Tag Archive: Doug Drexler


Its first two seasons became one of the top 5 science fiction series of the decade.  Airing from 2017 to 2019, The Orville was a refreshing approach to sci-fi TV, a drama, comedy, and parody in just the right mix, plus unrivaled special effects, makeup, and costume design.  Delayed by the pandemic, the third season of The Orville, now named The Orville: New Horizons, has a new target launch date for this coming June, moving from Fox to Hulu.

Creator/star Seth MacFarlane is bringing the crew back, along with behind-the-scenes contributions from the creators of sci-fi’s past like Brannon Braga, Doug Drexler, John Eaves, Cherry Chevapravatdumrong, André Bormanis, and more.  And thanks to MacFarlane, we now have a first look at the incredible special effects coming our way in the season three opening scene.  Take a look at this 4-minute introduction:

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sts future cover

Review by C.J. Bunce

By my count there are six books so far in the Star Trek Shipyards library from publisher Hero Collector: Star Trek Shipyards: Starfleet Ships 2063-2293, Star Trek Shipyards: Starfleet Ships 2294 – The Future, Star Trek Shipyards: Federation Members, Star Trek Shipyards: Klingon Fleet, and most recently in 2021, Star Trek Shipyards: The Borg and Delta Quadrant (reviewed here), and Star Trek Shipyards: The Delta Quadrant Volume 2 (reviewed here).  With two more volumes due out in the coming months available for pre-order now (Alpha Quadrant and Major Species Volume 1 and Alpha Quadrant and Major Species Volume 2), the publisher is taking a step back with the late summer release Star Trek Shipyards: Starfleet Ships 2294 – The Future, an updated and expanded edition of the second volume in the library, adding significant content to the original edition.  The most popular of the Star Trek Shipyards library, this volume presents many of fans’ favorite ships of the line in high-quality illustrations.  A lot has happened in the franchise in the past few years, and readers will find much of it making its way into this book, with vessels from all three seasons of Star Trek: Discovery to Star Trek: Lower Decks and Star Trek: Picard. 

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Star Trek Designing the Future cover

Review by C.J. Bunce

For nearly 55 years sci-fi fans have been watching and re-watching Star Trek’s original series and rebuilding futuristic components from the show in their own homes.  In the 1960s it was easier, as many of the components that defined the early look of Star Trek were simply “found objects”–items existing in the real world that could be repurposed to create a vision of the future.  Midcentury Modernism was the artistic movement that coincided with the inception of the worldbuilding for Star Trek, and fans Dan Chavkin and Brian McGuire chronicled some of the Star Trek creators’ use of those designs in their new coffee table book, Star Trek: Designing the Future–How Midcentury Modernism Shaped Our View of the Future Take a look at a preview of this introduction to the artistic movement and the early Star Trek design aesthetic below, courtesy of publisher Insight Editions.

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Review by C.J. Bunce

Of all the attributes of Star Trek’s Deep Space Nine series, my personal favorite is the art direction.  Because it is a visual account of the production of the show, the new Deep Space Nine Illustrated Handbook is a celebration of the work of key creative visionaries and futurist art designers Rick Sternbach, Michael Okuda, and Doug Drexler, and more.  Reprinting key components from more than 8,500 mail order Fact Files cards published between 1997 and 2002, this attractive, hardcover, coffee table book will provide insight into Star Trek’s outlying, groundbreaking series for a new generation of fans now watching for the first time via Netflix and other streaming platforms.  In this chronicle expect to find everything but a self-sealing stem bolt.

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Review by C.J. Bunce

For a fan like me, Star Trek: Voyager was the definitive Star Trek series, the crew that most fully embraced Gene Roddenberry’s vision beyond the television series he created in 1966.  It featured a crew on a ship that explored like no crew before it, with only their available technology and their wits to survive.  Helmed by Kate Mulgrew’s personable yet tough Captain Kathryn Janeway, the crew would travel 70,000 light years home after being stranded in the Delta Quadrant.  The 25th anniversary of the launch of the series was 2020, and worthy of the celebration, authors Ben Robinson and Mark Wright have created the definitive behind the scenes account of the 1995-2001 series, Star Trek: Voyager–A Celebration, available now here at Amazon.

