Following up on The Toys That Made Us (previously reviewed here at borg), Netflix’s surprise hit documentary series leaning on viewers’ nostalgia with a look behind select high-profile toy lines of the past, last December the streaming provider added a new series based on the same formula, The Movies That Made Us. The series looked at four movies in four hour-long episodes, including the modern Christmas staples, Home Alone and Die Hard. This December, Netflix is adding two new surveys of holiday movies to the mix: Jon Favreau’s Elf (2003) and Tim Burton’s A Nightmare Before Christmas (1993). Check out a preview below.
If Turner Classic Movies says that Die Hard is a Christmas movie, then the discussion is over finally, right?
It’s that time of year again and Turner Classic Movies is back showing some of the best Christmas movies from across the decades. This year host Ben Mankiewicz is interviewing author Jeremy Arnold before and after the screening of movies Arnold has selected to feature in his new book, TCM: Christmas in the Movies–30 Classics to Celebrate the Season. And yes, Arnold’s list includes Die Hard. So as the British say, “end of.” Most readers and movie fans will likely agree with at least twenty of the selections discussed in the book, and the rest are there ready for some good discussions with friends over some egg nog this holiday season.
It’s also likely this bucket list of movies has several films that even avid movie watchers may have missed. I set up my DVR to pick up a few in the book I hadn’t seen yet and was surprised at how superb a selectionHoliday Affair is. It stars Janet Leigh, Robert Mitchum, Wendell Corey, Henry Morgan, plus young Gordon Gebert in what must be the best-ever performance by a child actor in a Christmas movie. This is exactly the kind of value you get with a book like Christmas in the Movies–this movie will now be added to my own favorite Christmas movie list. For each entry Arnold discusses the actors, plot, audience reception and the impact of the film, and why it’s a good Christmas season film for audiences today.
Along with Die Hard, which is smartly defended by Arnold, you’ll find the usual suspects like Miracle on 34th Street, It’s a Wonderful Life, White Christmas, A Christmas Story, and Elf, plus some lesser known gems, like Remember the Night, the first of four films that would pair Barbara Stanwyck and Fred MacMurray, plus Ginger Rogers and Joseph Cotten in I’ll Be Seeing You, and Humphrey Bogart in We’re No Angels. Arnold picks up genre films Gremlins and The Nightmare Before Christmas, and even a few Westerns, including 3 Godfathers starring John Wayne.
For more than six years we at borg.com have been covering entertainment memorabilia auctions–sales of not merely replicas or mass-produced collectibles, but the real objects seen on film–rare or even one-of-a-kind costumes created by award-winning Hollywood costume designers, detailed props created by production crew, model vehicles created by special effects departments like Industrial Light and Magic, prosthetics created by famous makeup artists, set decoration, concept art, and much more. Amassing a wide variety of artifacts from classic and more recent film and television history, London and Los Angeles-based Prop Store is hosting its annual auction later this month. Known for its consignment of some of the most well-known and iconic screen-used props and costumes, Prop Store’s ultimate museum collectibles auction will be open for bidding from anyone, and items will be available at estimates for both beginning collectors and those with deeper pockets.
The Prop Store Live Auction: Treasures from Film and Television will be auctioning off approximately 600 items. You’ll find the following movies and TV shows represented and more: 3:10 to Yuma (2007), 300,Aliens, Back to the Future films, Blade Runner, Chitty Chitty Bang Bang, The Chronicles of Narnia films, Elysium, Enemy Mine, Excalibur, The Fifth Element, Gladiator, The Goonies, Gremlins 2: The New Batch, Jason and the Argonauts, Hellboy II: The Golden Army, the Indiana Jones films, Iron Man, the James Bond films, Judge Dredd (1995), the Jurassic Park films, Kick-Ass 2, Kingsman: the Secret Service, Lifeforce, Looper, The Lost Boys, The Martian, The Matrix, Men in Black III, Mission: Impossible (1996), The Mummy (1999), Patton, Pirates of the Caribbean series, Predators, the Rocky films, Saving Private Ryan, Scarface, Serenity, Shaun of the Dead, Shawshank Redemption, Sherlock Holmes (2009), Star Trek franchise, Star Wars franchise, Starship Troopers,Superman films, Terminator films, The Three Musketeers (1993), Tropic Thunder, Troy, True Grit, Underworld: Evolution, Who Framed Roger Rabbit, Willow, The Wolfman (2010), World War Z, and the X-Men films.
