfect Jim Morrison, and we can add Rami Malek and Gwilym Lee’s work as Freddie Mercury and Brian May to the same rare league. But it wasn’t only the actors that made it work. Incredible cinematography, costume and set recreations, and an inspiring story spoke to legions of moviegoers. This wasn’t just another biopic, but an engaging drama about misfits that came out on top. Honorable mention: Black Panther (Disney/Marvel).
Best Sci-fi Movie, Best Retro Fix, Best Easter Eggs – Solo: A Star Wars Story (Disney/Lucasfilm). Put aside the noise surrounding the mid-year release of Solo before fans had recovered yet from The Last Jedi, and the resulting film was the best sequel (or prequel) in the franchise since the original trilogy (we rate it right after The Empire Strikes Back and Star Wars as #3 overall). All the scenes with Han and Chewbacca were faithful to George Lucas’s original vision, and the new characters were as cool and exciting, and played by exceptional talent, as found in the originals, including sets that looked like they were created in the 1970s of the original trilogy. The Easter Eggs scattered all over provided dozens of callbacks to earlier films. This was an easy choice: no other science fiction film came close to the rip-roaring rollercoaster of this film, and special effects and space battles to match. Honorable mention for Best Sci-Fi Movie: Orbiter 9(Netflix).
Best Superhero Movie, Best Crossover, Best Re-Imagining on Film – Avengers: Infinity War (Disney/Marvel). For all its faults, and there were many, the culmination of ten years of careful planning and tens of thousands of creative inputs delivered something no fan of comics has ever seen before: multiple, fleshed out superheroes played by A-list actors with intertwined stories with a plot that wasn’t all that convoluted. Is it the best superhero move ever? To many fans, yes. But even if it isn’t the best, its scope was as great as any envisioned before it, and the movie was filled with more great sequences than can be found in several other superhero movies of the past few years combined. But teaming up Thor with Rocket? And Spider-Man with Doctor Strange and Iron Man? That beat all the prior Avengers team-ups that came before (and anything offered up from the other studios). It’s easy to brush off any given film with so many superhero movies arriving these days, but this one was the biggest, grandest, and greatest made yet and deserves all the recognition. Honorable mention: Spider-Man: Into the Spider-Verse (Sony Pictures Animation), Black Panther (Disney/Marvel).
Best Fantasy Movie, Best Comedy Movie – Jumanji: Welcome to the Jungle (Columbia Pictures). No movie provided more laugh-out-loud moments this year than last winter’s surprise hit, a sequel that didn’t need to be a sequel, and a video game tie-in for a fake video game. A funny script and four super leads made this an easy pick in the humor category, but the Raiders of the Lost Ark-inspired adventure ride made for a great fantasy film, too. Honorable mention for Best Fantasy Movie: Black Panther (Disney/Marvel), Ready Player One (Warner Bros./Amblin).
Best Movie Borg, Best Borg Film – Josh Brolin’s Cable, Deadpool 2 (20th Century Fox). Brolin’s take on Cable ended up as one of those great borgs on par with the Terminator from the standpoint of “coolness” factor. But the trick that he wasn’t really the villain of the movie made him that much more compelling in the film’s final moments. Ryan Reynolds was back and equal to his last Deadpool film, and his Magnificent Seven/Samurai Seven round-up of a team was great fun. If not for all that unwinding of what happened in the movie in the coda, this might have made the top superhero movie spot. But Deadpool 2 was a good reminder there is something other than Disney’s MCU to make good superhero flicks.
It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television. This year we selected 25 characters that rose to the top. Again the studios gave us more to cheer about than ever. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on. Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too. Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire. And they all showed what a tough, kick-ass character is about.
In 2018 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked as well had the characters been swapped for males. We had a former MI-5 agent, bounty hunters, assassins, doctors, defenders, advanced superhumans, superheroines, warriors, witches, and even a few cyborgs–with a roster evenly split between television and movie characters.
