Advertisements

Tag Archive: Derek Jacobi


Review by C.J. Bunce

A new print edition of Frances Hodgson Burnett’s novel The Secret Garden is coming to bookstores next month, and its artistry and design could stand as the definitive version–a storybook that could be a new favorite for the next generation of readers.  Originally published in serial form for both adults and children in 1910, Burnett’s classic book of children forced to grow up in difficult times and the value of friendship to their growth was initially not so well-received.  Burnett would be better known for her novels Little Lord Fauntleroy and The Little Princess even years past her death, but over time The Secret Garden flourished to become a beloved favorite, frequently ranked high on British and American reading lists, including those of School Library Journal, the U.S. National Education Association, and the BBC.  The novel made its way into the public domain, and has been the subject of countless print editions, as well as plays, musicals, television features, and theatrical films.  Actors Dean Stockwell, Maggie Smith, Derek Jacobi, Glynis Johns, and Honor Blackman have all found roles in various adaptations of the book.  And soon another big-screen adaptation is coming your way from StudioCanal starring Colin Firth and Julie Walters.

Design studio MinaLima has partnered with Harper Design to release a truly beautiful version of The Secret Garden incorporating three-dimensional elements and hundreds of pieces of colorful line art and decorations.  A garden’s worth of vibrant flowers hug the footer numbers at the bottom of each page, colorful end papers adorn each new chapter, the off-white pages have an antiqued appearance, each chapter finds an old-fashioned stylized introductory letter, and pop-up images emphasize story elements.  It even includes a traditional paper doll, and cleverly folded paper gardens.  The 384-page hardcover features a gilded, textured cover, and tucked throughout the book are symbols and images found in Burnett’s sumptuous text.  The fifth in a series of children’s classics illustrated by MinaLima, including Peter Pan, The Jungle Book, The Beauty and the Beast, and The Little Mermaid and Other Fairy Tales, The Secret Garden is the pinnacle of these accurately self-described “lavishly illustrated” editions, finding a story that doesn’t require illustrations, but is enhanced so well by MinaLima’s application of them.  At two points in the story, letters are received via post by key characters, and instead of merely printing them in text as found in the original novel, the illustrators include two actual letters, designed as replicas, neatly folded just as you would have found real letters in the late 19th century, ready for readers to pull out and read as they move through the story.  That tactile experience will move readers young and old.

The style of artwork is suited to the story, combining British and Indian influences the young lead character Mary Lennox would have been familiar with, plus ink color choices and wallpapers similarly found in her era.  In this tale, Mary, an initially angry, “quite contrary” daughter of a British couple living in India that dies of cholera, finds herself nearly abandoned at a widowed uncle’s giant mansion back in England.  There she discovers the widower’s abandoned garden, and her relationships with three young people, an older girl and two boys, allow her to grow and move beyond her past.

Continue reading

Advertisements

Review by C.J. Bunce

Many have asked:  Why make another Agatha Christie’s Murder on the Orient Express?  You could just as easily ask: Why adapt another Shakespeare play?  Or Why make another Sherlock Holmes series?  When your story is great, and becomes as classic as Agatha Christie’s famous, timeless 1934 novel, it’s sort of the point of cinema, isn’t it?  From an actor standpoint, being in one of the film versions of Murder on the Orient Express, and portraying such iconic roles, is something like being cast as King Lear.  And who better than Kenneth Branagh to inject his own vision of the story into a new snapshot of acting greats for a new era of audience members?  Of Branagh’s twenty directorial pursuits, you must go back to the early era of Dead Again and Peter’s Friends to find Branagh not serving as puppetmaster of someone else’s well-known world, whether it’s Shakespeare in Henry V, Much Ado About Nothing, Hamlet (and the list goes on), or adaptations of Mary Shelley’s Frankenstein, Marvel Comics’ Thor, Mozart’s The Magic Flute, Tom Clancy’s Jack Ryan, Branagh is the king of directing adaptations and remakes.  Add Murder on the Orient Express to that list, a faithful adaptation of the book, stylishly filmed with lavish, sweeping sets and landscapes courtesy of cinematographer Haris Zambarloukos, Branagh’s choice cameraman on four of his past films.