You can flip through the auction house’s hefty 360-page catalog, or start with a look at what we selected as the best 50 of the lots–what we predict as the most sought-after by collectors and those that represent some of fandom’s favorite sci-fi and fantasy classics and modern favorites.
Industrial Light and Magic 17 3/4-inch Rebel Y-Wing filming model from Return of the Jedi
Sark (David Warner) Grid costume from the original Tron (1982)
Julie Newmar’s Catwoman costume and Burgess Meredith Penguin hat from the classic Batman TV series
Buttercup (Robin Wright) Fire Swamp red dress from The Princess Bride
Chekov (Walter Koenig) “nuclear wessels” costume, Dr. McCoy (DeForest Kelley) costume, and Sulu (George Takei) double shirt from Star Trek IV: The Voyage Home
Full crew set of costumes (Malcolm, Zoe, Wash, Jayne, Inara, Kaylee, River, Book, and Simon) from Serenity(sold as individual costume lots)
Jack Nicholson purple Joker costume, plus separate coat and hat, from Batman (1989)
Enterprise-D 48-inch “pyro” model from Star Trek: The Next Generation
Will Munny (Clint Eastwood) stunt shotgun from Unforgiven
Star-lord helmet from Guardians of the Galaxy
Thor (Chris Hemsworth) Mjolnir hammer from Thor
Ghostbusters and Ghostbusters II jumpsuits made for Bill Murray as Dr. Peter Venkman
Witch-king of Angmar crown from The Lord of the Rings: Fellowship of the Ring
Val Kilmer Batman suit and cowl from Batman Forever
Maverick (Tom Cruise) flight suit from Top Gun
Geoffrey Rush Captain Barbossa costume from the first Pirates of the Caribbean film, Curse of the Black Pearl
Fantasy movies have been around since the beginning of cinema itself. The earliest filmmakers themselves were magicians of sorts, and what better way to dazzle an audience than show them something amazing and… unbelievable. But it’s not until the last ten or so years that fantasy was fully realized, rich and realistic, with classic stories finally matching the imaginations of decades of readers. There are of course exceptions. Big ones even. Like The Wizard of Oz. Only The Lord of the Rings trilogy gives The Wizard of Oz a run for its money, but does any single LOTR film compare to the one, classic Oz? I think that film still holds up today against any other film made since.
This is the first of four articles where each of the borg.com writers discusses their “ten favorite fantasy films” as we did with our favorite Halloween films last fall. Note this is a favorites vs. a “best of” list. We may have to do a “best of” list later, but “best of” lists are everywhere and often look exactly alike. When you’re discussing “favorite fantasy films” as opposed to “the best” you are bound to see some of the best films straddle both lists. But “favorites” lists allows you to fold in guilty pleasures, and maybe those films that, as quality is concerned, don’t hold their own to today’s audiences, considered from a more objective standard. Hopefully you can pick up a fantasy film or two you either haven’t heard of or haven’t seen yet.
What is fantasy? Our criteria was that there should be some element of magic in the film, and that the film wouldn’t better fit in another genre list like sci-fi or horror, etc.
Exclusions
My list excludes several genre films that could arguably fall into a fantasy list. I’ll save holiday fantasies like Elf and Miracle on 34th Street for another day. I also did not include superhero movies or action/adventure films, which I see as their own separate genres, or historical fiction, like Braveheart, despite that film often topping fantasy genre lists. Finally, I have not included movies that are also predominantly science fiction, otherwise the “greatest space fantasy of all time”–Star Wars, would be on the list. So my goal is including only “plain old classic fantasy movies.”