Better yet, here’s something we haven’t said before. Several of our selections this year were played by women over 50.
These are the Best Kick-Ass Genre Heroines of 2018:
Enfys Nest(Solo: A Star Wars Story). For the first half of Solo: A Star Wars Story, Enfys Nest was the leader of a band of pirates, a character as cool and ruthless as anyone Han Solo ever faced. But once she took off her mask, it became clear how important she was, how significant her mission was–even more so than Han Solo’s own pursuit of mere wealth. She foreshadowed what Han would later find with Leia, an early glimpse at a rogue and scoundrel who actually had some good in him. When they joined forces, it made their characters even better. And she became one of the best warriors in the Star Wars universe since the original trilogy. (Disney/Lucasfilm)
Okoye(Black Panther, Avengers: Infinity War). Is there any woman warrior as powerful and impressive in a fantasy movie this year as Danai Gurira’s Okoye? We can’t think of any. A smart commander, a brave soldier, a loyal ally. Stalwart, devoted, steadfast, strong physically, intimidating and wise, with a keen unwavering ferocity, she represented the best of Wakanda, and fought bravely to defend the world at the last stand against Thanos. (Disney/Marvel)
Higgins(Magnum PI). Few television characters are as beloved as Jonathan Higgins in the original Magnum, p.i. So it was going to be risky having any actor step into the role John Hillerman made famous. So when the show honored the original character and late actor with such a finely tuned, updated character and actor, we took notice. Perdita Weeks’s Juliet Higgins is everything Robin Masters was–the character we all thought Higgins was in secret. We don’t know whether we’ll learn the truth this time around and what that truth will be, but as an ex-British secret service agent, she’s a James Bond for Thomas Magnum to partner with–literally running alongside the show’s star and fighting and shooting her way as an equal. And the result? Every episode of the first season was full of great action and fun. (CBS) Continue reading →
It must be going forward if 20th Century Fox releases an actual trailer for the movie, right? After the last contract is inked it may very well be that only thirteen “X-Men movies” were ever made, before Disney steps in and recombines the Marvel X-Men adaptations into Disney’s Marvel Cinematic Universe. For those of us that loved the X-Men movies, this is the winding down of a great era of movies, highlighted by the casting of Hugh Jackman as Wolverine, Patrick Stewart as Professor X, and Ian McKellen as Magneto. Who will ever forget one of the finest adaptations to film of any superhero from any comic book as Evan Peters became Quicksilver, defending his fellow mutants in the Pentagon? And the high point of any superhero movie (from Marvel Comics, DC Comics, or anyone else) must be the Academy Award nomination for best screenplay for Logan this year. Like the competing films in the Avengers films, there were as many high as low points, but some greatness happened throughout X-Men, X-Men 2: X-Men United, X-Men: The Last Stand, X-Men Origins: Wolverine, X-Men: First Class, The Wolverine, X-Men: Days of Future Past, Deadpool, X-Men: Apocalypse, Logan, and Deadpool 2.
Only two more films were in the works when negotiations for control of 20th Century Fox’s film group got closer to a deal this year: Dark Phoenix and The New Mutants. We previewed The New Mutants trailer way back last October here at borg, announcing an expected release date in April 2018, which came and went (the release date currently reflects a long overdue August 2019 premiere in theaters). At last, 20th Century Fox has released a trailer for Dark Phoenix.
Dark Phoenix represents one of X-Men fans’ favorite classic X-Men stories. We have already seen one take on the Dark Phoenix story, as Famke Janssen’s Jane Grey destroyed everyone she cares about in X-Men: The Last Stand, but after the timeline manipulation in X-Men Days of Future Past we learned again the lesson of the Terminator movies: The future’s not set–There’s no fate but what we make for ourselves.