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Review by C.J. Bunce

After delivering a dozen Star Trek books, fiction and non-fiction, authors Paula M. Block and Terry J. Erdmann are back in the franchise, this time covering the entire first two seasons of CBS All Access’s Star Trek: Discovery in their new book The Art of Star Trek: Discovery.  This is the latest concept art and film production book in a franchise of some of the best printed TV and film retrospectives.  Star Trek: Discovery, which led the newest chapter in the television Star Trek Universe (followed by Short Treks, Picard and Lower Decks), follows the exploits of Vulcan-raised science officer Michael Burnham and the crew of the U.S.S. Discovery as they boldly go where no one has gone before.  This book covers every corner of the series in an attractive hardcover full of great photographs.

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Review by C.J. Bunce

The most comprehensive retrospective analysis of a film you’ve probably ever read has arrived.  For the 40th anniversary of Star Trek: The Motion Picture, film historian Marc Cushman saved his best for last, These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s Volume III (1978-1980), the sixth in his volume of comprehensive histories of the people and productions before, during, and after the original 1960s Star Trek TV series, forming a complete biography of Star Trek creator Gene Roddenberry (who was born 99 years ago this week).  The creative vision and determination of Roddenberry came to its zenith in the period leading up to and during the filming of 1979’s Star Trek: The Motion Picture, and a series was resurrected and turned into a major franchise.  Cushman reviewed archives, records, contemporary articles, and interviewed key players for this book, to flesh out once and for all Roddenberry’s successes and failures with the film’s script and his pressure on the studio to maintain creative control, successfully spurring what would become 40 more years (and counting) of Kirk, Spock, and friends.

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Review by C.J. Bunce

TV historian and Star Trek expert Marc Cushman is back to continue his second trilogy of books about the development, production, and struggles behind the first two decades of Star Trek.  In These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s, Volume 2 (1975-77), at last we get to delve into the biggest Star Trek project never delivered: The 1970s Star Trek: Phase II series that would be parted out and become Star Trek: The Motion Picture and later Star Trek: The Next Generation.  And that’s not all–ideas and early scripts for Phase II continue to be tapped in the 21st century Star Trek series and films.  Even better, Cushman digs into the ever-developing Star Trek novels, conventions, and more, which became the practice grounds for the wider, broad world of pop culture fandom as a whole.  How did Star Trek finally movie forward from the original series to become what it is today?  How did the fans play a major role in making that happen?   Continue reading

Review by C.J. Bunce

Twenty years ago the last episode of Star Trek: Deep Space Nine premiered, and for its anniversary a crowdfunding project funded a feature-length retrospective on the series.  Deep Space Nine: What We Left Behind will be familiar to any fan of Deep Space Nine who has delved into the special features found in the DVD sets or online via YouTube.  It’s full of those reminiscences, albeit updated, diehard fans have viewed countless times in interviews with cast and crew and via panels at the annual Star Trek convention in Las Vegas.  But the unique feature for this new documentary is a reunion of writers from the series who sit down and block out what a possible next episode of the series might include.

Deep Space Nine showrunner and executive producer Ira Steven Behr leads the documentary, hitting the high points of his seven years creating Deep Space Nine, intercutting new and old interviews with key and supporting cast members, a few members of the production staff, co-creator Rick Berman and the man representing the business side of production, Kerry McCluggage, former chairman of Paramount Television Group.  Deep Space Nine: What We Left Behind does not look closely at the production from a design, costumes, props, music, or technical standpoint, but is almost exclusively focused on the writers and actors, and why the crew thinks its show was different from competing programs in the 1990s (although some art production familiar faces including Herman Zimmerman, Michael and Denise Okuda, and Doug Drexler make brief appearances).

The writers room reunion of Behr, Ronald D. Moore, René Echevarria, Hans Beimler, and Robert Hewitt Wolfe talking through a spec script idea for a new 20th anniversary reunion episode is a great guide for anyone wanting a glimpse at the process of developing a television show.  Backed by a cartoon art/Ken Burns-esque multimedia mock-up of characters and sets by artists Magdalena Marinova, Kai De Mello-Folsom, and Luke Snailham, it’s a better presentation format than watching more talking heads.  The result feels quite like a Brannon Braga or Ronald D. Moore series finale episode (see Star Trek: The Next Generation’s “All Good Things…” and Star Trek Voyager’s “Endgame”), complete with a time jump and appearances by grown-up regular players, in this case Jake Sisko and Molly O’Brien.  Vedek Kira?  Captain Nog?  With some make-up and new costumes, the writers’ episode creation would have actually made a fine final episode to the series, providing some resolution to the fate of Avery Brooks′ Captain Sisko.