Honorable Mentions that made nobody’s Top 10
Because you can’t just list your top ten (why leave it at that?) I want to mention a few films that would have made the list before the advent of modern big fantasy films. Jim Henson’s Dark Crystal stood by itself for a time as real, incredible fantasy, with strange creatures and places. This film, and the strange Labyrinth, were the kind of romping fantasy that seemed to skip by an entire generation of baby boomers. Goonies is sure to make a favorites list for me but I am not sure there is any magic there to technically merit placing on a fantasy list. Great acting by Dennis Quaid and a great dragon voiced by Sean Connery made Dragonhearta solid fantasy film that was easy to watch over and over, and City of Ember and the better than average Disney film The Sorceror’s Apprentice with Nicholas Cage are newer fantasy films that I liked a lot but haven’t re-watched enough to have it make my list–yet. I’d watch any of those films again today. It’s the “over and over again watching” that I looked toward to finally nail down the order of my top ten. So here it is, from 10 to my current favorite at the number one spot:
10. Pirates of the Caribbean: The Curse of the Black Pearl. What defines fantasy as a genre is the presence of the magical or supernatural. Captain Jack Sparrow is a dead pirate captain, like the ghost pirate we loved in Scooby Doo, and what Lord of the Rings: Return of the King revealed to be that production’s coolest creation, the brilliantly executed army of the dead. From a completely over-the-top but cool performance by Johnny Depp to a fun voyage, a great ship, and a whole stew of solid actors, Pirates is fun fantasy in a historical setting, with a rousing soundtrack by Klaus Badelt that will stick in your head long after the credits have rolled.
9. Alice in Wonderland. I’ve never been much of a fan of Tim Burton’s unique style, until I was blown away by his take on this classic story. Burton was born to create Wonderland for movie audiences. Johnny Depp is completely mad as the Hatter, Anne Hathaway perfectly cast as the White Queen, and Helena Bonham Carter vile and insane as the Red Queen. They also went all out with voice work for the digital characters with Stephen Fry, Michael Sheen, Alan Rickman, Imelda Staunton, Christopher Lee, and Michael Gough all supplying great characterization. Beyond stunning visuals and sets, the story masterfully blends Alice in Wonderland with other works of Lewis Carroll as if they always belonged together. Burton’s audacity pays off and Alice can be watched again and again, each time finding incredible nuances. Burton joined Peter Jackson and Victor Fleming in an exclusive club of masters of the most classic of fantasy books to make it to screen.
8. Robin Hood, Prince of Thieves. This movie was written and created to get it into theaters as quickly as possible, in only a matter of literally weeks. So how can such a thrown-together film stand the test of time? I give a lot of credit to Kevin Costner as a believably viable, yet oafish and sincere Robin. His merry men are all well cast. And we got to see Alan Rickman as the most classic of villains, playing the role of the Sheriff of Nottingham. One of the best surprise endings gives us Sean Connery as we’d like to see him in an entire feature-length role (The achingly, poorly cast First Knight didn’t cut it, unfortunately). Who cares if the cast isn’t British and their costumes don’t make much sense? OK, this wouldn’t make any “best of” list, but I love watching it whenever it is on TV so it belongs right here. And it also has a great soundtrack by Michael Kamen.
7. Harry Potter and the Prisoner of Azkaban. In one sense, taking away the last three Harry Potter films, which to me are lesser works, the first five all sort of merge together–except for the story of Azkaban. Professor Lupin is probably the best of Harry’s professors, and his greatest role model is Sirius Black. Of all the Harry Potter films this is the only one I will stop and watch again. It’s a standout film in the biggest mega-fantasy franchise ever. Here you have cool tools of fantasy like the Marauder’s Map and Hermione’s time-turner. And the Dementors are rivaled in their quiet dark creepiness only by the Nazgul from The Lord of the Rings: The Fellowship of the Ring. And although there are some minor story problems involving the time-turner and the killing of an innocent with little commentary, the digital realization of a Hippogriff named Buckbeak becomes one of the best executed fantasy animals ever. John Williams was able to make a throughly creepy mood with his darkest (and final) Harry Potter soundtrack here.
