Tag Archive: Elisabeth Moss


Review by C.J. Bunce

Whether or not every element of the new Paramount+ series The Offer is based in reality just doesn’t matter.  Fifty years ago Francis Ford Coppola’s The Godfather premiered in theaters across America and it’s maintained its status as one of cinema’s best films.  Viewers want all the crazy legends behind its creation to be real, including Frank Sinatra getting into a public argument with author Mario Puzo, and the mob getting irked by its very existence.  When you have to choose between legend and history in storytelling, give audiences whatever makes the better story.  And the story from the view of The Godfather producer Albert S. Ruddy is like reading the exploits of gangster Jimmy Alo in Dylan Struzan’s book A Bloody Business (reviewed here).  When an old bird is telling fish tales from decades ago–and he’s good at it–you just let him go (the character of Johnny Ola in The Godfather, Part II is based on Alo, so the comparison has some credence).  Only this limited television series has the kind of result that makes you wish it were a movie.  As peeks into Hollywood go, the acting, writing, direction, and production values are exactly as the streaming provider has been promising in its months long advance marketing.

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Fifty years ago this week The Godfather premiered in theaters across America.  That fiftieth anniversary is netting more than one re-creation from Hollywood of the making of that movie.  Barry Levinson is directing Francis and The Godfather, a movie starring Oscar Isaac as The Godfather director Francis Ford Coppola facing off against Jake Gyllenhaal as producer Robert Evans (an actor who eventually produced Chinatown), with Elle Fanning as Ali MacGraw, and Elisabeth Moss as Eleanor Coppola.  It began filming last year, so expect it in theaters or streaming by year end.

Before that arrives, a limited series that is also about the making of The Godfather is heading to streaming service Paramount+ next month.  The Offer has an impressive cast, all seemingly well cast against their real-life counterparts.  Dan Fogler (Fantastic Beasts) plays Coppola, Matthew Goode (Watchmen) plays Evans, and Miles Teller (Fantastic Four, Top Gun: Maverick) plays producer Albert S. Ruddy.

Here is the trailer for The Offer:

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The biggest news of yesterday’s Oscar nominations was in the adapted screenplay category.  Writers Scott Frank, Michael Green, and director James Mangold were nominated for their script for Logan, the film borg.com picked as last year’s best picture in our annual wrap-up last month.  Never before has a comic book superhero story been nominated by the Academy of Motion Picture Arts and Sciences for best screenplay.  The closest was a nomination in the original screenplay category for Brad Bird for The Incredibles, a superhero story not adapted from a comic book property, plus graphic novel adaptations for films History of Violence and American Splendor.  But that puts Logan–an X-Men story starring Wolverine and a film that was the pinnacle of the Marvel franchise–right where it belongs, a film on equal footing with classic screenplay nominees featuring strong character development, including the likes of High Noon, Citizen Kane, Rocky, Butch Cassidy and the Sundance Kid, Shane, The Grapes of Wrath, Sergeant York, and Mr. Smith Goes to Washington.  The writers adapted their story from no specific Marvel Comic series, instead pulling together ideas from several series, citing Craig Kyle’s X-23 series as a key influence.  Unfortunately actors Hugh Jackman and Patrick Stewart did not receive a nomination in the acting categories.

But the progress of Oscar doesn’t stop with Logan.  A creature feature, the supernatural fantasy The Shape of Water took a whopping 13 nominations, including best picture, best director (Guillermo del Toro), and best actress (Sally Hawkins) and supporting actor (Richard Jenkins).  Get Out, which is something more than just a horror genre movie (that also made our top list), is nominated for four Oscars, including three for first-time director Jordan Peele, for best picture, best director, and best screenplay.  That’s one heck of an introduction to Hollywood, and ties Peele for the record of most nominations in a single year (along with Warren Beatty for Heaven Can Wait and James L. Brooks, who went on to win all three categories for Terms of Endearment).   The film’s lead actor Daniel Kaluuya will be a big contender for the top spot in the best actor category.

Another film we loved, the riveting historical drama The Post (sometimes historical dramas get it right), received two nominations, including nods for best picture and actress Meryl Streep‘s compelling performance (her 21st nomination, breaking her own record for most nominated actor of all time), but unfortunately Oscar ignored one of the best Tom Hanks performances of his career and Liz Hannah’s exceptional screenplay.   For one of the four nominations for Star Wars: The Last Jedi, the beloved composer John Williams garnered his 51st Oscar nomination (he’s won five) for best score, besting his own record and hot on the heels of Walt Disney for most nominations ever (Disney was nominated 59 times).  But was this a missed opportunity, when even Williams seemed impressed with himself for the unique work he’d created for his striking soundtrack for The Post?  As he told Variety in a recent interview, “I’ve never done anything quite like it.  There are three or four montages—the press-rolling montage, the extended review of the former presidents, waiting for Justice Black’s decision—with various degrees of intensity, speed and the like.”  In our borg.com review we correctly predicted nominations for best picture and sound for the war genre movie Dunkirk, which was nominated for eight Oscars, including best picture and best director (Christopher Nolan).  Hans Zimmer was nominated for his musical score, which was key to the film’s success.

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