The year’s casting award goes to Lucy Bevan for bring filmgoers back to the age of the all-star cast, where you’d look to 1970s disaster movies (Airport ’76, Towering Inferno, Earthquake) or the odd comedy (think It’s a Mad, Mad, Mad, Mad, Mad World) for a pantheon of stars like that found in Orient Express.  Branagh as Hercule Poirot sports that classic era moustache with confidence (Christie herself called Poirot’s moustache “magnificent” and “immense”) and he adds his own quirks and humor to Christie’s legendary greatest detective, providing a new twist on the Holmes/Monk/House, M.D. frustrated genius detective archetype.  So many of the cast members appear every bit like Golden Age film stars here, including Branagh, Johnny Depp, Michelle Pfeiffer, Josh Gad, Daisy Ridley, Willem Dafoe, Judi Dench, Penélope Cruz, Derek Jacobi, and Leslie Odom, Jr., with a particularly engaging performance by Tom Bateman as Poirot’s friend Bouc, in what will no doubt be seen as a great breakout role for the actor.

The film will be best for those unfamiliar with the story.  A famous detective receives a message requiring him to squeeze onto a full train at the last minute with a little more than a dozen passengers aboard.  When one passenger who fears for his life and requests assistance from the detective winds up dead in a brutal, bloody murder, the whodunit begins.  Once a snowy avalanche blocks the path of the train, the game is afoot as the delay provides enough time for Detective Poirot to begin interviewing the passengers.  The mystery is laid out with several clues, including just enough to allow the viewer to figure out who killed the victim if he/she is paying close attention.  And Branagh stages the investigation like a game of Clue/Cluedo–including overhead angles that at times make the viewer feel like Murder on the Orient Express is indeed a virtual reality version of the board game.  We know the murder weapons and the location, but who is responsible for the death and why?

Continue reading

So long as you have a compelling story to tell, sometimes having all the right people on the big screen is enough of a reason to sit through a movie.  But Agathie Christie’s Murder on the Orient Express is like watching a play by Shakespeare.  You already know the story is excellent, and the challenge is how creatively the latest director will manipulate the strings and how deftly the actors will portray the characters.

The latest adaptation of Murder on the Orient Express has all the right components for a movie-lover’s two hours of bliss.  How will Kenneth Branagh orchestrate his next opus?  Like the magnificent Henry V or Much Ado About Nothing?  We can hope.  How will this room full of master thespians of the British and American schools play off each other?  Aren’t you inkling to find out?

This latest trailer for the film (see the first here if you missed it) expands the reach of the first, giving us a good look at Johnny Depp, Michelle Pfeiffer, Daisy Ridley, and Branagh directing Branagh as Inspector Poirot.  Other stars include Derek Jacobi, Judi Dench, Leslie Odom, Jr., Willem Dafoe, Penélope Cruz, Josh Gad, and Olivia Colman.  And don’t forget, publicity for the film has indicated that the clues of the crime are everywhere, including in posters and the trailers for the film.

Here is the second trailer for Murder on the Orient Express:

Continue reading

Everyone is a suspect.  The clues are everywhere.  For mystery lovers, it’s a staple.  It’s Agatha Christie’s most well-known 1934 novel come to life, Murder on the Orient Express, the fourth major production for film or television of the classic whodunit in the English language–the 1974 Academy Award winning Sidney Lumet film being the best known.  For the older generation the story is known, but for a new generation the stage is set for a big screen version of Clue/Cluedo.  As with the 1974 version, the cast of the 2017 version is extraordinary.