Along with the new official poster, check out this first trailer for Dark Phoenix:
When he first wrote a Deadpool tie-in novel back in 2015, writer Stefan Petrucha was still a year from the arrival of the movie Deadpool in theaters. But he would have known Ryan Reynolds was cast in the title role. Either Petrucha had a good idea forecasting Reynolds voice and view of the role, or both the filmmakers and Petrucha had a complete take on the famous “merc with a mouth” from the comic books. Either way for most of the Marvel novel Deadpool: Paws, the author gets Wade Wilson–the cancer-battling Weapon X experiment who becomes the wisecracking anti-hero known as Deadpool–exactly right. In fact there is only one scene in the novel that would have you step out of the voice of Ryan Reynolds’ incarnation of the character–when Petrucha has Wilson bad-mouthing Canada.
As part of Marvel and Titan Books’ release of a series of tie-in novels of the Marvel Universe (including Civil War, reviewed here at borg.com last month), they have issued a new paperback edition of Deadpool: Paws. Deadpool: Paws combines all the cringeworthy ideas you’d expect from a Deadpool tale. It’s a blend of Ace Venture: Pet Detective, John Carpenter’s The Thing, John Wick, and a twisted look at Dick and Jane, and, if you are a fan of Deadpool 2, take note: You’ll find that same balance of over-the-top humor, in-your-face-action, and inappropriately placed melodrama right here.
Whenever an author takes on the job of writing a tie-in story for a well-known character, and especially when the writer crafts the story in first person, readers will know quickly with even a misfire of one phrase or sentence whether the author knows what he or she is doing. If you read a lot of tie-ins you can catch the mistakes simply in dialogue. But Petrucha (who has written tie-in series from Nancy Drew: Girl Detective to The X-Files) mastered Deadpool’s audacity, raunch, snark, sass, whine, inner-monologue, repeated breaking of the fourth wall, and strange charisma, in every action and retort. He also throws in as many well-placed pop culture references as you’d find in an entire season of Buffy the Vampire Slayer.
In all the flurry of late spring and early summer movie releases, don’t forget to see that X-Men movie sequel that drifted into theaters with less fanfare than the original two years ago. That’s Deadpool 2, still in theaters nationwide in its fourth week, but probably phasing out soon. So get to the theater before it’s gone. More Ryan Reynolds sass and wisecracking, less of the supporting cast from the original, but more new characters fans of Marvel Comics and Marvel Comics-at-the-movies will want to see more of, Deadpool 2 has one big surprise you won’t glean from the trailers: It’s a classic X-Men comic book story.
Take away the R-Rated humor and the jokes and you’ll find the backbone is a plot bringing the entirety of 20th Century Fox’s X-Men franchise full circle. The themes of that very first story from the first film in 2000, the movie called X-Men, return. In X-Men we met young teenager Rogue (Anna Paquin), struggling with her abilities and the burden they place on her. Despite the superhero vs. superhero storyline, the real villain was Senator Kelly, trying to pass a federal Mutant Registration Act (similar in plot development as the legislation that divides the Avengers in Captain America: Civil War). Here we meet an out-of-control and mistreated mutant from New Zealand called Firefist (Julian Dennison), and the villain is another Senator Kelly-type trying to do-away with the mutants, played by familiar British actor Eddie Marsan. Coming back to this theme 18 years later is a smart move–even in a flurry of humor we’re reminded that the stories were sourced in an effort to address teen readers trying to fit into the world.
New characters Cable (Josh Brolin) and Domino (Zazie Beetz) are perfect transformations from comic to screen. Cable is an expertly realized cyborg, not just a fill-in character but a fully developed new player in Marvel Studios’ arsenal. Domino is a reminder that members of Marvel’s B-team line-up can steal the show (like Evan Peters’ Quicksilver in X-Men: Days of Future Past) when written well. Any kid or kid at heart will appreciate a battle scene between Colossus (Stefan Kapicic) and Juggernaut (Ryan Reynolds) complete with its own humorous operatic accompaniment. Time travel plays a key element in the story and Brolin’s cyborg is every bit as compelling as Arnold Schwarzenegger’s from the Terminator series, and the writers and director David Leitch (Atomic Blonde, John Wick) tap into that with dropped references every chance they get.
