Tag Archive: Dynamic Dames: 50 Leading Ladies Who Made History


Review by C.J. Bunce

Over the past decade I have reviewed most of the books from publisher Running Press chronicling Turner Classic Movies’ in-depth research into the best of classic and genre films.  Yesterday I looked at the 2016 book TCM’s The Essentials: 52 Must-See Movies and Why They Matter, by film historian Jeremy Arnold.  Today I’m reviewing and previewing a new volume in what has become a film library for the film historian.  It’s the second volume pulled from the 2001-2020 TCM series The Essentials, TCM’s The Essentials: 52 More Must-See Movies and Why They Matter, a very different look at film than the first volume, with some interesting features–and great movies.  We have a peek inside the book for borg readers below.

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Review by C.J. Bunce

Usually the books from Turner Classic Movies highlight lists of select genre favorites by a single author, with selections that are always on-topic, but can often provoke readers to pull out their hair, since it’s very likely nobody’s personal list will match the author’s–or anyone else’s.  We’ve seen great insights and and I’ve personally found numerous selections to track down from the likes of Must-See Sci-Fi, Dynamic Dames, Forbidden Hollywood, Christmas in the Movies, and most recently Fright FavoritesBut now I am going to double back to the book, and the list, that started it all.  It begins with the 2001 Saturday night series, TCM’s The Essentials.  The book is TCM’s The Essentials: 52 Must-See Movies and Why They Matter, by film historian Jeremy Arnold, a very different look at classic films.

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Review by C.J. Bunce

Your first glance at the title of TCM’s latest overview of a key genre of Hollywood’s greatest films may give you pause: Fright Favorites: 31 Movies to Haunt Your Halloween and BeyondOnly 31 movies?  Quickly you’ll figure out that the 31 highlighted movies in horror historian David J. Skal’s list are only the framework for a larger, chronological examination of the horror genre, with a lean in to Hollywood’s horror classics, the kind you’re most likely to find on the Turner Classic Movies TCM channel.  In this list of recommendations, readers are sure to pull their hair out, since it’s very likely nobody’s personal list will match the author’s–or anyone else’s.  Yet that’s why we turn to these books, and as you’d expect, Fright Favorites doesn’t disappoint: You’re practically guaranteed to add an obscure–or not-so-obscure–horror film to your future watch list.

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Our borg Best of 2019 list continues today with the Best Books of 2019.  If you missed them, check out our review of the Best Movies of 2019 here, the Kick-Ass Heroines of 2019 here, the Best in Television 2019 here, and the Best Comics of 2019 here.

We reviewed more than 100 books that we recommended to our readers this year, and some even made it onto our favorites shelf.  We don’t print reviews of books that we read and don’t recommend, so this shortlist reflects only this year’s cream of the crop.

So let’s get going.  Here are our selections for this year:

Best Read, Best Fantasy Read, Best New Edition of Previous Published Work, Best Translated Work – A Hero Born: Legends of the Condor Heroes 1 by Jin Yong, translated by Anna Holmwood (St. Martin’s Press).  The first book in one of the most read books of all time finally makes its way to the U.S. after its premiere in Great Britain.  Readers will learn why George Lucas pulled its concepts for his Skywalker saga, and why generations of Chinese fans of fantasy of flocked to its heroes and villains.  Honorable mention for Best Fantasy Read: A Labyrinth of Scions and Sorcery by Curtis Craddock (Tor Books), The Dark Lord Clementine by Sarah Jean Horwitz (Algonquin Young Readers).

Best New Novel, Best Horror Novel, Best Historical Novel, Best Mystery Novel – The Cthulhu Casebooks: Sherlock Holmes and the Sussex Sea-Devils by James Lovegrove (Titan Books).  A truly literary work combining a smart Holmesian adventure and the dark mind of H.P. Lovecraft.  Readers will love Lovegrove’s approach, Holmes and Watson’s journey, and all the creepy surprises.

Best Sci-Fi Novel, Best Thriller – The Andromeda Evolution by Daniel H. Wilson (HarperCollins).  Wilson successfully conjured the spirit of Michael Crichton for this smart, creepy, and oddly current sci-fi sequel to The Andromeda Strain.  A cast of characters just like Crichton would have put together, and a must-read.

Best Franchise Tie-In Novel – Firefly: Magnificent Nine by James Lovegrove (Titan Books).  One of the best authors around crafts a worthy story to expand the Firefly canon and give fans their own new movie of sorts for the franchise.  Runner-up: Alien: Prototype by Tim Waggoner (Titan Books).  Honorable Mention: Death of the Planet of the Apes by Andrew E.C. Gaska (Titan Books).

Best Retro Read – Mike Hammer: Murder, My Love, by Mickey Spillane and Max Allan Collins (Titan Books).  Collins continues to bring Spillane’s characters to life with thrilling prose and all the best pieces of noir drama and action.  Honorable mention: Brothers Keepers by Donald E. Westlake (Hard Case Crime).

Best Genre Non-Fiction – Industrial Light & Magic Presents: Making of Solo: A Star Wars Story by Rob Bredow (Harry N. Abrams).  Bredow’s unique access to the production made for a rare opportunity in any production to see details of the filmmaking process.  Every movie should have such a great deep dive behind the scenes.  Honorable mention: The Making of Alien by J.W. Rinzler (Titan Books).

There’s much more of our selections for 2019’s Best in Print to go…

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Review by C.J. Bunce

This month, a new book examining what makes a great character also takes an in-depth look at Hollywood and film from the silent picture era to today.  It’s Turner Classic Movies/TCM′s latest book on film, Dynamic Dames: 50 Leading Ladies Who Made History I previously reviewed film historian Sloan De Forest′s Must-See Sci-Fi: 50 Movies That Are Out of This World here at borg, a fun read and a fun list that is more a celebration of pop culture than film school companion.  De Forest seems to have far more passion for her next subject, selecting a masterful list of 50 women worth reading about–and worth seeing their films.  She also connects the dots between actors, their characters, and their personal lives in a way you’ve probably not seen before.  In one word, Dynamic Dames is brilliant.

Everyone reading anyone else’s list of 50 people of any pursuit will have quibbles along the way, but De Forest shows an impressive knowledge of film and delivers.  Not only a selection of 50 worthy actors–she doesn’t select the roles most movie critics flock to and rave about–she also finds those finer, more nuanced performances where these Dynamic Dames probably should have scored their Oscars.  She also divides the book into eight sections and finds perfect examples that exemplify each section, from Pre-Code Bad Girls, to Big Bad Mamas, Women of Mystery, and Strong Survivors.  A category not possible until more recently, Superheroines, rounds out the list, and although the performances have not had much of a chance to steep from a historical standpoint, De Forest provides solid rationale for them all.

Authors of a book like this typically will reserve a small percentage of the list for modern readers to have something to be attracted to, but that’s not the case here.  De Forest actually embraces recent films, pulling in more than 20 percent of her list from characters appearing in 21st century films.  Most of her rationale for each of these more recent actors and corresponding characters justifies their inclusion, comparable in performance, significance, and influence, to the film greats any movie buff would expect to find on this list.  She also ties in some of cinema’s–and literature’s–best women writers; it should be no surprise that many of these outstanding characters in film over the course of 92 years resulted from great women writers of the 19th and 20th century, including Charlotte Brontë, Agatha Christie, and J.K Rowling.

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