Review by C.J. Bunce
With all the Netflix series being rolled out this year, October Faction might get overlooked. It’s the latest monster series based on a comic book and it arrived on Netflix this past weekend. Based on Steve Niles and Damien Worm’s graphic novel/comics of the same name, both the TV series (created by Sleepy Hollow and Stargate’s Damian Kindler) and the comics are a darker spin on The Addams Family–the comics even darker than the TV series, which is closer in tone to Riverdale, Charmed, and Stranger Things than, say, Grimm or Chilling Adventures of Sabrina. Unfortunately it’s not as well-constructed or visualized as any of those series, but it may be worth the time for fans of horror or stories of students with super powers. It’s the super powers angle that demonstrates how closely linked superhero series are with supernatural and horror stories in the 21st century–Swap out a few words, monsters for malevolent aliens and witches and warlocks for superheroes and you’ll find October Faction has the same story beats as, say The Umbrella Academy or The Boys. October Faction has an easier to digest, more accessible story than both of those series although the production values lack a certain tightness in editing and cinematography style. It also could use a soundtrack that better matches the charging, creepy pitches found in Netflix’s three trailers for the series.
This is a story about a husband and wife and their twin 17-year-olds, and how the twins handle learning their parents belong to an age-old network of monster hunters. Tamara Taylor (Bones, Altered Carbon, Lost, Serenity) is really in the driver’s seat as Deloris, the mom who always seems to have the right firearm close by, joined by husband Fred, played by J.C. MacKenzie, a character actor TV audiences have seen in dozens of police procedural series and movies, including The Irishman, The Departed, The Shield, and Hemlock Grove, as a father who is looking forward to a rest from the monster work. If you agree MacKenzie is a ringer for a younger Matthew Modine, you might convince yourself October Faction is a prequel to Stranger Things (he also evokes Ed Begley, Jr.). MacKenzie’s casting is an odd choice, like starring old school Fred MacMurray or Robert Young as a modern, mouthy murderer of monsters. But he might grow on you. The kids are more interesting: Newcomers Aurora Burghart plays Viv, an angsty teen who sketches morbid miscellany and can’t understand why she sees things before they happen, and Gabriel Darku is Geoff, her gay brother who is lost leaving behind his old friends for the family’s most recent relocation–and who also thinks he sees the deceased dead.
The level of horror and gore is about that of Shaun of the Dead, enough to establish genre while not becoming a full-on slasher show. At first this appears to be another story of the Ender’s Game or Starship Troopers variety–black and white good and bad guys and monsters that are evil because ugly, unfamiliar, and different things are always evil. Fortunately the story catches up in time and the theme becomes that of fellow monster series Grimm, that not all monsters are bad, and sometimes humans are the worst threat of all.
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, Richard Marcinko’s 
, Orson Scott Card’s 
, and Robert Heinlein’s 
. It has its own thought-provoking “warning-sign” messages found in classics like 
and 
, that adversity in the face of certain doom as in 
, and the “what the heck is going on” feel from any number of Philip K. Dick short stories (“Paycheck” and “We Can Remember it for You Wholesale” come to mind). It also borrows a lot from the endless onslaught of future military video games—it helps to know the author’s background is in information technology and he’s an avid gamer.
