If you agree with us that the biggest landmark in the visual representation of futurism in science fiction over the last several years was Doug Liman’s Edge of Tomorrow, Luc Besson’s Valerian and the City of a Thousand Planets, and Netflix’s Altered Carbon, then you might also see something similarly new and refreshing–and yet new and different–happening with the new Paramount+ series Halo. As I described it last month here at borg, Halo’s first episode was a dense set-up of a series opener, establishing the world building, the opposing factions and key characters in this new universe extracted from the video game franchise. But the series’ second episode, titled “Unbound,” doesn’t miss a beat in showing viewers an even more layered science fiction story is in play, with plenty of visual surprises.
At $6.5 billion in sales, Halo, the 77th biggest media franchise, is nothing to sneeze at. So what took the video game franchise so long to make it to a major live-action production? It was just stuck in development stages. But for both those who never played the games and those who have, Halo is now a live-action series joining sci-fi’s Star Trek franchise on Paramount+. The series opener is full of all the pew-pew action you’d expect of a first-person shooter game. Neither a continuation, adaptation, or prequel to the games, the show is meant to be a standalone world. It’s Lost in Space meets Ender’s Game and Star Wars: The Clone Wars, with similar plotting to Dune and Gears of War, a non-human threat like Ender’s Game and Starship Troopers, a 26th century mad scientist’s super squad with Edge of Tomorrow armor and guys in them that talk and stomp around like Jayne in Firefly.
Fortunately the pilot comes together like the short mini-series that touched off the successful Battlestar Galactica reboot. Yes, this is a military sci-fi genre series to check out, and one you’ll likely return for next week.
Before you go out and read the novel the movie Bullet Trainis based on, check out my review here at borg from last year. Perhaps the English edition is a poor translation of Kotaro Isaka’s novel Maria Beetle, but I’m thinking it’s just simply a dry novel with a good title. Either way, for a title like Bullet Train, it was lacking in many ways. Happily, the first trailer for the movie adaptation starring Brad Pitt looks nothing like the novel, which was an homage to Thomas the Tank Engine cartoons (seriously!). In the movie trailer Pitt appears like he’s stepping back into the role of Cliff Booth, that badass brawler from Once Upon a Time in Hollywood (who was even better in Quentin Tarantino’s novel than in the film). So the good news is director David Leitch, known for actual action content like Atomic Blonde, Deadpool 2, Hobbs & Shaw, and John Wick, seems to be disregarding the book and focusing on what audiences would expect from that title: a big action movie.
Full of style and color (and action!) backed by a Japanese version of the BeeGees’ Staying Alive–check out the trailer for Bullet Train:
In Michael A. Stackpole’s first venture into the Gears of Waruniverse, the author puts the franchise’s military sci-fi storytelling into the realm of Aliens, Predator, Starship Troopers, and Edge of Tomorrow. Focused on the same elite military squad of “Gears” as in the video games and previous novels in the series, Gears of War: Ephyra Rising takes a surprising turn into the gritty, real-life aftermath of soldiers returning after the war is over. Focusing on the toll that battling the Locust and Lambent threat has taken on Sgt. Marcus Fenix and Lt. Anya Stroud, Stackpole infuses an adjustment to life narrative that is believable and real, while also creating a love letter to one of the franchise’s most beloved characters.
Hiroshi Sakurazaka’s All You Need is Kill is an example of a spectacular Japanese novel that translated perfectly to the English language and Western audiences in the movie adaptation,Edge of Tomorrow, later renamed Live. Die. Repeat. Kotaro Isaka’s Bullet Train, initially re-titled from its original name Maria Beetle, is the next Japanese novel on its way to the big screen, not starring Tom Cruise but Brad Pitt, expected to arrive in theaters next year. It’s not what you’d expect, which is good or bad, depending on your tastes. Despite that evocative title, it’s surprisingly not an action thriller. It’s billed as social satire, like the French graphic novel turned Chris Evans movie and TV series, Snowpiercer, and that’s pretty much what readers should expect from Bullet Train, the novel, arriving in its first English edition in U.S. book stores next week. If Snowpiercer was your thing, you may want to pre-order Bullet Train now here at Amazon.