6. Field of Dreams. “If you build it, he will come.” “It’s not heaven, it’s Iowa.” Not only did Field of Dreams give us some of the best catch phrases ever, it got people who don’t like baseball to like baseball (me included). Of all the ten movies on my list, Field of Dreams may be the most transformatively magical, and possibly the most unique because it is so off-the-wall. How did anyone sell this as a movie? Ghostly baseball players coming out of a cornfield to get in another game of baseball? The one-two punch of Kevin Costner and James Earl Jones (and Burt Lancaster!) put this film up with Jaws as a film that you can’t walk away from once you start watching it, even for the 100th time.
5. The Jungle Book. Rudyard Kipling’s 1894 book of stories called The Jungle Book included the story of Mowgli, and that story comes alive in a very wonderful way in 1967’s Disney animated movie. Mowgli’s life is the ultimate in escapes from reality for young viewers. Who wouldn’t want to be raised by wolves? Who wouldn’t want a giant friend who was a bear, and a wise advisor who is a black panther? The music made the simply detailed animation more frolicking and fun. And even the sinister villain, the tiger Shere Khan, need not meet his end in this film in order to round out a well told story of friendship, manipulation, and trust. And the hypnotic Kaa remains unmatched as the clever manipulator until we meet Wormtongue in The Lord of the Rings: The Two Towers.
4. The Lord of the Rings: The Two Towers. What’s the best of the three movies of Middle Earth? My hope is one of the two movies being made right now into The Hobbit series. I have issues with both Fellowship of the Ring and even more issues with The Return of the King, but it all amounts to nitpicking. As a series, it is the best fantasy series ever. As stand alone film, The Two Towers makes my list for the same reason The Empire Strikes Back would trump the other Star Wars films. Introductions of incredible places, like Rohan. And where my eyebrows wrinkled at killing off Gandalf the White in Fellowship of the Ring to only bring him back with a different name, Gandalf the Grey knows how to lead an army into battle at Helm’s Deep. My favorite character of the series gets a full story arc here–the classically regal and noble yet flawed Theoden King, leader of Rohan. The brother of the frustrating Boromir is introduced as David Wenham’s Faramir, who both kidnaps and then frees the traveling Hobbits. Merry and Pippin recruit the help of the awesome Ents–talking, walking trees that march into battle to protect what is theirs (also seen in The Wizard of Oz). Although the main journey of Frodo and Sam and Gollum finds them moving from point B to point C in this installment, the real adventure is what happens to the other six remaining members of the Fellowship. Whereas at the end of Return of the King the several denouements had me cheering for Gollum, in The Two Towers the excitement and pacing was just right, leaving audiences hungry for more at the end.
3. The Muppet Movie. A perfectly magical film. Jim Henson can’t be overstated as sitting among the kings of creating the fantastical. The Muppets had already been known to us through The Muppet Show, yet this movie brought laugh out loud humor to a fully realized classic hero’s journey–a drive from the East Coast to Hollywood. With a frog and a pig and a bear and a dog and what the heck are all those other guys like Beaker and Animal and …? Not since It’s a Mad, Mad, Mad, Mad World had Hollywood comic actors united behind a single important film with too many cameos to count, and all brilliantly funny. I like all the Muppet movies but this remains my favorite. We don’t analyze it but Henson did the unimaginable by making fabric characters as real as any human in any film and without the realism required by all other fantasy films of make-believe characters. Instead it just has a lot of honesty and heart, to make this movie beloved by audiences for generations to come.
2. The Wizard of Oz. I have likely seen only Star Wars, The Empire Strikes Back, the Star Trek films, and Jaws more times than The Wizard of Oz over the years. Before video tape and DVDs I remember watching once a year on a Sunday night when The Wizard of Oz was re-broadcast, waiting to watch closely again to see how they changed from a black and white Kansas farm to the technicolor land of Oz. Along with The Jungle Book, I watched this film as a young kid (unlike 8 other films on this list that came much later) and saw first-hand what magic in fantasy was all about. So many elements make this movie work, many from the source story by L. Frank Baum, like the long journey leading back home. A giant village of extras with the Munchkins. Crazy scary flying monkeys and arguably the best villain ever filmed in both the Wicked Witch of the West and the equally evil Miss Gulch. Good costumes from 1939 meant we didn’t need CGI or animation–the Tin Man, the Scarecrow, and the Cowardly Lion are all believable and real. And of course the soundtrack and songs are unmatched and memorable, led by a perfect performance by the young Judy Garland. The Wizard of Oz is the Citizen Kane of the fantasy genre.
