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Tag Archive: Death in Paradise


Review by C.J. Bunce

The next tropical paradise action series has two things going for it:  star Poppy Montgomery and a tropical island setting.  Unfortunately that’s probably not enough reason to come back for more.  The new series, Reef Break, will air Thursdays on ABC, with the first season of 13 episodes filmed.  The pilot aired last night, and unless the network made significant changes, viewers can expect a series you’ve seen before with rough writing and rudimentary stumbles.  The show follows Australian native actress Montgomery back on her home turf as Cat Chambers, a no-nonsense, take-no-prisoners, confident ruffian with a history (aka baggage), who returns after several years away to the tropical island town of Reef Break.  Filmed and written attempting to conjure a “tropical noir” vibe, it’s crime drama in the vein of Castle–it looks like it wants to be the next Castle with a Hawaii Five-O backdrop, but it has a long way to go.

Audiences have hardly seen a TV season go by–going back to her debut in 1994 on Silk Stalkings–where Montgomery wasn’t either firmly planted atop an acclaimed series (seven seasons on Without a Trace as the high point) or featured as an eye-catching supporting character She’s more than up to the task for this role, which is a showcase of her acting showing both her smarts, saving lives, solving cases, and otherwise being the smartest person in the room, and her physicality, surfing the waves, pulling a gun on the bad guys, and getting punched in the face by the daughter of a man she killed in the show’s backstory.  Montgomery looks like she’s having fun, and for some of her diehard fans that might be enough.  But the material also seems to be light faire for someone of her caliber.  She has presence and even swagger, but the story and dialogue are sub-par, and she’s using a Southern drawl that doesn’t seem like it fits the role (she’s filming in Australia, let’s hear that accent!).  The worst feature is reliance for emotion on an over-stuffed pop song soundtrack.  The opening scene alone incorporates iffy covers of three different overplayed radio songs.

A lot, probably too much, is going on here for a pilot, so it’s a surprise a network picked it up.  Cat Chambers is an ex-thief and now a fixer with the skill set of a British spy or FBI agent, and she knows everyone, and everyone knows her, in this island community.  Already the governor is ready to offer this almost ex-con (arrested, never convicted) a job–for anyone familiar with storytelling he’s set-up as the series recurring bad guy.  The appeal is for fans of Magnum P.I., which had instant chemistry in its reboot with the benefit of nostalgia in addition to the tropical setting, or counterpart series Hawaii Five-OReef Break is also not as clever or quirky as Death in Paradise Part of the pilot fail is a clunky introduction of all the characters, and an ending that shows all the characters are all too coincidentally connected.  It’s goofy and escapist, but so far more goofy than escapist, and doesn’t compare to that instantly slick and sharp (and now canceled) CBS crime series Whiskey Cavalier.

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Our borg Best of 2018 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2018 here and the Kick-Ass Heroines of 2018 here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV BorgHumans (AMC).  No other series touches on the ramifications of technology, specifically the perils of an onslaught of real-world cyborg technology, like AMC’s Humans.  This year three characters stood out, including Gemma Chan’s Mia, the cyborg Synth from past seasons, who sacrificed everything for the liberty of cyborgs in the UK.  Then there was Ruth Bradley’s Karen Voss, a Synth who refused to live segregated from the humans, opting instead for a normal life for the cyborg son she assumed care for.  And Katherine Parkinson’s Laura Hawkins, a human lawyer who fought so hard for the cause of the Synths all year, only to throw away all the good she had done, failing the first real challenge that was presented to her.  This year’s best TV borg is shared by Synths Mia and Karen, as each showed the uphill battle any future outsider must overcome when faced with humans.

Best Sci-fi TV SeriesThe Man in the High Castle (Amazon).  What had been a two-season build-up all came together in the series’ third season with the audacity of killing off key characters, wisely adhering to the framework of the source Philip K. Dick novel.  The use of science fiction to tell an often gut-wrenching array of subplots and unique characters has set up a fourth season with plenty to address.  Exciting, smart, scary, and even fun, it is an unusual science fiction show that isn’t merely trigger-happy sci-fi.  Honorable mention: Humans (AMC), Counterpart (Starz).

Best New TV Series, Best Reboot, Best Ensemble CastMagnum PI (CBS).  If you would have told us a year ago our favorite show this year would be a reboot of Magnum, p.i. starring Suicide Squad’s Jay Hernandez and an actress in the iconic role of John Hillerman’s Higgins, we wouldn’t have believed it.  And yet, even as diehard fans of the original, we had to acknowledge that many elements of the reboot series were even better in the new series.  With the dangerous risk of taking on a beloved property, the production maintained loyalty to the original while making it fresh, scoring Magnum PI high marks on all counts.  Every character was smartly written–suave and confident Magnum, energetic Rick and TC, and a savvy Higgins–every actor was perfectly cast, and each show was another round of nostalgic fun for fans of the original.  Best New TV Series Honorable mention for Best New TV Series: Counterpart (Starz), Lodge 49 (AMC).

Best Series, Best Drama, Best ComedyLodge 49 (AMC).  Lodge 49 told two stories: a darkly serious drama of real people dealing with real-life 2018 adversity, and the other a comedy farce like no other.  Hanging over our heads was the idea that this was going to be a fantasy show, complete with secret codes, hidden rooms, and psychic visions.  If you’re looking for all the elements of great fantasy the hint of it all could be found throughout this series.  And yet it wasn’t fantasy at all.  An oddball Cheers?  A southern Twin Peaks without the Lynchian weirdness?  Star Wyatt Russell’s hero Dud could be dismissed as a typical young man with no vision, or maybe he’s that idealist that everyone needs to strive to be.  Maybe we’ll learn more about that next season.  Honorable mention for Best Drama: Counterpart (Starz).  Honorable mention for Best Comedy: Baskets (FX).
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