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Tag Archive: Eric Heisserer


Review by C.J. Bunce

The latest big-budget movie that has arrived at Netflix could have been on par with prior Netflix movies The Cloverfield Paradox or Bright.  These are science fiction movies that have something to offer viewers, yet they probably would disappoint most if you paid to see them in the theater.  As much as the marketing for these Netflix films is trying to convince subscribers these are the “real deal,” the new sci-fi movie Extinction brings the discussion home again.  The Cloverfield Paradox had a broad, fairly well-known cast and significant production values.  Bright relied on the charisma of star Will Smith with a solid performance from Joel Edgerton working through some hefty prosthetic make-up.  So they had that minimum quality for first-out-of-the gate films for newcomer movie house Netflix.  But despite the well-known genre star cast of Extinction, the latest Netflix sci-fi movie just isn’t strong enough.  Remember the rack of B-movie sci-fi films at the old movie rental stores?  Sadly, that’s where this one would have been filed.

Michael Peña plays the father of two girls in a future Earth.  He’s having problems dealing with violent nightmares that are too real to merely be in his mind.  His wife, played by Lizzy Caplan, and their friends, all think he’s crazy.  When an invasion on par with War of the Worlds arrives in the middle of a dinner party, the father attempts to use the bits he can recall from the dreams to keep his kids and wife alive, and try to understand the menace approaching from the skies.  Peña and Caplan are not given enough to do, not enough to make us want to cheer them on, as director Ben Young drags the audience through very carefully selected architectural layouts, platforms, pathways, futuristic buildings, all slowly panning and following people walking, doing mundane things that people do.  For an entire hour nothing happens.  Luke Cage’s Mike Colter plays Peña’s boss, and when hell breaks loose you get the feeling that roles once owned by Keith David can now be handed over to Colter, as Colter becomes that take-charge leader.   But his scenes are few.  The standout performance in the film is by British actor Lex Shrapnel (K:19: The Widowmaker, Captain America: The First Avenger) who steps in to assist the family after the first barrage.  His performance brings some much-needed life, albeit too late.  But the actors just aren’t enough to save the film.

You can’t blame the cast for this one.  The slogging story doesn’t gain any momentum until the last 30 minutes, and then it must rely on a gotcha to even get viewers’ attention to stay around for the last act.  The film probably suffers from a young director and an unsalvageable script by the Oscar-nominated writer of the similarly thin and derivative screenplay for Arrival, Eric Heisserer, among others.  And it lacks a much-needed sci-fi or action flick musical score–the one thing that might have given some energy or passion to the first hour (The Nelson Brothers are listed as composers, but someone must have edited out most of their music).  At only an hour and 35 minutes, the movie drags to feel like a full 2 hours, yet the thin story could have been told in a 20 minute episode of a show like Black Mirror.  Worst of all, Extinction is devoid of any humor–an essential element of the best tense sci-fi action thrillers.

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This week the Saturn Awards crowned the best of genre film and television, selecting the best works on the screen for the 43rd year.  As with last year’s selections, although the start and end dates vary from our own calendar year list, this year’s winners aligned in the major categories with our own borg.com picks of the Best of 2016 from film and television.  If the Academy Awards, Golden Globes, Emmys, and all those other award recognitions leave you wanting, you can always depend on the Saturn Awards to come through for genre fans.

So we’re happy to see the Academy of Science Fiction, Fantasy and Horror Films name Rogue One: A Star Wars Story as Best Science Fiction Film, Best Direction in a Film (Gareth Edwards) and Best Film Visual/Special Effects (John Knoll, Mohen Leo, Hal Hickel, Neil Corbould), Doctor Strange as Best Comic-to-Film Motion Picture and Tilda Swinton for Best Supporting Actress in a Film, and Star Trek Beyond for Best Film Make-up (Monica Huppert and Joel Harlow) Star of our favorite superhero sequence of 2016, Spider-man Tom Holland was awarded Best Performance by a Younger Actor for Captain America: Civil War.  In the television categories, Riverdale was named Best Action/Thriller TV Series and star KJ Apa won The Breakthrough Performance Award for his work as the iconic comic book character Archie Andrews.*  The Best New Media TV Series was a tie, shared between Stranger Things and Marvel’s Luke Cageand Stranger Things star Millie Bobby Brown was named Best Younger Actor on Television.  Even a borg.com Hall of Famer won major kudos this year, Six Million Dollar Man actor Lee Majors was awarded The Life Career Award.  We couldn’t agree more with all these selections.

Other works we liked last year that won honors included 10 Cloverfield Lane for Best Thriller Film, Best Actress (Mary Elizabeth Winstead), and Best Supporting Actor (John Goodman), Deadpool for Best Actor (Ryan Reynolds), Arrival for Best Film Screenplay (Eric Heisserer), and Fantastic Beasts and Where to Find Them for Best Film Costume (Colleen Atwood).

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