Sometimes so many trailers are in the queue it’s time to stack ’em, pack ’em and rack ’em. For us, that means it’s time for another installment of Trailer Park. We have a new Deadpool 2 trailer, reportedly the final trailer, and this time we meet the supporting characters. We have two new Solo: A Star Wars Story television spots you might have missed (do you say Han rhyming with Stan, like Lando does, or Han rhyming with Ron, like everyone else does?). We have the first look at Denzel Washington returning as Robert McCall in Equalizer 2. Plus another TV spot for next week’s Avengers: Infinity Wars. What else… one more trailer for Jurassic World: Fallen Kingdom. That’s a lot of sequel trailers. You’d think we were already living in The Stacks.
And posters! The studios have released several new movie posters to gawk at, including a late-breaking UK poster for Solo, a Deadpool 2 poster by Deadpool co-creator Rob Liefeld (an homage to New Mutants, Issue # 98), a poster for Equalizer 2, and, directly from Jamie Lee Curtis, the first look at the return of Michael Myers in the late 2018 release of the Halloween reboot.
So what are you waiting for? Check out these six trailers:
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2018. Are you going to see them all? Heck no. These are the genre films we think borg.com readers will want to know about to make their own checklists for the coming year. We pulled 55 of the hundreds of films that have been finalized or are in varying stages of final production for next year’s movie calendar.
What looks that it may top the list of most fanboys and fangirls? How about Ready Player One in March? Solo: A Star Wars Story and Avengers: Infinity War in May? Sequels to Deadpool and The Incredibles in June? X-Men: Dark Phoenix in November? But don’t over look other films that look promising, like Winchester in February, Tomb Raider in March, and The Predator and The Equalizer sequels in August.
So grab your calendar and start making your plans for next year–here is the list of the movies you’ll want to see in 2018:
The Commuter – January 12 — Liam Neeson’s next action thriller finds him on a train with an offer he can’t refuse. Co-starring Vera Farmiga and Patrick Wilson.
Proud Mary – January 12 — A hitwoman played by Teraji P. Henson (Hidden Figures, Empire) has her life go sideways when a mob hit goes bad. With Neal McDonough and Danny Glover.
Ophelia – January 22 — Daisy Ridley stars as Ophelia in a twist on Shakepseare’s Hamlet told from her perspective. Co-starring Naomi Watts and Tom Felton.
Please Stand By – January 26 — Dakota Fanning, Toni Collette, and Alice Eve star in a story about a young woman with autism who sets her sights on winning a Star Trek writing competition.
Winchester – February 2 — Inspired by true events, the story of the heir to the Winchester firearms fortune finds herself haunted by the deaths of all killed by the weapons, leaving her to try to avoid them in an incredible mansion. Starring Helen Mirren and Jason Clarke.
Cloverfield 3 (yet to be titled) – February 2 — A crew of astronauts fight for survival on a space station. Starring Elizabeth Debicki, Daniel Brühl, and David Oyelowo.
Peter Rabbit – February 9 — Fox Studios brings a great cast of voice talent to their adaptation of the classic Beatrix Potter story. With Daisy Ridley, Margot Robbie, Elizabeth Debicki, Rose Byrne, and Domhnall Gleeson.
Monster Family – February 9 — A family is turned into monsters in this animated romp. Starring the voices of Jason Isaacs, Emily Watson, Nick Frost, and Catherine Tate.
Black Panther – February 16 — Ryan Coogler directs Marvel Comics’ king cat superhero Black Panther in his own standalone movie. Starring Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, with a reunion of The Hobbit’s Martin Freeman and Andy Serkis.
