Tag Archive: Elizabeth C. Bunce


Review by Elizabeth C. Bunce

We’re fans of classic film here at borg (remember when we stumbled into the oldest movie theater in the world?) and the history of motion pictures (like George Méliès’ A Trip to the Moon, his lost film, and several vintage films).  Now one of our favorite authors celebrates the heyday of these early movies with Daring Darleen: Queen of the Screen.  Anne Nesbet’s new historical fiction adventure for young readers, Daring Darleen follows the exploits of twelve-year-old Darleen Darling, star of the cliffhanger serials, “The Dangers of Darleen.”

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Review by Elizabeth C. Bunce

We’re big fans of James Lovegrove here at borg.  This time, I managed to beat C.J. to one of the books!  Sherlock Holmes and the Shadwell Shadows is the first volume in Lovegrove’s The Cthulhu Casebooks trilogy, an alternate history of Sherlock Holmes and Dr. John Watson’s adventures that sets the record straight about their real cases, those steeped in the paranormal and supernatural.  As the series title suggests, the trilogy draws on the canon not just of Arthur Conan Doyle, but of Lovegrove’s “distant American ancestor,” H.P. Lovecraft.  The result is a lively and somehow entirely natural mash-up.  (See our previous review of the final volume, Sherlock Holmes and the Sussex Sea-Devils, here).

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We have a cover reveal today for borg readers!  Take a look at this great cover by Brett Helquist, artist for A Series of Unfortunate Events and other great covers and picture books.  It’s for Elizabeth C. Bunce′s second novel in her Myrtle Hardcastle Mysteries series, How to Get Away with Myrtle.  As a result of prioritization by distributors and national shipping companies of food and other staples due to the pandemic crisis response, How to Get Away with Myrtle will now join the first book in the series, Premeditated Myrtle, to launch together as Fall 2020 releases, debuting October 6 (both are now available for pre-order here at Amazon).  “I didn’t think I could love a cover more than Brett’s first for the series, and then… Wow!  Here we are with the cover for Book 2 already,” said Elizabeth.  “We shared some ideas back and forth through the Algonquin publicity team.  I love the complimentary color orange following that purple theme from Book 1.  Putting that great locomotive out front sets the stage for this adventure, along with the image of the seaside resort as if it were pulled right off the brochure for the excursion service referenced in the novel.  And, of course, Peony the Cat sneaked her way onto the cover again!  Now that we have two paintings from Brett, it’s really fun for me to see both covers side by side.”

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Review by Elizabeth C. Bunce

Most people know Daphne du Maurier as a suspense writer, creator of psychological and gothic thrillers like Rebecca, Jamaica Inn, and My Cousin Rachel.  But what often gets overlooked is her great science fiction, exploring the boundaries between the known and familiar, and the disturbing edges of twentieth century scientific progress.  Her classic post-war story “The Birds” was transformed into a Hitchcock horror film that bears only superficial similarity to the isolation, drama, and sheer apocalyptic gloom of the original, in which residents of an English coastal village watch their doom coming ever closer, thanks to terrifying radio news updates, and is well worth a read (perhaps not now… or perhaps particularly now, depending on your predilections!).

Her 1969 novel The House on the Strand explores the psychological effects of time travel, through the lens of unlikeable characters doing uninteresting things.  The time machine in du Maurier’s novel is a drug (or “concoction,” as she calls it), or a series of drugs, whose differing effects are never fully (or even partially) explained.  Dick Young is an out-of-work publisher housesitting for an old college chum for the summer, in an old house on the Cornish coast (setting of so many of du Maurier’s stories).  The old college chum, Magnus, has been experimenting with a time-travel drug, and urges Dick to make his own “trips” into the past.

 

What follows is a dense tapestry of Cornish landscape and history, although the details and characters take some considerable time to sort out, and Dick never interacts with any of the figures he observes.  His instant attachment to the characters of the past is only slightly explained in contrast to his wife (whom he dislikes).  A midpoint plot twist introduces a potential murder plotline, and du Maurier definitely keeps the reader guessing (or perhaps hoping) what might happen next.  None of my expectations were ultimately borne out, to my disappointment, and the main character never grew any more sympathetic.  There is a comeuppance, of a sort, at the very end, satisfying in its own way.  It’s easy to read this as an inspiration or forebear for later time travel stories to come, especially Connie Willis’s Doomsday Book, set in the same time period, or Michael Crichton’s Timeline. 

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The Five cover

Review by Elizabeth C. Bunce

I don’t know how old I was when I first heard of Jack the Ripper.  I do remember being quite young when the sensationalizing and romanticizing of the serial killer started to bother me.  “What’s wrong with you?”  I would growl at the TV, comics, Halloween costumes, and centuries-spanning obsession about the murderer.  Where was the attention on his victims, on the real women who lost their lives?  No one seemed to care—in 1888, or now.  They existed only to fuel the fascination surrounding the murderer.  I stumbled across Hallie Rubenhold’s The Five: The Untold Lives of the Women Killed by Jack the Ripper while doing unrelated research for my Myrtle Hardcastle Mysteries series.  I knew immediately I had to get my hands on this book.  Here, at last, was someone else who felt exactly as I did and set about to rectify the situation.  The premise alone makes the book worthwhile, and Rubenhold’s research and writing makes it a must-read.

Rubenhold’s The Five is long overdue, and definitely a welcome addition to the field of Victorian social history.  It’s a tough but fascinating read, handled with an equal mix of sympathy and outrage.  What this book is not:  It’s not true crime.  It’s not a whodunit.  It makes no fruitless speculation about the identity of the murderer, and it does not linger over the salacious details of the crimes.  It is a gripping story of characters who are every bit as fascinating, vivid, and richly drawn as their notorious killer is imagined to be.  And it is a stunning social history that spans the mid-late Victorian era and the life and times of working class women.  Rubenhold unearths known, previously unknown, and totally ignored details from each woman’s life, and skillfully fills in the gaps with information drawn from other historical records—what life was like for workhouse inmates, laws that targeted and disproportionately disadvantaged working-class women, contemporary commentary from social reformers, and more.

In five sections, arranged chronologically by the dates of their deaths, Rubenhold examines the family backgrounds, childhoods, young adulthoods, and last years of Polly Nichols, Annie Chapman, Elisabeth Stride, Catherine Eddowes, and the woman who called herself Mary Jane Kelly.  She takes readers on a journey across England, overseas to Scandinavia, from the tinworks of Birmingham to the barracks of Queen Victoria’s guard, to ambitious charity schools and factories and homes, the open road of ballad-sellers, the terrifying spectre of white slavery, and the sad backstreets of London’s poorest neighborhoods.  In telling the stories of these five individual women, Rubenhold also tells the story of all Victorian women, exploring the ruthless social rules that crippled poor women and condemned them to a downward spiral of poverty and violence.  Rubenhold corrects nearly a century and a half of misconceptions and assumptions about these five women (spoiler alert: they weren’t all prostitutes), and restores the truth of their real lives.

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PCKC 2020 comics

***Update***

The mayor of Kansas City has ordered the delay of all events with greater than 1,000 people in the city for 21 days, due to the city’s declaration of emergency for coronavirus/COVID-19.  Planet Comicon Kansas City will therefore be postponed, according to the event website until late summer or fall 2020.  See PlanetComicon.com for further updates and details.  Note: Since many creators were relying on this event for their income, please consider reviewing the guest list and purchasing their comics, books, and creations through their other channels (we’re all going to be home for a while, so it’s a perfect time to catch up on reading, right?).  In light of the cancellation, instead of the sneak peek at her new novel Premeditated Myrtle and cover reveal for her second novel in the Myrtle Hardcastle Mysteries series (the cover created by award-winning artist Brett Helquist) planned for Planet Comicon weekend, our own borg.com writer and author Elizabeth C. Bunce will be revealing the cover for the second book–How to Get Away with Myrtle, here at borg–look for it here coming soon!

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In only one week the pop culture convention Planet Comicon Kansas City is scheduled to return, this time to celebrate its 21st year.  The event is expected to host a pantheon of nationally recognized writers and artists for its eighth year in its downtown Kansas City, Missouri, venue at the Kansas City Convention Center.  The show runs Friday, March 20 through Sunday, March 22.  This is of course now subject to any cancellations, individually or as a whole, arising from corona virus/COVID-19 outbreak concerns.  Some of the biggest names and most popular comics creators are in the line-up for the 2020 event, probably the best-known being Roy Thomas, the comic book writer and editor who was Stan Lee’s first successor as editor-in-chief of Marvel Comics.  Characters he created or co-created include Wolverine, Ghost Rider, Vision, Carol Danvers, Luke Cage, Iron Fist, Red Sonja, Ultron, Man-Thing, Red Guardian, and Valkyrie, the majority of which have become so famous they’ve made it to recent big or small screen adaptations.  Famous for his work on X-Men and Avengers, Thomas is also known for his work on classic titles All-Star Squadron and Justice Society of America.

Several other comic book creators scheduled to attend the event for the first time include Bill Amend, Garth Ennis, Adam Hughes, Stanley “Artgerm” Lau, Ed McGuinness, Afua Richardson, and Peter Stiegerwald, plus many others.  Returning PCKC regulars slated to appear include Freddie Williams IIJason Aaron, Phil Hester, Ande Parks, Ant Lucia, Skottie Young, Megan Levens, Seth Peck, Rob DavisJason Arnett, Bryan Fyffe, Bryan Timmins, and Darren Neely.  In addition to comics creators, fan-favorite novelists scheduled for the show include borg.com writer and author Elizabeth C. Bunce, who hopes to debut the cover for the second book in her new Myrtle Hardcastle Mysteries series at her booth over the weekend.  Other authors scheduled to attend include convention regulars Kevin Dilmore and Dayton Ward, plus Kevin J. Anderson, Jim Butcher, and Timothy Zahn–and many more.

