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Tag Archive: Eric Kripke


For “truth is stranger than fiction” it’s difficult not to stumble over the story of Sarah Winchester.  Mysteries of the Museum, America’s Castles, and every series that has ever taken viewers on an excursion to America’s supposedly haunted houses has covered the story.  Heir to the Winchester rifle fortune, Sarah Winchester became one of the world’s wealthiest women of the 19th century.  Her husband died in 1881 and she then proceeded to spend her fortune on a sprawling mansion over the next 38 years, a mansion that was never finished.  And why?  Because Sarah Winchester thought the ghosts of those killed by Winchester rifles were haunting her.  She built extra room after room on her mansion to trick them into not finding her.  And she had new rooms added to the mansion until she died.  And this story is all true.

Next month the great Helen Mirren (RED, Hitchcock, The Queen) steps into the shoes of Sarah Winchester in the new drama horror film, Winchester.  One of genredom’s pervasive actors, Jason Clarke (Terminator: Genesys, Farscape, Dawn of the Planet of the Apes, Everest) plays a doctor looking into Winchester’s outlandish claims for the Winchester business.

The mansion still exists and is now a tourist attraction called the Winchester Mystery House in San Jose, California.  Check out the website here.  For fans of Supernatural–show creator Eric Kripke gave Sam and Dean their last name because of Kripke’s interest in the Mystery House.

The film adaptation appears to take the ghost story into the realm of Guillermo del Toro’s ghost story Crimson Peak.  Check out previews for the new movie, Winchester, after the cut:

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Time travel.  It’s a fun sub-genre of science fiction when it’s done right.  NBC and the CW have dueling sci-fi series entering the Primetime line-up beginning this month.  On Mondays, NBC airs Timeless, a story about a historian, a computer expert and a soldier acting as timecops as they try to correct changes in history via a time machine in pursuit of another–stolen–time machine.  On Wednesdays the CW airs Frequency, based on the 2000 sci-fi sleeper and cult movie starring Dennis Quaid.  Both are from the creative minds of Supernatural showrunners, and both series began this week with powerful openers.  We think both are worth adding to your weekly watch list.  The challenge will be maintaining their respective concepts for a full season.

Timeless hails from Supernatural creator Eric Kripke and The Shield creator Shawn Ryan. Abigail Spencer leads the cast as a historian much like you’d find in a Connie Willis novel, pulled into a secret time travel project.  Someone (Goran Visnjic) kidnapped a scientist played by genre favorite Matt Frewer, and Homeland Security, including a smartly cast agent played by Sakina Jaffrey (Sleepy Hollow, Mr. Robot), enlists Spencer’s character, an insider IT guy (Malcolm Barrett) and soldier/protector (Matt Lanter) to find them–in the past.  Compared to Star Trek and Doctor Who this show is Time Travel Lite–no complex knowledge or thought required.  The time travel prime directive seems to be that the timecops cannot travel into a time in which they previously existed.  So no do-overs.

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You can’t beat a nicely done re-creation of the Hindenburg disaster.  Even better, a re-imagining revealing the disaster never occurred.  Timeless didn’t waste any time, starting off with a single episode story focused on a historic event and it appears that will be the draw of each episode.  We saw elements of TimeCop, Timeline, Continuum, Quantum Leap, Doctor Who, Terminator, and DC’s Legends of Tomorrow in the first episode alone.  It works and it’s fun.  There’s something adventuresome about Timeless in a Young Indiana Jones vein. Timeless did miss one opportunity here:  Why not begin with the Hindenburg crashing on a false historic date and then land on the real date of the disaster for the ending?  That would have been a heck of a trick, but it shows much more can be threaded into this series.  We know from Star Trek and Doctor Who that time travel is twisty and full of possibilities. Timeless needs to embrace what its savvy audience already knows–and keep the focus on the fun.

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