1. The Golden Compass. A perfect, elaborate fantasy story in an incredible, new parallel universe of Earth. A perfect cast. Beautiful, unreal sets. Historically inspired costumes that span different worlds. Special effects that merge reality and fantasy seamlessly. An often overlooked brilliant fantasy masterwork. When I first saw this I instantly thought this was the finest, most enjoyable fantasy film I’d ever seen. If all steampunk was this good I would be a true believer. Look at the cast: A stately Daniel Craig’s Lord Asriel, a beautifully striking but sinister Nicole Kidman’s Ms. Coulter, the perfect helpers along the voyage in Sam Elliot’s Lee Scoresby and Eva Green’s Serafina, smaller roles with gravitas by Derek Jacobi and Christopher Lee, and stellar voiceovers by Kathy Bates, Kristin Scott Thomas, and Ian McKellen. The design work is lavish with a textbook fantasy component talisman in the magical alethiometer, animals that share your journey and wear armor into battle with you. Gyptians! Flying witches with bows and arrows. A cool airship. A big, exciting ride. What more could anyone want?
One big element I see across my list? Talking animals (and other things that don’t normally talk like trees and cornfields and dead people) are in 9 of my picks. Also, I must like Christopher Lee and Alan Rickman who show up in three films, and Johnny Depp, Ian McKellen, and Kevin Costner show up in two films. Tomorrow… come back for day two of our favorite fantasy films and click on the Comments to let us know your favorites.
In the Entertainment Memorabilia auction community, today is day one of the biggest auction weekend in years. Following up on their second auction of Debbie Reynolds’ collection costumes, props and camera equipment from Hollywood’s Golden Age, Profiles in History pulled out all the stops and has accumulated props and costumes from sci-fi, fantasy, action TV and films, and an entire day devoted to original animation art. It begins with the Icons of Hollywood Auction today and tomorrow, December 15-16, 2011, and continues Sunday, December 17, 2011, with the Icons of Animation Auction.
As reported here December 6, 2011, one item on the block is a special effects arm used for Lindsay Wagner as Jaime Summers as the original Bionic Woman. But that just scratches the surface of great stuff available. And based on recent auctions, there is no global economy problem, as props and costumes are breaking past records. On eBay recently a Matt Smith Doctor Who costume sold for $75,000. With a franchise as popular as Star Trek, and as old and with a similar fan following, this kind of price reflects fan loyalty and what really loyal fans are willing to shell out to hold a piece of TV or silver screen magic in their hands.
The auction starts today with original studio marketing photographs of various actors and actresses over the past 100 years, as well as lobby cards, posters and one of a kind costume sketches by the likes of Edith Head and other early designers. Then lots of scripts and logo art from TV and film credits. Here are some key items from Day One:
Billy Mumy shirt for his role as Will Robinson from Lost in Space, with an estimate of $8,000 to $12,000.
One of the 1969 Dodge Chargers used as the General Lee in The Dukes of Hazzard has an estimate of $40,000 to $60,000.
Dalek from a 1985 episode of Doctor Who, estimated at $10,000 to $12,000.
Mork from Ork costume from Mork and Mindy, estimated at $40,000 to $60,000
Some key items from Day Two:
Bela Lugosi screen-worn cape as Count Dracula from Dracula, estimated at $1,500,000 to $2,000,000.
Longbow from The Adventures of Robin Hood, estimated at $15,000 to $20,000.
Judy Garland gingham dress as Dorothy Gale from The Wizard of Oz, estimated at $200,000 to $300,000.
One of four known pairs of ruby slippers from The Wizard of Oz, estimated at $2,000,000 to $3,000,000.
