Sky Captain and the World of Tomorrow, a 2004 alternate history and sci-fi/fantasy adventure amalgamation is one of those films that is best known for its visuals in a way similar to The Rocketeer and The Iron Giant, and, like those films, it maintains a bit of a cult following. As with Dick Tracy, The Phantom, The Shadow, and Sin City, the movie attempted to emulate the look of classic comics, and like The League of Extraordinary Gentleman, it borrowed heavily from creations of the past, especially Flash Gordon, film noir, and Captain America.
Unfortunately, also like the movies noted above, it lacked a compelling script, which probably accounted for its lackluster showing with audiences. For the majority of movie audiences, it remains an obscure, “nice-looking” picture that you may have tried on Netflix and probably given up on. But for those who count themselves fans, you now have a behind-the-scenes chronicle of the movie’s visuals, Sky Captain and the Art of Tomorrow, launching today and available here at Amazon. Take a look inside below.
From 1977 to 1993, noted crime writer Max Allan Collins was writing stories “ripped from the headlines” in the Dick Tracy comic strip. Some of Collins’ proposed stories were too racy for the average daily newspaper, so Collins took this as an opportunity to introduce the stories in the pages of Ms. Tree, a series published then by Eclipse. A year ago, I reviewed a new collection of classic Ms. Tree stories from the 1980s, penned twenty years before Jessica Jones, written by Collins and illustrated by artist Terry Beatty—Ms. Tree: One Mean Mother. Ms. Michael Tree is the 6-foot tall, 9 mm pistol-toting private eye with a clever homonym name, referred to as the “female Mike Hammer” in the stories written by the man who would take over the character from Mickey Spillane. She borrows something real and gritty from Erle Stanley Gardner’s detective Bertha Cool and her brand of sleuthing, certainly unique for the 1980s. The Hard Case Crime imprint of Titan Comics is publishing the second volume of Ms. Tree stories next month, five more stories from the dark corners of big city life, inMs. Tree: Skeleton in the Closet. Classic Collins crime tales in the comics are like his 21st century crime novels–they do not disappoint.
We scuffled. He had a gun. So did I. I’m alive. He’s dead.
Twenty years before Jessica Jones, there was Ms. Tree, writer Max Allan Collins and artist Terry Beatty′s 1980s private eye with the clever homonym name. Her husband a cop, killed by the head of a crime family, she sought her revenge and went to jail for it. Now she’s back and the killer’s sister is looking to get her own revenge. A private detective running her own agency, she finds her son has fallen in love with the niece of his father’s killer, the daughter of the woman who is now reaching out to her. That’s where readers meet Ms. Tree in the first chapter of Ms. Tree: One Mean Mother, a new collection of classic stories that will bring readers unfamiliar with Ms. Tree’s exploits current as she’s embroiled in her never-ending conflict with the Muerta crime family. The 268 pages play out like a crime TV series, like Magnum, p.i. or Simon & Simon, maybe with some Rockford Files thrown in thanks to Collins’ ever-present noir style.
Ms. Tree is her own character. She doesn’t have the quirks and antics of progenitors like Erle Stanley Gardner’s Bertha Cool or the meticulous process of a Miss Marple or Jessica Fletcher. But she does have the edginess we’d later see with Veronica Mars and Jessica Jones. She’s a bit older, and because of Terry Beatty’s classic artistic style (reminiscent of Crime Does Not Pay and Dick Tracy), you may just wonder if she’s going to duck behind the curtains and emerge with a Miss Fury catsuit at some point. Drawn by Beatty like a V.I. Warshawski era Kathleen Turner, she’s also not Jackie Brown–this woman plays by the rules, but the aura of her agency has that feel of Max Cherry’s agency in Elmore Leonard’s story.
With a style (in both writing and artwork) like Mike Grell’s Green Arrow, Collins populates his story with a variety of supporting characters like you’d find in the world of his Quarry series. Characters like her friend on the police force Rafe Valer, and her colleague Dan Green, who has a hook for a hand in a call-out to J.J. Armes, the famous real-life detective in the 1970s (who had two hooks for hands). The first book in this series, Ms. Tree: One Mean Mother, includes reprints of the stories Gift of Death, Drop Dead Handsome, The Family Way, Maternity Leave, and One Mean Mother, with an appendix featuring Collins discussing why Ms. Tree hasn’t made it to the small or big screen, and a related tie-in short story with a more modern take on the character (and without the pictures), Inconvenience Store. Ms. Tree was featured in an earlier Hard Case Crime novel by Collins, Deadly Beloved. In this volume Ms. Tree reads like it must have been the inspiration for Marge Gunderson’s storyline in Fargo, and the final seasons of In Plain Sight’s Mary Shannon.
Take a look at Beatty’s use of color, 1980s style, in these excerpts from the book:
Two tough guys from very different times. Earlier this summer here at borg.com we first discussed the 88th birthday of Dick Tracy and the return of the famous detective just before Fall arrives. Here we are with three days left of summer and that long-awaited first issue of his new comic book series arrives today at comic book stores everywhere. Arriving beside Tracy you’ll find a different breed of determined hero, as John Wick’s story continues today.
Dick Tracy: Dead or Alive is a bit of a family affair. Michael Allred writes and inks the series, co-written with brother Lee Allred, with coloring by Laura Allred–Mike’s wife and frequent creative partner. Interior artwork is provided by Rich Tommaso. The familiar hero you just haven’t seen in a while is back like you remember him, complete with his one-of-a-kind pantheon of criminal foes.
Written by Greg Pak with artwork by Giovanni Valletta, the story of John Wick’s first mission of vengeance continues in Issue #3 of his series, John Wick. On the streets of El Paso, Wick enters the world of the Continental Hotel, and threatens to upend the balance of power among assassins — and earns a new enemy.
We have a preview for borg.com readers of Dick Tracy: Dead or Alive, Issue #1, courtesy of IDW Publishing, and a preview of John Wick, Issue #3, courtesy of Dynamite Publishing. You’ll notice each reflects a different style that fits its character and his times. And both have a few cover variant options to track down. Check them out:
Charlie Chan, Hercule Poirot and Miss Marple, Ellery Queen, Nero Wolfe, Philip Marlowe, Sam Spade, Perry Mason, and Sherlock Holmes. All are classic fictional detectives that, except for Holmes, emerged in the 1920s and 1930s, pulling in countless readers across the world and together forming the roots of today’s mystery and crime genres. You can add another detective to that list, too, the straight-arrow justice seeker Dick Tracy, although his readers would get a new dose of him every day, thanks to creator Chester Gould’s daily newspaper strips. Over the decades Dick Tracy was featured in monthly comic book series in the 1930s to the 1960s, and again in the 1980s. After failed efforts to bring Dick Tracy to comic books, first in a series by Mike Oeming and Brian Michael Bendis, and most recently in a series from Archie Comics featuring creators Alex Segura, Michael Moreci, and Thomas Pitilli–both cancelled for licensing snafus–finally we’re about to see Dick Tracy back in the comic books. IDW Publishing, which just released the 24th volume of Gould’s original strips in anthology format, is launching a new four-issue limited series this Fall.
Since he first appeared in print October 14, 1931, newspaper readers have been following Tracy’s crimefighting adventures. Chester Gould created the character and continued writing and drawing him and his foes in comic strip form until his retirement in 1977. The strip was taken over by Max Allan Collins and Rick Fletcher and later Dick Locher and Jim Brozman, who wrote the strip until 2011, when comic book legend Joe Staton became artist with writer Mike Curtis–they would take the Harvey Award for the classic series for best syndicated comic strip three years running.
“I am thrilled to try my hand at drawing this legendary, pulpy, hardboiled crime classic,” said newly tapped Dick Tracy artist Rich Tommaso in an IDW press release. “Along with Roy Crane, Milton Caniff, Noel Sickles, Jack Cole, and Alex Toth, Chester Gould is a cartoonist that I am perpetually inspired by when I’m working on my own crime stories. So this is a project that I feel is well within my wheelhouse. The Dick Tracy cast of characters makes this comic so much fun to draw on a daily basis. I only hope we can all bring something great to the comic ourselves while, simultaneously keeping true to its origins. Not an easy feat to be sure, but I feel it’s damn worth a try.” Tommaso has previewed some of his penciled panels on his Twitter account (shown above and below), revealing a story set in the 1930s or 1940s. Michael Allred will write and ink the series, called “Dead or Alive,” co-written with brother Lee Allred, with coloring by Laura Allred, Mike’s wife and frequent creative partner.
