We knew from early trailers and buzz going back literally years now that Syfy’s new series Krypton was going to cover Superman’s family’s distant past. Even back here at borg.com in 2014 we previewed the first plans for Syfy’s series, wondering how close the DC writers would stick to the known backstory from the comic book pages, asking “Will they keep the character’s original name Seyg-El?” Answer: Yes, with a slight change in spelling to “Seg”. And “Will they bring in an Eddie Haskell neighbor as a young Zod?” Answer: Not quite, but the Zod family is going to be well represented in the series, which premiered this week with a pilot that should far surpass fan expectations. In fact Krypton’s production values, writing, and actors are so well put together the show has the potential to equal the DC Comics adaptations on the CW network, and ten minutes into the pilot it already seemed more grounded in the comic books than any of the DC movie adaptations going back to Superman II.
The previews for Krypton failed to convey the actual scope and solid space fantasy framework the series is built on (and the epic scope that goes beyond Superman lore, but more on that below). It looked like it was going to be like Marvel’s Inhumans–another odd, fringe fantasy show. So don’t let the trailers mislead you. The acting ranks are excellently cast–the show’s lead, British actor Cameron Cuffe, plays Seg-El. The actor is a bright, knowledgeable fan of Superman in his own right, as conveyed as the host of the after-show. Seg-El’s family grounds the series instantly with genre gravitas: first, Sherlock’s Rupert Graves plays his father, then Paula Malcomson–who portrayed moms in both The Hunger Games and Caprica–plays Seg’s mother, and General Dodonna himself, Rogue One: A Star Wars Story, Horatio Hornblower, and Game of Thrones actor Ian McElhinney, plays Seg’s own grandfather. From the beginning the women take on a fierce role in the show, with the house of Zod represented in warrior Lyta Zod, played by show co-star Georgina Campbell (Black Mirror, Philip K. Dick’s Electric Dreams, Broadchurch). Ann Ogbomo, who portrayed an Amazon warrior in the big screen’s Wonder Woman and Justice League plays her mother, Jayna Zod. While fans are still on a fantasy superhero high from this year’s Black Panther movie, the military guild with the fierce Amazon-inspired Zod warrior-in-charge is well-timed.
The surprise from the pilot is how much Krypton seems to have the potential to be the next big Syfy series, like Battlestar Galactica came out of nowhere to reinvigorate science fiction television 15 years ago in 2003. The show pulls from several science fiction and space fantasy realms, but the space fantasy potential is most interesting, with Stargate, John Carter, Valerian, Riddick and more as possible inspiration. Pinar Toprak’s musical score, with appropriate John Williams Superman movie theme cues, has a pulsating Daft Punk Tron: Legacy vibe, with brightly neon-lit ships also borrowing some of that film’s more familiar visual elements. Add in the visuals you can find late artist Michael Turner’s Krypton and great costume styles from designers Varvara Avdyushko (Abraham Lincoln: Vampire Hunter) and Bojana Nikitovic (Underworld: Blood Wars, Ghost Rider: Spirit of Vengeance). Story elements can be found in Logan’s Run, Flash Gordon, THX-1138. Even parallels to scenes from Batman’s backstory come into play. The story in the first episode plays like one of the better episodes of Star Trek’s Enterprise series, the J.J. Abrams Star Trek reboot, incorporating the beginnings of political tangles like those in The Dead Zone. Krypton is also cool and cocky in its sets, style, writing, and acting, much like one of Syfy’s best recent series, Killjoys. As fulfilling as the CW Network’s worldview of the DC Universe has become with the Arrowverse, Krypton is different, with none of the pop culture reference-heavy chatter, or that soap opera vibe of Smallville. It’s a promising pilot–this looks like a most welcome Syfy channel space show.
is released. The 128 page book will be the first Star Trek retrospective book to include behind the scenes details of the last Star Trek series, Enterprise.
is probably the best of these released to date. It includes removable reproductions of memorabilia, too, along with two CDs containing vintage radio ads, original cast interviews, George Lucas’ commentary, and Carrie Fisher singing in the Star Wars Holiday Special. It also featured a questionnaire for the first and only test screening of the original Star Wars— and the invitation to attend it, George Lucas’ hand-written treatment for The Empire Strikes Back, Lucasfilm Christmas cards, an iron-on T-shirt transfer, the first concept sketch drawn for Star Wars and blueprints of Star Wars vehicles and sets.
is another great book in the Vault series, with lots of fun features, including never-before-published memorabilia, early sketches, covers, memos, press materials, a working reproduction of a 1942 Junior Justice Society of America decoder, a series of Public Service Announcements starring Superman and Batman, and the original pencils and inks for Wonder Woman #63.
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, by Michael Westmore, Alan Sims et al, 2000. This book provides key views from the main make-up artist and the propmaster for the later Trek series. Lots of close-up photos of alien races and make-up, but a lesser focus on props. Good behind the scenes stories. Highly recommended.
, by Stephen Edward Poe, 1998. I only recently discovered this book. It provides a wealth of information about the business of creating a television show, including insight about Star Trek Voyager’s specific creators and what role each person plays (note several individuals worked on several series so this is a good guide for TNG and DS9, too). The book covers in a journalistic style the background events surrounding a few first season episodes of Voyager. It includes a detailed analysis of what happened when Genevieve Bujold commenced filming as the original Captain Janeway, and manages to avoid “dirt digging” type commentary. Includes a small peek at key staff such as Alan Bernard, Alan Sims, and Michael Westmore, Michael Okuda, Rick Sternbach, and the entire writing staff. Highly recommended.