Bert Lahr’s Cowardly Lion costume from The Wizard of Oz, estimated at $2,000,000 to $3,000,000.
A variety of items from The Planet of the Apes and Back to the Future franchises.
The DeLorean from Back to the Future III that was at Comic-Con this year, estimated at $400,000 to $600,000.
Steve McQueen driving suit from LeMans, estimated at $200,000 to $300,000.
Steve McQueen U.S. Navy uniform from The Sand Pebbles, estimated at $30,000 to $50,000.
Gene Wilder Willy Wonka hat from Willy Wonka and the Chocolate Factory, estimated at $20,000 to $30,000.
Sean Connery Marko Ramius Russian naval uniform from The Hunt for Red October, estimated at $6,000 to $8,000.
The “Red October” submarine model from The Hunt for Red October, estimated at $20,000 to $30,000.
Michael Keaton batsuit from Batman Returns, estimated at $30,000 to $50,000.
Endo-skull from Terminator 2, estimated at $12,000 to $15,000.
Bruce Campbell Ash costume from Army of Darkness, estimated at $12,000 to $15,000.
Peter Weller Robocop costume from Robocop, estimated at $10,000 to $12,000.
James Marsden Cyclops costume from X-Men 2, estimated at $30,000 to $50,000.
PreCrime stunt jetpack from Minority Report, estimated at $4,000 to $6,000.
Bob Newhart Papa Elf costume from Elf, estimated at $8,000 to $12,000.
Will Farrell Buddy the Elf costume from Elf, estimated at $8,000 to $12,000.
Star Trek Original series wooden hand phaser, estimated at $30,000 to $50,000.
Patrick Stewart Captain Jean-Luc Picard tunic from Star Trek: The Next Generation, estimated at $4,000 to $6,000.
Jonathan Frakes Commander Will Riker tunic from Star Trek: The Next Generation, estimated at $3,000 to $4,000.
Collection of six costumes from bridge crew of Star Trek Voyager, estimated at $15,000 to $20,000.
Original NASA Gemini spacesuit, estimated at $150,000 to $250,000.
Russian spacesuit worn by first Russian woman to walk in space, estimated at $200,000 to $300,000.
On Day Three, every lot is a masterwork of animation history. Lots include original art from Little Golden Books like Rudolph the Red-Nosed Reindeer, Smokey the Bear and The Night Before Christmas, Charles Schulz art from The Pumpkin Patch and Be My Valentine, Charlie Brown, original work from production studios from Hanna Barbera to Walt Disney. Major highlights include:
The earliest known color cel of Mickey Mouse, estimated at $80,000 to $120,000.
Cels of the Queen and Snow White from Snow White and the Seven Dwarfs, estimated between $12,000 and $20,000.
Giant pan cel from Snow White and the Seven Dwarfs, estimated at $80,000 to $120,000.
Original Dumbo, Bambi, Lady and the Tramp and Cinderella cels, estimated at $4,000 to $8,000.
Several cels from Song of the South.
Several stunning cels of Sleeping Beauty and Maleficent from Sleeping Beauty, estimated from $300 to $80,000.
If the pilot is any indication, Zooey Deschanel, the cute and quirky co-star of Elf, Jimmy Fallon’s girlfriend in his “Idiot Boyfriend” video, and the gritty-sultry voice of the pop group She and Him, will be right at home in her new sitcom, New Girl, premiering September 20 on Fox.
The New Girl of the title is Deschanel’s Jess, who we meet shortly after she leaves after finding her boyfriend with another woman. Jess quickly answers a Craig’s List ad for three guys seeking a fourth roomie, and despite her moody, post-boyfriend psychosis, the mention that her friends are all models causes the trio (or at least two of the trio) to bring her onboard after a brief interview process.
