Tag Archive: dystopian comic books series


Review by C.J. Bunce

The latest novel re-issue from the Marvel universe is an adaptation of Chris Claremont and John Byrne’s original story arc from the pages of 1981’s series The Uncanny X-Men: X-Men: Days of Future Past You may have read the original classic comics, you may have seen the ground-breaking 2014 team-up movie, and now author Alex Irvine digs deeper into the original story that remains among comic book readers’ most acclaimed stories.  A recurring trope–the banning of individuals with superpowers–is the background for this story of a former member of the X-Men, Kate Pryde, who is sent back to the past from the dark, not-so-distant future on the brink of Armageddon.

Kate is sent back in time to try to change an event in the past, the murder of Senator Kelly by Raven aka Mystique, and the deaths of several others including Charles Xavier and Moira MacTaggert.  The deaths are the impetus to the creation and domination of Sentinels, giant robots that can track and destroy mutants–or anyone else–with ease.  X-Men stories tend to include so many characters that readers only get to view a few character arcs.  Writer Alex Irvine keeps his story crisp and constantly moving forward.  Here we see Kate Pryde returned to the past and in doing so she swaps consciences with her 13-year-old self–new X-Men recruit Kitty Pryde, begrudgingly taking the name of Sprite, who will one day embrace the code name Shadowcat.  She is sent to the past by the telepathic Rachel Summers, the future daughter of Scott Summers and Jean Grey aka Phoenix.

Irvine keeps his story to a core band of players.  In the future, it’s Logan aka Wolverine, Magneto, Ororo aka Storm, and Kate’s husband Peter Rasputin aka Colossus.  In the past, Kate in the form of Kitty must convince Storm, Logan, Colossus, Kurt Wagner, aka Nightcrawler, Moira and Charles to prevent Mystique, the Blob, and others from the Brotherhood of the Hellfire Club headed up by Emma Frost from wreaking havoc on Senator Kelly’s congressional hearing.

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Feeling the heat?  A new San Diego Comic-Con trailer for Snowpiercer might help.  First a series of graphic novels we discussed five years ago here at borg, then a movie starring Chris Evans (reviewed here and discussed here), the futuristic, post-apocalypse universe of Snowpiercer is now making its way to your television set.  For the 2013 movie, the casting of big names, Marvel superhero Chris Evans, Academy Award-winning actor Tilda Swinton, and multiple Oscar-nominated actors John Hurt and Ed Harris, reflected the critical and popular appeal of the comic version of the story more than the resulting B-movie that ended up on the screen.  Now it’s up to Academy Award-winning actor Jennifer Connelly (A Beautiful Mind, Alita: Battle Angel, The Princess Bride) carry the baton.

Originally published in French in 1982 as Le Transperceneige by Jacques Lob with art by Jean-Marc Rochette, Snowpiercer, Volume 1: The Escape is available in an English translation by Virginie Selavy with follow-on English translations of Volume 2: The Explorers by Benjamin LeGrand and Volume 3: Terminus by Olivier Bocquet also available, and a prequel Extinction by Matz, on the way.  For the new TBS television series (available on Netflix elsewhere), stage actor Daveed Diggs joins Jennifer Connelly with several new faces and background actors.  And it’s already been renewed for a second season.

Repressive like the world of George Lucas’s THX-1138 and Kurt Vonnegut’s Harrison Bergeron, thematically political like the similarly wintry Dr. Zhivago, and drawn with the stark, black and white look of Aha’s Take On Me music video from the 1980s, Snowpiercer is a bleak, but ambitious, series of graphic novel about many things.  The back of the train like the back of the bus in the 1960s, or the lower sections of the ship on the Titanic, you can analogize the social strata of the train to many things. But neither the rumored horrors at the “tail” of the train, nor the “golden carriages” of the first class at the front of the train are what they appear to be.  At one level Snowpiercer is a strange, existential retelling of Plato’s Allegory of the Cave.  As with the movie, the trailer for the series shows something different from the graphic novel that inspired it, but maybe an alternate story of the train a la Beyond the Poseidon Adventure.

Here’s the trailer for TBS’s new series, Snowpiercer:

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Review by C.J. Bunce

Old Man Logan is a 2017 theatrical release we previewed here at borg.com earlier this Fall.  Bryan Singer treated us to a sneak peek at this version of Logan aka Wolverine in this year’s hit superhero flick X-Men: Apocalypse.  If all you know about Logan is the nine films in which Hugh Jackman portrayed the on again/off again X-Men leader, then now is a great time to get caught up on the monthly comic book title that inspired the movie.

Old Man Logan is the second series to follow the exploits of Logan in a post-apocalypse setting–the first was written in the eight-issue Wolverine: Old Man Logan story arc collected here, and the second was published in 2015, collected here.  The current series, now on Issue #14, is available in three trade editions, with Issue #15 due out in comic book stores by year end.

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Old Man Logan may be the best work yet from well-known writer Jeff Lemire, artist Andrea Sorrentino, and color artist Marcelo Maiolo.  Lemire is known for his work on books from Animal Man to Green Arrow, and currently he also pens All-New Hawkeye, Extraordinary X-Men, and Moon Knight.  Lemire tells a tale of a distant future, one overrun by villains and a world without Wolverine to protect it, Logan is a farmer with a wife and kids, whose life is destroyed when the Hulk Gang kills his family.  But the twist is Logan finds himself back in future’s past, able to change the timeline and destroy all of those who one day will ruin his life.  This Logan is an Old West wanderer and drifter, who makes Clint Eastwood’s Man with No Name pale in comparisonThis is Marvel’s answer to Frank Miller’s The Dark Knight Returns at last, a series gritty and dark and full of the kind of what-ifs readers are clamoring for.

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Now in its second issue, Old Man Logan, Marvel’s newest X-Men monthly, tells a familiar story told previously by Mark Millar and Brian Bendis.  But it’s a visually compelling jump-on point to a future world story of one of the Marvel universe’s most popular superheroes.  Mark Millar and Steve McNiven’s Wolverine: Old Man Logan first told the story of a disturbing dystopian Marvel future where the villains have won and Wolverine must take on the gang that is the last legacy of Bruce Banner’s Hulk.

Last year’s Secret Wars, written by Brian Bendis, re-introduced Logan aka Wolverine as an old man 50 years in the future.  On the heels of the success of the now Academy Award-nominated, big screen return of the similar post-apocalypse Mad Max: Fury Road, there’s little doubt the story will be appealing to modern readers.  Fans of Hugh Jackman’s take on Logan will also hear the same voice in this grizzeled and even more put-upon version of the character.

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In Old Man Logan Issues #1 and #2, we learn Logan’s past is the same past we’ve seen before–overrun by villains and a world without Wolverine to protect it, Logan is a farmer with a wife and kids, whose life is destroyed when the Hulk Gang kills his family.  But the twist is Logan finds himself back in future’s past, able to change the timeline and destroy all of those who one day will ruin his life.  This Logan is an Old West wanderer and drifter, an update to Clint Eastwood’s Man with No Name and Unforgiven.

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