PCKC 2020 authors

Back again, the Elite Comics flight crew is planning its “Party on the Pillar” hoping for attendees to pick up some great deals on what the Con is all about–comics.

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The Ninth Doctor, Darth Vader, Superman, James Bond’s Q, Lt. Cmdr. Data, Ahsoka Tano, Ariel-The Little Mermaid, a Mythbuster, a slate of characters from the CW Arrowverse, Stranger Things, and The Karate Kid, and more are heading to Kansas City

For twenty-one years Planet Comicon Kansas City has been one of the Midwest’s biggest comic book and pop culture conventions and that was no less so in 2014 when it became the largest attended event in the history of the Kansas City Convention Center.  And it’s only gotten bigger.  Last year’s show featured guests including Henry Winkler, William Shatner, John Wesley Shipp, Cary Elwes, and Joonas Suotamo, and this year more of the most memorable names from TV and movies from the past and present are slated to attend.  Leading things off, The Doctor is In–The Ninth Doctor to be exact–Christopher Eccleston, star of Doctor Who who also played villains in Thor: The Dark World and G.I. Joe: The Rise of Cobra, will make his first appearance at the annual event, which takes place at Kansas City’s convention center at Bartle Hall, March 20-22, 2020.

Fan-favorite nerd, cosplayer, builder, and either your first or second favorite Mythbuster, Adam Savage will be making his first appearance at the show.  Making their second appearances at the event are star of Rogue One: A Star Wars Story (and Guardians of the Galaxy and Harry Potter universe actor) Darth Vader actor Spencer Wilding and Star Trek legend–Data himself (and Dr. Soong, Lore, and B9)–beloved actor Brent Spiner.  After several appearances of past Superman actors, Midwest native Brandon Routh is finally coming to PCKC.  He’ll be joined by other CW Arrowverse actors, Rachel Skarsten (in her second Kansas City convention appearance), plus Katie Cassidy, Kevin Conroy, Jes Macallen, Courtney Ford, and Caity Lotz.

Two Yutes?  My Cousin Vinny, The Outsiders, and Crossroads star Ralph Macchio is making his first appearance at PCKC.  Joining him are his co-stars from The Karate Kid and Cobra Kai, Martin Kove and William ZabkaStranger Things fans can meet stars Gaten Matarazzo, Caleb McLaughlin, and Gabriella Pizzolo.  To top it all off, formerly James Bond’s Q and Monty Python comedy legend, John Cleese is making his first convention appearance in Kansas City.  And perennial Planet Comicon Kansas City guest, the original Hulk, Lou Ferrigno will be back in town for the event.

–there’s something for every TV and movie fanboy and fangirl at this year’s show.

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Review by Elizabeth C. Bunce

Ok, I confess: I’ve never been a big fan of the movie Clue.  It took the smart, suspenseful, iconic game of my childhood and turned it into a silly farce, disregarding the beautiful conventions of the color-coded characters, and making the measured, thoughtful play a frantic slapstick comedy.  Clue (originally called Cluedo in Britain) is about mystery and deduction and the Golden Age of British country house mysteries.  Well, Diana Peterfreund has restored my faith in the franchise, and channeled a bit of classic Christopher Pike in the mix!  Her new release In the Hall with the Knife: A Clue Mystery, the first novel from the Clue franchise (Hasbro and IDW introduced comic book versions in 2017 and 2019), reimagines the characters and game play in a contemporary New England boarding school.  Six students are stranded in a spooky Victorian mansion-turned-dorm when their remote, coastal village is besieged by a freak winter ice storm.  The campus is flooded, power, phones, and internet are down—and somebody has it in for Headmaster Boddy, the school’s beloved principal.

Is it blue-haired Beth “Peacock” Picach, the school’s perpetually angry tennis star?  Or maybe brooding townie Vaughn Green?  What about the school’s “power couple,” ambitious geniuses Scarlett Mistry and Phineas Plum?  New kid Mustard, just transferred in from a military academy?  Even sweet, bookish Orchid McKee has her secrets… and Peterfreund slowly doles them out, keeping the pacing taut and the plot clipping along until the Big Reveal.

Like the classic gameplay, each character takes a turn, in alternating, third person point-of-view chapters.  Like the game, they all suspect each other, pointing their fingers as the story goes on.  Rooms are explored, secret passages revealed, familiar weapons appear in characters’ hands… and the ultimate culprit is finally exposed.  Peterfreund gives the reader enough clues to play along and solve the mystery with (or slightly before) the characters.  And just like the game itself, the worldbuilding, scene setting, and backstory leave you wishing for more of this world and its secrets.

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FINAL PremeditatedMyrtle_HC_jkt_rgb_HR (1)

We have a cover reveal today for borg readers!  Take a look at this great cover by Brett Helquist, artist for A Series of Unfortunate Events and other great covers and picture books.  It’s for Elizabeth C. Bunce′s next book, Premeditated Myrtle, now available for pre-order here at Amazon.

As readers over the past decade at borg know, one of our frequent contributors of book and TV reviews is author Elizabeth C. Bunce, whose first novel, A Curse Dark as Gold, I feature here every October as a recommended Halloween read.  Next up for Elizabeth is Premeditated Myrtle, the first in a new mystery series in the tradition of Nancy Drew, Trixie Belden, Miss Fisher, Flavia De Luce, and… Quincy, M.E.  I, your humbled editor and Elizabeth’s husband, have been watching Elizabeth build her mystery series from the ground up–the second book has been written and the third and fourth mysteries are underway!  I know you’re going to love the adventures of intrepid twelve-year-old Myrtle Hardcastle and her equally intrepid cat Peony (who also made the cover if you look closely).

Myrtle has a passion for justice and a Highly Unconventional obsession with criminal science.  Armed with her father’s law books and her mum’s microscope, Myrtle studies toxicology, keeps abreast of the latest developments in crime scene analysis, and Observes her neighbors in the quiet village of Swinburne, England, in the year 1893.  When her next-door neighbor, a wealthy spinster and eccentric breeder of rare flowers, dies under Mysterious Circumstances, Myrtle seizes her chance.  With her unflappable governess, Miss Ada Judson, by her side, Myrtle takes it upon herself to prove Miss Wodehouse was murdered and find the killer, even if nobody else believes her — not even her father, the town prosecutor.

“Covers are always a surprise for the author—seeing how someone else will envision your characters,” said Elizabeth.  “My agent leaked the news that Brett Helquist might be working on Premeditated Myrtle, so I had to pretend for months that I didn’t know!  I knew his work, of course, but what really sold me were his illustrations for A Christmas Carol.  There are no ghosts in my Victorian mystery, but Brett did an amazing job capturing Myrtle’s determined energy—and even more importantly, Peony the cat!  We went back and forth on a couple of sketches for hair and clothing, but what never changed was Myrtle’s perfect expression.  The scene he chose to illustrate was one of my favorites to write, so it’s been great fun watching it come to life in full color.”

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A Curse Dark as Gold cover Elizabeth C Bunce

The trees are turning red and orange, and Halloween is only three weeks away.  If you’re looking for a ghost story to get you into the mood of the season, check out borg.com writer Elizabeth C. Bunce’s novel A Curse Dark as Gold, available in hardcover, paperback, and E-book editions from Amazon and other booksellers, first reviewed here back in 2011.  The audio book as read by British actress Charlotte Parry, known for her roles in Tony Award winning Broadway plays, is a great way to immerse yourself in this ghost story.

A Curse Dark as Gold is set in the Gold Valley in that far away land where fairy tales reside.  Charlotte Miller is a girl in her late teens whose father dies and leaves her the town of Shearing’s woolen mill, which serves as workplace for most of her community, along with the care of Charlotte’s younger sister Rosie.  Unwanted responsibilities fall into the lap of this young woman from page one.  From a framework standpoint A Curse Dark as Gold at first is a spin on Rumpelstiltskin-type “helper” tales of the past, but this story takes on its own life.  Shearing is at once lovely and pastoral, yet dark and creepy doings begin to permeate the corners of the town.  A mysterious uncle arrives and begins to interject himself into the girls’ lives, pecking away at their sanity.  As if sick itself, the mill begins to respond to the death of Charlotte’s father, with boards crashing down, textile machines failing, and the fabric of Shearing seeming to unravel.

A Curse Dark as Gold audio Elizabeth C Bunce told by Charlotte Parry

The story is set at the dawn of an Industrial Revolution.  Water wheels are about to be replaced with steam power and the smoke-filled cities that come along with that new technology.  Charlotte has inherited her father’s acumen as a savvy businessperson, yet pressures including competition from big city wool firms and unfair attempts to squeeze Shearing’s mill out of the marketplace cause the mill to lose its workers.  The economic issues are only the beginning of Charlotte’s problems.  A strange neighbor lady is a follower of old world ways, superstitions and magic, and tries to help.  Charlotte is steadfast and stubborn, relying only upon her own intuition as she turns away from everyone near her, including sister Rosie and her new husband.

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