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Review by C.J. Bunce

It only takes a few pages of David Tilotta and Curt McAloney’s new book Star Trek: Lost Scenes to realize this fantastic new book is like discovering the Lost Ark of Star Trek fandom.  Beginning with a spirited foreword by Doug Drexler (life-long Star Trek fan and later multi-award winning creator of later Star Trek series), who provides personal context for the book, it is like no other Star Trek book published in the five decades since the original series wrapped.  As the annual Star Trek convention gets under way in Las Vegas, thanks to Titan Books we at borg.com are providing this first look and review of what is sure to be the biggest hit for fans of the original Star Trek series this year.  For early Star Trek fans who collected original film clips (also called cels) from Gene Roddenberry’s personal Lincoln Enterprises company after the series first aired, this book will be viewed as a gold mine they only dreamed about–an almost archaeological recreation of the lost past.  For fans that have longed for anything truly new from the 1960s series, this is what you have asked for, as it includes images never before published of deleted scenes from 36 episodes, plus never before published angles of actors, sets, costumes, and props from the series.  For fans of Hollywood television history, carefully assembled rare images take readers onto the studio stages, backlots, and on-location sets, providing a detailed explanation of how the production shot the actual visual effects and used the technology of the day to create a vision of the future that continues to inspire generations 50 years later.

As explained in Star Trek: Lost Scenes, “Everything that went before the cameras during the production of Star Trek: The Original Series, both intentionally and unintentionally, can be seen in the film frames.”  In the late 1960s fans wanted any souvenir they could get from Star Trek.  Thanks to Gene Roddenberry and his wife Majel Barrett Roddenberry, a legion of fans could purchase the actual film from the TV show in the form of film clips.  You’ve no doubt heard of the concept of footage shot in TV and movies that “hits the cutting room floor”–parts of film roll footage, called “dailies” or “rushes” that were filmed and then printed in color for viewing the next day by production staff, taken either from bad takes or alternate takes attempted but not preferred by the director, or maybe footage shot that was intentionally deleted from the show for time constraints or editorial decisions, and unused for any number of reasons.  Where every other production threw away these trimmed film roles and segments of footage, show creator Roddenberry was savvy–he collected them and took them home to sell in his side business.   From 1968 through about 1990, Roddenberry’s company sold fans these film clips by the millions, most images containing a single frame from episodes that were seen in the final cuts of the episodes (initially at eight clips for $1).  Because of the nature of the film stock used, most of these film clips are faded, and many simply have been lost to time.  But some collectors over the years, including the books’ authors, chose to focus on collecting and preserving those most rare and obscure images that went beyond the scenes everyone knows so well.  Those otherwise “lost” images are what readers will find collected in this book, and they’ve been methodically restored to reveal their original quality and colors for the first time.

The authors match collected film clips to the actual text pulled from the production scripts that was edited out of the final cut of 36 episodes, re-creating scenes that almost made it into production but didn’t (like more Vina and Captain Pike from “The Cage,” more Romulan footage from “Balance of Terror,” more Khan footage from “Space Seed,” new views of the Mugato from “Private Little War,” more Gorn from “Arena,” and much more footage of William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, and the rest of the Enterprise crew).  For aficionados of television history, the film clips and the authors’ commentary provides a film school study guide on Star Trek’s optical effects, demonstrating the use of filming miniatures (models of iconic ships, space stations, planets, and other models), blue screen photography, matte paintings, split-screen effects (as used to see two Kirks in a single frame), superimpositions, animation-based effects, dissolves, cloud tanks, and combinations of these (like phaser beams and the transporter effect), plus make-up, costume, and stunt effects.  Fans of bloopers will enjoy pages devoted to outtakes and production gaffes, plus a section delves into information that tells even more surprising stories from the production via clapper boards and the most obscure details in frames discovered by the authors after years of study.

Check out these preview pages from Star Trek: Lost Scenes (available to order now at a pre-order discount here at Amazon, to be released August 21):

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