The Taking of Pelham 1-2-3, Unstoppable, Murder on the Orient Express, Strangers on a Train, The Lady Vanishes, Von Ryan’s Express, Butch Cassidy and the Sundance Kid, Silver Streak, Source Code, and yes, Snowpiercer, are the top 10 movies you probably think of featuring train action (oh, and don’t forget the original action movie, 1903’s The Great Train Robbery, discussed here and remade several times, plus props are due for train flicks The Commuter and Trading Places). In each of these, a train goes out of control, or it gets highjacked, or hit by an avalanche, someone is kidnapped or killed, or the train is the target of a terrorist attack–all the kinds of dangers that couple well with a fictional speeding train.
Chris Pratt movies are a thing now just like Tom Cruise movies and Mark Wahlberg movies. The latest Chris Pratt movie is The Tomorrow War, which just arrived this past weekend on Amazon Prime. It’s every bit a vehicle for Pratt and could star nobody else. Like the Jurassic World movies, Passengers, and even The Magnificent Seven remake, Pratt is a unique casting decision but evidently studio execs keep going for his “aw, shucks” brand of characters. In The Tomorrow War, Pratt plays a biology teacher dad turned rescuer of mankind named Dan Forester. Forester is nearly impossible to distinguish from Pratt’s dinosaur confronting character in Jurassic World. Pratt plays that bit of a dope you can’t imagine actually doing any of the things his character encounters, so you may need to be a Pratt fan or simply be grateful it’s a free action movie and not mind you’re getting what you paid for. Either way, there are worse direct-to-TV movies out there, but as the alien invasion genre goes, don’t expect to count The Tomorrow War high on your list.
Ten years of movie reviews. How do you pick the best? Our theory from the very first day of publishing borg has been reviewing only those things we like, things we think are fun, imaginative, or just plain cool—because if we think they’re cool, maybe you will, too. What makes a great movie? #1 for us is great writing—great storytelling. #2 is re-watchability. Lots of movies are good, but if every time you watch it you enjoy it all over again and maybe find something you didn’t see before, then you likely got far more value from the movie than the price of a movie ticket. #3 is innovation—there’s nothing to top off a good story like new technology surprising us. Finally, the experience must be fun—why else would you devote two hours or more of your valuable time?
So in Casey Kasem style, here are the Top 40 movies we recommend, spanning 2011 to 2021. These are our favorites. How should you use lists like this? If you like what we talk about at borg, you’re probably going to like these movies. If you’ve missed any, odds are you have some new movies to take a look at. Let’s start at #40 and move our way to #1. As with everything borg, we’re stressing genre movies, so don’t expect to see strict dramas or a lot of Best Picture Oscar winners here. Title links are to our original borg review.
One of the year’s best military sci-fi novels awaits you in the next Gears of War tie-in novel, Gears of War: Bloodlines. Author Jason M. Hough creates a gritty tale of an unthinkable mission by current lead game character and former Gear soldier Kait Diaz and a forgotten, impossible mission by her father, Lt. Colonel Gabriel Diaz. The story begins in the future at war, after the destruction of Settlement 2. Kait’s comrade J.D. Fenix is severely wounded. While Kait awaits his outcome, she is approached by an old man who claims he fought with her father years ago. The man slips her a secret file, which recounts a mission that determined the fate of her father, marked a turning point in his life, and may influence who she may become.
It’s a fantastic sci-fi series with a stellar cast and a story and production values that rival the original Blade Runner and its 2017 sequel. It’s Netflix’s Altered Carbon, based on Richard K. Morgan’s novel of the same name, a story about Takeshi Kovacs, a future soldier in a world where science has developed a hard drive called a “stack” that is implanted in humans’ necks, allowing our memories to be uploaded to storage and replanted over and over so they seemingly can live forever, even in new bodies called “sleeves.” See our review of the first season here. Allowing Kovacs and other characters to be played by any number of actors (allowing the series to run forever like Doctor Who), for the second season that means Anthony Mackie(Captain America: Winter Soldier, The Adjustment Bureau) is replacing Joel Kinnaman(RoboCop, Suicide Squad) as series lead. Netflix revealed its first teaser for the new season this week. Check it out below!
So fans of the Syd Mead, Ridley Scott, and Philip K. Dick brand of futurism, and all things borg, should catch up on the first season now. What does it mean to be human, and how much can you shed away and replace with technology and still retain the “self”? Altered Carbon tackles the philosophical questions The Matrix film series tried to answer. Kovacs is a 300-year-old soldier. As a seasoned fighter 250 years ago he was the last of a mercenary group called the Envoys, leading a rebellion against the new world order. This is a bleak world, filled with virtual reality and virtual sex, body swapping and trafficking, and the kind of tech noir, bleak, dystopian realm seen in Strange Days, A Scanner Darkly, Minority Report, Ready Player One, The Running Man, Brazil, Total Recall, with the violence of A Clockwork Orange.
