Review by Elizabeth C. Bunce
In the small-but-crowded field of Victorian true crime, Paul Thomas Murphy′s 2016 release Pretty Jane and the Viper of Kidbrooke Lane: A True Story of Victorian Law and Disorder presents a notable installment in the genre. Covering a lesser-known crime that was the sensation of its day, Pretty Jane and the Viper of Kidbrooke Lane details the brutal murder of Jane Clouson, a sixteen-year-old London maid-of-all-work, and the legal fiasco that followed, including—but hardly limited to—the murder trial of suspect Edmund Pook. Murphy begins his account like a thriller, a police procedural of a bygone era of evolving law enforcement and burgeoning forensics. His heroes are the detectives, witnesses, and doctors who come forward to uncover the truth of Clouson’s attack—and the identity of her attacker. Pretty Jane and the Viper of Kidbrooke Lane is available now in a paperback edition.
In his riveting step-by-step analysis of the investigation, Murphy paints a vivid picture of 1870s London—its law enforcement, its residents, and the neighborhoods torn apart by the culture clash of young Clouson’s murder. This section of the book really shines, offering both an excellent overview of period forensic science and police procedure, as well as enticing tidbits like the cost of a photograph or the unexpectedly fascinating workings of a ironmonger’s shop from the era.
The second part of Murphy’s tale, leading readers through the labyrinth of the 19th century English justice system, loses a bit of momentum, although that’s as much the challenge of presenting the welter of material about the case (four separate steps to the murder trial and all the attendant solicitors, barristers, judges, and witnesses) as the challenge of making the mystifying Victorian trial process understandable. That said, it’s unclear who the audience for the book is meant to be—American readers wholly unfamiliar with the byzantine and confusing steps of a Victorian murder trial; or English readers who will find the basics—if not the details (which have changed substantially in the intervening 145 years)—relatable. Readers brand-new to the subject will likely find themselves lost and confused by references to the Treasury Department (which handled many public prosecutions until the 1980s) and similar trappings, and may struggle to stick with the book through the legal morass. It is not a spoiler to note that Pook was acquitted of the murder, but the legal battles surrounding him were far from over. Murphy offers up a cast of characters who, beyond mere professional adversaries, become almost mortal enemies as the many facets of the case churn on.
as read by British actress Charlotte Parry, known for her roles in Tony Award winning Broadway plays, is a great way to immerse yourself in this ghost story.
has won several national awards, including being listed on the Smithsonian Institution list of notable books, Oprah Winfrey’s recommendation list for YA, the American Library Association recommended reading lists including best fiction, listed on the Amelia Bloomer Booklist (honoring strong female roles), and winner of the first William Morris Award (honoring first time authors). It was also included along with The Wonderful Wizard of Oz and In Cold Blood on the Kansas sesquicentennial 150 Books/150 Years list.