Jess is a school teacher, but the show isn’t about that, it’s about a young woman on the edge being brought back from the cliff by a group of good guys, and it is thankfully far more comedy than drama. The leader of the roommates and apparent Scarecrow of Zooey’s Dorothy-like character is the often-shirtless Schmidt played by Max Greenfield, best known as the too-nice-for-his-own-good Leo, friend of Veronica on Veronica Mars. Damon Wayans, Jr. who plays Coach only in the series pilot (to be replaced by Lamorne Morris as a series regular), is a serious fitness instructor with no understanding of women (clearly the Tin Man in our analogy) with Jake M. Johnson as Nick, who also lost his girlfriend recently, as the weepy other roommate and empathetic new friend (and gentle Lion).
Jess gives Zooey a chance to sing, including creating her own theme song amongst her roommates (did I say she’s a little quirky?), when depressed she watches Dirty Dancing sometimes six times per day, and she lacks a certain fashion sense, starting with her large, retro eyeglasses. What must include some improvisation to focus on Deschanel’s back and forth from deadpan to Jack-in-the-box-quick, boisterous humor, the show has our lead well-settled in her role as if she had played this character for years. The style of the setting of New Girl offers a certain romp and sillyness like the trendiness of Marlo Thomas’s That Girl, Mary Tyler Moore’s hat-throwing intro in the classic Mary Tyler Moore Show, and Caroline Dhavernas’s dry humor and situation comedy antics from Wonderfalls.
For a half-hour pilot, the producers managed to pack a lot of story into the introduction of these characters. If the writers can stick with the momentum and humor from the pilot, New Girl may be a new fall sitcom worth tuning in for.
A familiar group in the original costume and prop collecting arena attended Comic-Con again this year. We ran into Jon Mankuta and Brian Chanes from Profiles in History on the convention floor Friday. They also create the SyFy network show Hollywood Treasure, a show I regularly watch to see both the discoveries they find, the collectors of Hollywood memorabilia (like a guy that looks like Santa Claus who has a house full of rare costumes from movies like Elf and A Christmas Story), and, of course, the costumes and props themselves.
Jon Mankuta from the auction house and TV show eyed our Alien Nation latex heads from across the main walkway in the heart of the convention floor and had a guy in the crowd snap this shot.
Jon is one of those guys that when you see him you have this feeling like you’ve known him for years. He was having fun at the Con like every other fanboy in the crowd, checking out the booths and sporting a Lost T-shirt. Jon actually played one of The Others in the Lost TV series and among other acting gigs he performed in sketches during the 2002-2006 years of Saturday Night Live. It was great meeting someone working at an auction house who gets as excited seeing artifacts from movies just as much as the rest of us. Coincidentally, later in the day Brian Chanes grabbed us in the crowd for a similar photo. Later in the weekend we met up with Brian again (below right) and Profiles president Joe Maddalena (below left):
Profiles is a great resource for screen-used props and costumes of every price range–Profiles is the auction house we featured in earlier posts that sold that record breaking Marilyn Monroe dress from Seven Year Itch, among other pieces in the Debbie Reynolds Collection. I have also had the pleasure of working with Fong Sam at the auction house, a great guy who coordinates prop and costume auctions and takes phone bids on auction day.
In past years at Comic-Con, Profiles in History had featured an advance look at props from various movies and TV series that were to be featured in upcoming auctions. This year they linked up with Desi DosSantos from Screenused.com who has a nice collection of Back to the Future costumes and props. His crown jewel is one of the DeLorean Time Machine cars from the series (from the third movie in the franchise). Profiles in History and Desi worked with the Michael J. Fox Foundation for Parkinson’s Research (TEAMFOX.org) this year to take photos of convention-goers sitting in the car for a $20 donation, raising more than $11,000 for the charity. Nice job! And if you missed seeing the Time Machine car at Comic-Con, the San Diego Air and Space Museum will have it on display through August 13, 2011.
Strangely enough, the Profiles in History booth did not have the only Back to the Future car at Comic-Con. On the other side of the convention center a replica Time Machine was on display (a DeLorean updated with replica movie parts under the direction of the film’s director, Robert Zemeckis), creating a sort of deja vu for the crowd. (The replica is pictured at the top of this post).
And if you need your own Back to the Future Time Machine DeLorean, keep an eye out for the December Profiles in History auction where the real car from the Profiles booth will be auctioned, along with part 2 of the Debbie Reynolds auction.