The new teaser trailer showcases Mackie, but also shows glimpses of returning characters, including Kovacs former platoon leader, played by Renee Goldsberry(Star Trek Enterprise, Life on Mars), the original Kovacs, played by Will Yun Lee (Hawaii Five-O, Bionic Woman, Witchblade), the artificial intelligence named Poe who is the runner of a seedy hotel, played by Chris Conner(Burn Notice, House, Bones). Unfortunately it doesn’t look like the fantastic cop Kristin Ortega, played by Mexican actress Martha Higareda(McFarland USA, Royal Pains), will be back, but new additions include Simone Missick(Marvel’s Luke Cage, The Defenders), Neal McDonough (Captain America: The First Avenger, Walking Tall, The X-Files,), and Alessandro Juliani(Chilling Adventures of Sabrina, Battlestar Galactica).
Check out this quick look at season two of Altered Carbon:
It’s a fantastic sci-fi series with a stellar cast and a story and production values that rival the original Blade Runner and its 2017 sequel: Altered Carbon is based on Richard K. Morgan’s novel of the same name, a story about Takeshi Kovacs, a future soldier in a world where science has developed a hard drive called a “stack” that is implanted in humans’ necks, allowing our memories to be uploaded to storage and replanted over and over so they seemingly can live forever, even in new bodies. That conceit allows Kovacs and other characters to be played by any number of actors, which could allow the series to run forever much as Doctor Who’s regeneration mechanism allows replacement Doctors. Originally launched on Netflix in 2018, Altered Carbon has been extended for a second season, with filming underway last year, and viewers should expected a second season trailer and 2020 air date any day. Which means fans of the Syd Mead, Ridley Scott, and Philip K. Dick brand of futurism, and all things borg, should catch up on the first season now. What does it mean to be human, and how much can you shed away and replace with technology and still retain the “self”? Altered Carbon tackles the philosophical questions The Matrix film series tried to answer.
Kovacs, played by several actors (more on that below), is a 300-year-old soldier. As a seasoned fighter 250 years ago he was the last of a mercenary group called the Envoys, leading a rebellion against the new world order. Kovacs’s stack is shelved for the intervening 250 years until one of the wealthiest men alive, Laurens Bancroft, played by James Purefoy (an actor who has been runner up for the James Bond film roles and appeared in A Knight’s Tale and The Following), buys his stack and puts it in a new body or “sleeve,” giving Kovacs the opportunity to live anew if he agrees to find Bancroft’s killer. This is a bleak world, filled with virtual reality and virtual sex, body swapping and trafficking, and the kind of tech noir, bleak, dystopian realm seen in Strange Days, A Scanner Darkly, Minority Report, Ready Player One, The Running Man, Brazil, Total Recall, with the violence of A Clockwork Orange, but maybe not so hopeless as in Elysium, Mad Max, Gattaca, Terminator, and Dredd.
The series, which has a slow start and doesn’t kick into high gear until the second episode, also has the John Carpenter Escape from New York vibe but with Blade Runner visuals and effects, plus the creative elements of Total Recall that made for some unexpected surprises. Altered Carbon is a close match to RoboCop as future science and technology goes, so it’s easy to see why the casting agents brought along RoboCop remake star Joel Kinnaman as Kovacs’ primary sleeve in the first season. This sleeve was last owned by a cop killed in duty named Ryker. Ryker’s partner, Kristin Ortega, played by Mexican actress Martha Higareda(McFarland USA, Royal Pains), takes on the role of the season’s co-lead, struggling as she sees her old partner’s body and acting to protect his sleeve, trying to solve the murder of Bancroft, and uncovering the bad cops in the bureau. Ortega is a badass character in a small package who gets in and out of several fights that would take down anyone else in any other story, and she is the high point of the series–at one point an incident results in a loss of an arm, soon replaced by a powerful cybernetic arm. An interesting twist is that her family are Catholics, and in this future Catholics don’t believe in the stacks, which means once they die they are dead forever. This sets up one of the more interesting plot threads. If it seems like the series has a lot going on, that’s because it does. But it all comes together in a satisfying way in the final episodes.