So how do you cast a film against the last generation of film greats?  Leading a bevy of thespian knights and dames, Sir Kenneth Branagh both directs and stars as master detective Hercule Poirot, the world’s greatest detective, played previously by Albert Finney (who refused a knighthood in the year 2000).  Sir Derek Jacobi plays the butler Edward Henry Masterman in a role played by Sir John Gielgud in the earlier version.  Dame Judi Dench plays Princess Natalia Dragomiroff, formerly played by Dame Wendy Hiller.  In an update for the new version, American actor Leslie Odom, Jr. (Supernatural, Gotham) takes on the role of Doctor (formerly Colonel) Arbuthnott, played previously by Sir Sean Connery.  Star Wars: The Force Awakens star Daisy Ridley as governess Mary Debenham, formerly played by Dame Vanessa Redgrave.

The list of American actors includes a fascinating mix of genre favorites old and new.  Academy Award nominee Johnny Depp takes on the role played before by Richard Widmark as the debonair businessman Edward Ratchett.  Academy Award nominee Michelle Pfeiffer is widow Harriet Hubbard, a role played in the 1974 film by Lauren Bacall.  Academy Award nominee Willem Dafoe is Professor Gerhard Hardman, played earlier by Colin Blakely.  Academy Award winner Penélope Cruz plays a newly named character, Pilar Estravados, a missionary, in the part played before by Ingrid Bergman.  Rounding out the cast is Josh Gad (Frozen) as Ratchett’s assistant Hector McQueen (played before by Anthony Perkins), and British TV regular Olivia Colman (Broadchurch, The Night Manager) plays the maid Hildegarde Schmidt (previously played by Rachel Roberts).

Take a look at this first trailer for the new Murder on the Orient Express:

Continue reading

rocket

Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year.  So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2017 that have been disclosed.  The result is a whopping 58 movies, many you’ll probably want to see in the theater or catch on video (and some you may want to skip).  We bet you’ll find a bunch below you’ve never heard of.  Bookmark this now for your 2017 calendar!

Most coming out in the second half of 2017 don’t even have posters released yet.  We’ve included descriptions and key cast so you can start planning accordingly.

What do we think will be the biggest hits of the year?  How about Star Wars: Episode VIII or Wonder Woman?   Luc Besson’s Valerian and the City of 1,000 Planets?  Ghost in the Shell?  Or Beauty and the Beast? 

justice

You’ve heard endlessly about Logan and Justice League, but 2017 will also see numerous other sequels, like Alien: Covenant, Blade Runner 2049, Thor: Ragnarok, and sequels for Underworld, Resident Evil, Planet of the Apes, Pirates of the Caribbean, XXX, John Wick, King Kong, The Fast and the Furious, Cars, The Kingsman, Transformers, Despicable Me.   And The Six Billion Dollar Man is finally on its way.  Look for plenty of Dwayne Johnson, Tom Cruise, Vin Diesel, Ben Affleck, Samuel L. Jackson, Zoe Saldana, Hugh Jackman, John Goodman, Michael Peña, Ryan Reynolds, Sofia Boutella, and Elle Fanning in theaters this year.

So wait no further, here are your genre films for 2017:

Continue reading

Downton Abbey

For you genre TV and film fans that got sucked into the BBC/PBS series Downton Abbey, now that the series is on hiatus are you ready to entirely re-immerse yourself back into sci-fi and fantasy?  Or do you still need a bit of the British manor fix now and then?  A great feature of British manor series and movies is the overlap of actors back and forth into the best of sci-fi and fantasy.  So if 12 inches of snowfall has stranded you inside and you want to further investigate your favorite performers on Netflix or other streaming media as they stretch their acting chops, here’s an excuse to dive into some films and TV series you may not have otherwise tried, featuring the best of the world of sci-fi and fantasy.

Remains of the Day Dyrham Hall

Christopher Reeve plays an American who buys this estate in Remains of the Day.

Continue reading

%d bloggers like this: