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Tag Archive: Dollhouse


The Strong’s National Museum of Play has announced twelve finalists for induction into the 2018 National Toy Hall of Fame.  Only a select few will take their honored places in the Hall this year when they are announced at a ceremony at The Strong in Rochester, New York on Thursday, November 8, 2018.  The National Toy Hall of Fame recognizes toys “that have engaged and delighted multiple generations, inspiring them to learn, create, and discover through play.”  The Hall of Fame, which began in 1998, is celebrating its 20th year.  Criteria for induction include: Icon-status (the toy is widely recognized, respected, and remembered); Longevity (the toy is more than a passing fad and has enjoyed popularity over multiple generations); Discovery (the toy fosters learning, creativity, or discovery through play); and Innovation (the toy profoundly changed play or toy design).  A toy may be inducted on the basis of innovation without necessarily having met all of the first three.  So who are this year’s finalists?  American Girl Dolls, chalk, Chutes and Ladders, the Fisher-Price Corn Popper, the Magic 8 Ball, Masters of the Universe, pinball, the sled, Tic-Tac-Toe, Tickle Me Elmo, Tudor Electric Football, and the card game Uno.

Reviewing the 65 previous inductees should provide you with an incredible flashback of nostalgia: alphabet blocks, the Atari 2600 Game System, baby doll, ball, Barbie, bicycle, Big Wheel, blanket, bubbles, Candy Land, cardboard box, checkers, chess, Clue, Crayola Crayons, dollhouse, dominoes, Duncan Yo-Yo, Dungeons & Dragons, Easy-Bake Oven, Erector Set, Etch A Sketch, Fisher-Price Little People, Frisbee, G.I. Joe, The Game of Life, Hot Wheels, Hula Hoop, jack-in-the-box, jacks, jigsaw puzzle, jump rope, kite, LEGO, Lincoln Logs, Lionel Trains, little green army men, marbles, Monopoly, Mr. Potato Head, Nintendo Game Boy, paper airplane, Play-Doh, playing cards, puppet, Radio Flyer Wagon, Raggedy Ann and Andy, rocking horse, roller skates, rubber duck, Rubik’s Cube, Scrabble, Silly Putty, skateboard, Slinky, Star Wars action figures, stick, Super Soaker, swing, teddy bear, Tinkertoy, Tonka Trucks, Twister, View-Master, and Wiffle Ball.

This year’s 12 finalists for the National Toy Hall of Fame.  Which would you choose?

The beauty of all these toys?  We did some of our own research and they are still available for today’s generation of kids.  Just click the toy name and you’ll find it available at Amazon right now.  Want to spoil your kid and get them one of each of the 65 toys in the Hall (or donate a set to your local community center)?  It’ll cost you about $1,390.  That total is skewed a bit by the more expensive toys on the list:  the current equivalent of the Atari 2600 and Nintendo Gameboy, a bicycle, a dollhouse, an Easy Bake Oven, Lincoln Logs, Lionel Trains, and roller skates.  Yet eight toys in the Hall can be purchased for less than $5.00, 24 toys cost less than $10.00, and 50 of the 65 toys in the Hall cost less than $25.00–most of the classics are pretty affordable!  And if you want to save your money, how about getting your kid a cardboard box, a paper airplane, a kite, and a stick for Christmas this year–they’re pretty much free.

What do you think is missing?  How about Spiro-graph?  The Fisher-Price telephone and See ‘n’ Say?  Shrinky Dinks, Colorforms, and the Kaleidoscope?  Finger paints?  The sprinkler?  Playskool cobbler’s bench and mailbox?  Hello Kitty?  Past nominees include Battleship, Care Bears, coloring books, Jenga, Lite Brite, Matchbox cars, My Little Pony, Nerf, Pez, Playmobil, pogo stick, Operation, Pac-Man, pots and pans, Risk, sand, scooter, Slip ‘n’ Slide, stilts, Teenage Mutant Ninja Turtles, Transformers, and the top.

Here are the Hall of Fame’s descriptions of each of this year’s nominees:

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Orphan Black - Sarah at train station

Review by C.J. Bunce

From the first scene of Orphan Black you can’t help getting reeled in.  Although the pilot opens with a woman walking in front of a passenger train, the world of a street urchin instantly is propelled like a freight train into strange, new territory for fans of action and sci-fi.  Not since last year’s pilot for NBC’s short-lived series Awake were we so quickly certain a series had to be added to the must-watch list.  That’s saying something since there have been so many new series to try on this year, series like The Following, Cult, and even the more recent Bates Motel that have already started to stack up in the viewing backlog.  With series like Lost Girl, Psych, Arrow, Continuum, Grimm, Dallas, New Girl, and now Doctor Who back from hiatus locked-in the must-see TV realm, Orphan Black is pretty much a late but welcome entry, especially to the sparse Saturday night line-up.

Orphan Black changing appearances

Orphan Black has a completely cool look–big city, edgy, dark places, with an equally cool lead in Canadian actress Tatiana Maslany.  Maslany, who has a bit of the look of actress Summer Glau, plays a Brit who encounters what could be her twin at a train stop in New York City, but it’s all filmed in the not-quite-the-same looking streets of Ontario.  The women look each other in the eye and this is so well filmed you don’t question that these are two separate people despite Maslany playing both roles.  The pilot manages to take some extraordinary circumstances and render them believable, a rewarding feat successfully handled, due to good acting and a story that answers every question the audience could ask, and each question real people in these situations would ask.

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By C.J. Bunce

She seems pretty ordinary from afar.  Jennifer Fellows has a husband and a kid.  Driving around town like anyone, completing her shopping errands, she is planning and plotting her next activities.  But Jennifer Fellows, or Jennifer Blute, or whoever she really is, has a weapons cache hidden in her basement.   And she leaves at night while her family sleeps to check out her next target.

Jennifer is a former daughter of the mob or at least some sort of gangland enterprise.  Her father was murdered and her mother’s life was apparently ruined but that is all we learn from Jennifer as we get her backstory via her writings in a diary, left in case all this ever gets public, so her husband will understand why she had to do what she is planning to do.

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Review by C.J. Bunce

(With spoilers)

Sarah Michelle Gellar plays a dual role as estranged twin sisters in her new series Ringer on the CW network.  The “ringer” in the title is presumably Gellar as sister Bridget, who ends up as a pretender and “dead ringer” for high-class sister Siobhan.  The difficulty for Gellar will be getting viewers to forget she was Buffy the Vampire Slayer.  The pilot episode featured non-stop plot twists, so many that it the show is very engaging, but begs the question: Can the writers keep up the momentum, or will this ultimately fall flat like Buffy co-star Eliza Dushku’s overly hyped but short-lived series Dollhouse?

Ringer plays more like Gellar’s early soap opera work but there may be more here to stick around for.  As Bridget, the focal character of the series, Gellar shines as a weatherbeaten survivor of one or more 12-step programs, barely making it in the world, and currently plea bargaining a prostitution rap in exchange for turning states’ evidence on a local crime boss.  But Bridget is smart and clever and concocts a plan to go away with a long-lost sister, Siobhan, who no one in Bridget’s current world knows about, a classy and smarter sister who is wealthy and has a seemingly perfect life.  But Siobhan too reveals a more vulnerable side and we slowly learn her life is in shambles in various ways.

On a boat ride the sisters bond but Siobhan drugs Bridget and by all accounts Siobhan throws herself overboard.  This leaves Bridget to step into her life like in The Riches or Dave, but Ringer is no comedy.  Bridget learns her sister had a dysfunctional relationship with her husband, played by Ioan Gruffudd (Horatio Hornblower, Fantastic Four).  She easily takes to her sister’s best friend, only to learn her sister (and now she) is having an affair with her friend’s husband.  Yet we get the feeling she likes Siobhan’s husband and could make her new life work as his wife.  See the soap opera-esque branches starting to form?

As almost an afterthought she learns the problem behind her sister’s marriage: their son must have met some early death. This is befuddling and we only know this from a brief reaction to a snapshot on a shelf.  Wouldn’t this son have come up in a prior conversation?  We must assume this was also held back for some reason as part of Siobhan’s planned death.

To leave us further hanging, Bridget picks up the phone to learn her sister’s test results are back, Siobhan was pregnant, and Bridget repeats this aloud so now her new husband thinks she is pregnant.

But wait–there’s more.  We see a last-minute murder attempt on Bridget’s life.  And the person behind the hit?  Flash to Paris, France and here is the real Siobhan, alive and well after all.

  

Ringer will be the ideal star vehicle for Gellar and opportunity for Emmy glory.  She gets to play a down-and-out fish out of water with Bridget, and Bridget’s opposite in jet setter, fashion forward Siobhan, both caught up in this complicated web of deceit, with Gellar onscreen for every minute of it.  Do they pay actors twice for playing two roles?  Do you think Gellar asked her agent this question?  (Buffy would have).  Viewers will find themselves asking:  which sister is Gellar more like in real life?

Except for the huge Buffy fan base that is eager to see the next new Gellar project, the cards are stacked against any show like this being successful.  Will each episode be about lies built on other lies, with Bridget skating through all the barriers thrown at her?  How long can that story last, or will they play up the soap opera plotting to make this go on forever?  With most series cancelled abruptly we may never learn where the story will end.  Ringer’s producers and writers will need to offer more than twists to keep viewers watching.

That said, episode one pummeled us, along with character Bridget, with a lot of material to digest.  Gellar’s acting is more nuanced than her Buffy days, and what she has to offer new each week is what will likely keep viewers coming back for more.

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